We watch television for hours at a time but the television set is never itself the object of our attention We forget the tv is in our room as we engage with images from afar How do we account for such an everyday piece of furniture? This book focuses on the tv set's contradictory presence both as a material object & as a receiver of images Chris Horrocks traces the prehistory of television as a fantastic vision in nineteenth-century culture & charts its emergence through the fears & desires that society projected onto this alien presence in the living room He follows television's journey from its strange roots in spiritualism imperialism & Victorian experiments with electromagnetism through its contested 'invention' by heroic figures such as Baird & Farnsworth to its arrival as an essential consumer product Along the way the tv acquired a significance & role that advertising literature & cinema amplified The tv appears in culture as a sinister object capable of controlling thought monitoring its audience & causing mental & physical harm The design of the television console & cabinet imbued it with signs of status & good taste & more radical designs drew on the space race & avant-garde design The set has even become a radical medium in the work of artists Wolf Vostell & Nam June Paik Yet the television as a classic object began to disappear once the cathode ray tube became obsolete & flat-screen versions merged with the wall The Joy of Sets brings this most elusive object into critical & historical focus for the first time