Once described as the 'longest & most charming love-letter in literature' the Virginia Woolf's Orlando is edited by Brenda Lyons with an introduction & notes by Sandra M Gilbert in Penguin Classics Written for Virginia Woolf's intimate friend the charismatic writer Vita Sackville-West Orlando is a playful mock 'biography' of a chameleonic historical figure immortal & ageless who changes sex & identity on a whim First masculine then feminine Orlando begins life as a young sixteenth-century nobleman then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time A wry commentary on gender roles & modes of history Orlando is also in Woolf's own words a light-hearted 'writer's holiday' which delights in ambiguity & capriciousness Virginia Woolf (1882-1941) is regarded as a major 20th century author & essayist a key figure in literary history as a feminist & modernist & the centre of ' The Bloomsbury Group' This informal collective of artists & writers which included Lytton Strachey & Roger Fry exerted a powerful influence over early twentieth-century British culture Between 1925 & 1931 Virginia Woolf produced what are now regarded as her finest masterpieces from Mrs Dalloway (1925) to the poetic & highly experimental novel The Waves (1931) She also maintained an astonishing output of literary criticism short fiction journalism & biography including the playfully subversive Orlando (1928) & A Room of One's Own (1929) a passionate feminist essay If you enjoyed Orlando you might like Woolf's The Waves also available in Penguin Modern Classics'I read this book & believed it was a hallucinogenic interactive biography of my own life & future' Tilda Swinton