As public interest in modern art continues to grow as witnessed by the spectacular success of Tate Modern & the Bilbao Guggenheim there is a real need for a book that will engage general readers offering them not only information & ideas about modern art but also explaining its contemporary relevance & history This book achieves all this & focuses on interrogating the idea of &modern& art by asking such questions as What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern & contemporary art? Is &postmodernist& art no longer modern or just no longer modernist
- in either case why & what does this claim mean both for art & the idea of &the modern&? Cottington examines many key aspects of this subject including the issue of controversy in modern art from Manet&s Dejeuner sur L& Herbe (1863) to Picasso&s Les Demoiselles & Tracey Emin&s Bed (1999); & the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi ABOUT THE SERIES The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area These pocket-sized books are the perfect way to get ahead in a new subject quickly Our expert authors combine facts analysis perspective new ideas & enthusiasm to make interesting & challenging topics highly readable