View the Roland R-26 Brochure Here Superior detail, depth, & unparalleled flexibility—welcome to a new world of portable recording. The R-26 captures audio with high-definition direct sound, as well as the rich natural ambiance of the recording environment. With dual stereo mics, six channels of simultaneous recording, & much more, this portable recorder offers true professional quality & flexibility, opening the door to limitless creative possibilities. Two types of built-in stereo mics—omnidirectional & directional—operate independently of each other. Support for up to six channels of simultaneous recording—a powerful tool for professional applications. Three-channel IARC circuitry reduces interference between inputs for high-quality sound. H&-held field recorders have been hot commodities for musicians, recording engineers, & sound designers for years. Today, the mercury rises in this dynamic market with the debut of the game-changing R-26. This innovative recorder is portable yet loaded with first-class, professional features, the likes of which the industry has not seen before. There are two types of stereo microphones built into the R-26, plus a pair of XLR/TRS combo inputs for external mics, & an input for a stereo plug-in powered mic. Choose simultaneous combinations of the built-in mics (directional & omnidirectional), as well as the external inputs. Capture live performances with simultaneous line & ambient signal paths, record important speeches, lectures, & presentations, or take the R-26 into the inner city or deep forest for pristine field capture. The sky’s the limit with this powerful, portable, & incredibly flexible recorder. Two types of built-in stereo microphones (omnidirectional & directional) that can be used in various combinations Two XLR/TRS combo inputs with 48 V phantom power, plus an input for a stereo plug-in powered mic Supports up to six channels (three stereo channels) of simultaneous recording Large LCD touchscreen display for intuitive navigation Large input-level knobs for fine adjustment Built-in Hi-Speed USB (Universal Serial Bus) interface for use as an audio interface or external storage Loop-Back function; combine this with the built-in or external mics for the optimum live video streaming setup (only with Audio Interface function) Bundled with SONAR LE software (PC) With respect to sound quality, no stone was left unturned in developing the R-26’s new mic system. At the top of the R-26 are OMNI (omnidirectional) & XY (directional) stereo mic pairs, which not only provide pro-level sound, but also contribute to the unit’s impressive styling. To maximize their sound-collecting characteristics, we thoroughly studied the optimum shapes, positions, & angles of the mics. The OMNI mics are entirely enclosed in a mesh & optimized to faithfully capture sounds down to super-low frequencies. The XY mics have been given ample space at the back of the unit, maximizing their performance. in addition, the mics are laid out in a 90° configuration to create a natural stereo image. This ensures that your recordings will be clear, expansive, & true to the recording environment. Recorder Part Tracks 6 (3 stereo) Signal Processing AD/DA conversion: 24 bits, 96/88.2/48/44.1 k Hz Data Type For Recording WAVE/BWF: Sampling Rate: 96/88.2/48/44.1 k Hz, Bit

Depth: 24/16 bits MP3 (MPEG-1 Audio Layer 3): Sampling Rate: 48/44.1 k Hz, Bit Rates: 320/160/128 kbps WAVE + MP3: Sampling Rate: 48/44.1 k Hz, Bit

Depth: 16 bits, Bit Rates: 128 kbps For Playback WAVE: Sampling Rate: 96/88.2/48/44.1 k Hz, Bit

Depth: 24/16 bits MP3 (MPEG-1 Audio Layer 3): Sampling Rate: 48/44.1 k Hz, Bit Rates: 32-320 kbps or VBR (Variable Bit Rate) Memory Card SD Card (SDHC format compatible) Recording Time (unit: hours)   * Each recording time is approximate. The times may change depending on the card specifications. * In case that there are plural files, the sum of recording time would be shorter than above. Input/ Output Audio Inputs Internal Stereo Microphones: Omnidirectional (OMNI) mic, Directional (XY) mic Analog inputs 1/L, 2/R (XLR/TRS Combo type): XLR type (phantom powered), 1/4-inch TRS phone type (balanced/unbalanced) Plug-in powered mic input (Stereo miniature phone type) Audio Output Headphone jack (Stereo miniature phone type) Nominal Input Level (Variable) Analog inputs 1/L, 2/R: +4, -2, -8, -14, -20, -26, -32, -38, -44, -50, -56, -62 d Bu Plug-in powered mic input: LOW -7.5 d Bu, MID -21 d Bu, HIGH -26 d Bu * Input Level Knob: Center Input Impedance Analog inputs 1/L, 2/R: 5k ohms Plug-in powered mic input: 3k ohms (SENS = MID/HIGH), 2k ohms (SENS = LOW) Maximum Input Analog inputs 1/L, 2/R: +24 d Bu (SENS = +4 d Bu) Plug-in powered mic input: +4 d Bu (SENS = LOW) Output Level 35 m W + 35 m W (In case 16 ohms load) Recommended Load Impedance 16 ohms or greater Frequency Response 16 ohms or greater Phantom Power 48 V + or
- 4 V 10 m A or less in all channels USB (Universal Serial Bus) Interface Mini-B type connector USB (Universal Serial Bus) mass storage device class USB (Universal Serial Bus) audio (Hi-Speed USB) Other Display 160 x 160 dots graphic display (touch screen) Power Supply AC adaptor Alkaline battery (AA, LR6) x 4 or Rechargeable Ni-MH battery (AA, HR6) X 4 Current Draw 500 m A (MAX) Box Content Owner&0s manual SD Card AC Adaptor Power Cord Cakewalk SONAR LE DVD-ROM (for Windows) USB (Universal Serial Bus) Cable (mini-B type) Windscreen Size & Weight Width 82 mm 3-1/4 inches Depth 180 mm 7-1/8 inches Height 41 mm 1-10/16 inches Weight 370 g 0 lbs. 14 oz.






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View the Roland R-26 Brochure Here Superior detail, depth, & unparalleled flexibility—welcome to a new world of portable recording. The R-26 captures audio with high-definition direct sound, as well as the rich natural ambiance of the recording environment. With dual stereo mics, six channels of simultaneous recording, & much more, this portable recorder offers true professional quality & flexibility, opening the door to limitless creative possibilities. Two types of built-in stereo mics—omnidirectional & directional—operate independently of each other. Support for up to six channels of simultaneous recording—a powerful tool for professional applications. Three-channel IARC circuitry reduces interference between inputs for high-quality sound. H&-held field recorders have been hot commodities for musicians, recording engineers, & sound designers for years. Today, the mercury rises in this dynamic market with the debut of the game-changing R-26. This innovative recorder is portable yet loaded with first-class, professional features, the likes of which the industry has not seen before. There are two types of stereo microphones built into the R-26, plus a pair of XLR/TRS combo inputs for external mics, & an input for a stereo plug-in powered mic. Choose simultaneous combinations of the built-in mics (directional & omnidirectional), as well as the external inputs. Capture live performances with simultaneous line & ambient signal paths, record important speeches, lectures, & presentations, or take the R-26 into the inner city or deep forest for pristine field capture. The sky’s the limit with this powerful, portable, & incredibly flexible recorder. Two types of built-in stereo microphones (omnidirectional & directional) that can be used in various combinations Two XLR/TRS combo inputs with 48 V phantom power, plus an input for a stereo plug-in powered mic Supports up to six channels (three stereo channels) of simultaneous recording Large LCD touchscreen display for intuitive navigation Large input-level knobs for fine adjustment Built-in Hi-Speed USB (Universal Serial Bus) interface for use as an audio interface or external storage Loop-Back function; combine this with the built-in or external mics for the optimum live video streaming setup (only with Audio Interface function) Bundled with SONAR LE software (PC) With respect to sound quality, no stone was left unturned in developing the R-26’s new mic system. At the top of the R-26 are OMNI (omnidirectional) & XY (directional) stereo mic pairs, which not only provide pro-level sound, but also contribute to the unit’s impressive styling. To maximize their sound-collecting characteristics, we thoroughly studied the optimum shapes, positions, & angles of the mics. The OMNI mics are entirely enclosed in a mesh & optimized to faithfully capture sounds down to super-low frequencies. The XY mics have been given ample space at the back of the unit, maximizing their performance. in addition, the mics are laid out in a 90° configuration to create a natural stereo image. This ensures that your recordings will be clear, expansive, & true to the recording environment. Recorder Part Tracks 6 (3 stereo) Signal Processing AD/DA conversion: 24 bits, 96/88.2/48/44.1 k Hz Data Type For Recording WAVE/BWF: Sampling Rate: 96/88.2/48/44.1 k Hz, Bit

Depth: 24/16 bits MP3 (MPEG-1 Audio Layer 3): Sampling Rate: 48/44.1 k Hz, Bit Rates: 320/160/128 kbps WAVE + MP3: Sampling Rate: 48/44.1 k Hz, Bit

Depth: 16 bits, Bit Rates: 128 kbps For Playback WAVE: Sampling Rate: 96/88.2/48/44.1 k Hz, Bit

Depth: 24/16 bits MP3 (MPEG-1 Audio Layer 3): Sampling Rate: 48/44.1 k Hz, Bit Rates: 32-320 kbps or VBR (Variable Bit Rate) Memory Card SD Card (SDHC format compatible) Recording Time (unit: hours)   * Each recording time is approximate. The times may change depending on the card specifications. * In case that there are plural files, the sum of recording time would be shorter than above. Input/ Output Audio Inputs Internal Stereo Microphones: Omnidirectional (OMNI) mic, Directional (XY) mic Analog inputs 1/L, 2/R (XLR/TRS Combo type): XLR type (phantom powered), 1/4-inch TRS phone type (balanced/unbalanced) Plug-in powered mic input (Stereo miniature phone type) Audio Output Headphone jack (Stereo miniature phone type) Nominal Input Level (Variable) Analog inputs 1/L, 2/R: +4, -2, -8, -14, -20, -26, -32, -38, -44, -50, -56, -62 d Bu Plug-in powered mic input: LOW -7.5 d Bu, MID -21 d Bu, HIGH -26 d Bu * Input Level Knob: Center Input Impedance Analog inputs 1/L, 2/R: 5k ohms Plug-in powered mic input: 3k ohms (SENS = MID/HIGH), 2k ohms (SENS = LOW) Maximum Input Analog inputs 1/L, 2/R: +24 d Bu (SENS = +4 d Bu) Plug-in powered mic input: +4 d Bu (SENS = LOW) Output Level 35 m W + 35 m W (In case 16 ohms load) Recommended Load Impedance 16 ohms or greater Frequency Response 16 ohms or greater Phantom Power 48 V + or
- 4 V 10 m A or less in all channels USB (Universal Serial Bus) Interface Mini-B type connector USB (Universal Serial Bus) mass storage device class USB (Universal Serial Bus) audio (Hi-Speed USB) Other Display 160 x 160 dots graphic display (touch screen) Power Supply AC adaptor Alkaline battery (AA, LR6) x 4 or Rechargeable Ni-MH battery (AA, HR6) X 4 Current Draw 500 m A (MAX) Box Content Owner&0s manual SD Card AC Adaptor Power Cord Cakewalk SONAR LE DVD-ROM (for Windows) USB (Universal Serial Bus) Cable (mini-B type) Windscreen Size & Weight Width 82 mm 3-1/4 inches Depth 180 mm 7-1/8 inches Height 41 mm 1-10/16 inches Weight 370 g 0 lbs. 14 oz.






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Portable 4 Channel Recorder with Superior Sound Quality & SMPTE Time Code sync function. The R-4 Pro shares the R-4&0s rugged construction, robust feature set & great sound quality, but the R-4 Pro also

Includes:: AES/EBU support, SMPTE time code & superb electronics. Record up to four channels at 24-bit 96 K Hz & monitor each channel discretely.

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The R-44 portable field recorder from Edirol/ Roland is an ideal choice for videographers, musicians, sound designers, & more. The ultra-portable unit weighs under three pounds but packs a number of great features. Record up to four channels of linear PCM audio at a variety of bit rates & sampling frequencies; up to 24-bit/192k Hz! ...

The Roland R-44E is designed for professional use within a very conveniently sized package. Capture up to 4 channels of uncompressed audio with selectable bit depths (16-bit or 24-bit) & sampling frequencies (44.1k Hz/48k Hz/88.2k Hz/96k Hz). R-44 employs SD cards or large capacity SDHC cards as the recording media. ...

Affordable Pocket Recorder with Advanced Features More Info Box Contents Owner&0s manual, Quick start guide, SD card, Batteries (two AA), USB (Universal Serial Bus) cable (mini-B type), Windscreen 24/96 Recording The R-05 provides pristine, uncompressed stereo recording directly to SD card — up to 24-bit/96k Hz resolution. Whether recording directly with the built-in stereo mic or capturing sounds from an externally connected microphone or stereo line input, you’ll be impressed with the R-05’s detail & clarity. & for worry-free recording, the convenient Rehearsal mode ensures that you won’t overload the input. Onboard Editing Even though the R-05 integrates fluidly with computers via USB (Universal Serial Bus) 2.0, this new-generation recorder doesn’t require a PC for editing. For speed & convenience, you can trim, divide, & combine within the R-05. & for those who’d like to apply a high-gloss finish to their recordings, the R-05 is equipped with built-in reverb. Rehearsal Mode In a rehearsal studio, you can make clear recordings of your b&, even at high volume levels. The R-05 can automatically set the optimum recording level, & can split the songs for you automatically. It’s also possible to simultaneously record a high-quality WAV file for CD production & an MP3 file for file sharing. Music-Practice Partner The R-05 can help you practice your instrument or vocals. You can repeatedly loop a specified region of audio, or change the playback speed without changing the pitch. You can play back a difficult phrase slowly or play back at high speed to grasp the overall structure of a song in a short time. For Non-Musicians Too! Musicians will naturally gravitate to the R-05, but this portable recorder is great for many non-musical applications as well. Record lectures, speeches, & meetings, for example. The high-sensitivity, built-in microphone will clearly capture all of the voices in a room. The included windscreen & tripod mount enhance optimal placement & cleaner recordings as well. Features The compact R-05 is easy to use, affordable, & packed with big-ticket features that raise the bar in its price class. Experience crystal-clear 24/96 capture, enhanced recording & editing features, & extended battery life (over 16 hours per charge). On stage, in rehearsal, at school, on the street, in the boardroom — whenever inspiration strikes, let the R-05 capture the moment with convenience & quality. High-quality stereo recording (24-bit / 96k Hz) with the built-in stereo mic or external input Records directly to SD card with extended battery life (over 30 hours continuous playback, over 16 hours continuous recording) Strong, attractive metallic exterior Onboard editing functions; built-in reverb Music-practice features (change tempo without changing pitch, loop playback, etc.) Auto record start, auto song split, auto level adjust Pre Record function (captures 2 seconds of audio that precedes pressing REC) Use as a high-quality portable audio player (plays WAV & MP3 files) Windscreen & tripod mount included Recorder Part Tracks 2 (stereo one pair) Signal Processing AD/DA conversion: 24 bits, 44.1/48/88.2/96 k Hz Data Type (Recording) WAVE (Sampling Rate: 44.1/48/88.2/96 k Hz, Bit

Depth: 16/24 bits) MP3 (Sampling Rate: 44.1/48 k Hz, Bit Rates: 64/96/128/160/192/224/320 kbps) WAVE + MP3 (Sampling Rate: 44.1/48 k Hz, Bit

Depth: 16 bits, Bit Rates: 128 kbps) *MP3.. . MPEG-1 Audio Layer 3 Data Type (Playback) WAVE (Sampling Rate: 32/44.1/48/88.2/96 k Hz, Bit

Depth: 16/24 bits) MP3 (Sampling Rate: 32/44.1/48 k Hz, Bit Rates: 32
- 320 kbps or VBR) *MP3.. . MPEG-1 Audio Layer 3, VBR.. . Variable Bit Rate Memory Card SD Card, SDHC format compatible Recording Time* WAV (24-bit/96 k Hz): 27 mins/GB WAV (24-bit/88.2 k Hz): 30 mins/GB WAV (24-bit/48 k Hz): 54 mins/GB WAV (24-bit/44.1 k Hz): 59 mins/GB WAV (16-bit/96 k Hz): 40 mins/GB WAV (16-bit/88.2 k Hz): 44 mins/GB WAV (16-bit/48 k Hz): 81 mins/GB WAV (16-bit/44.1 k Hz): 88 mins/GB MP3 (320 kbps): 392 mins/GB MP3 (128 kbps): 980 mins/GB * Each recording time is approximate. The times may change depending on the card specifications. * In case that there are plural files, the sum of recording time would be shorter than above. Input/ Output Audio Inputs Internal Stereo Microphone, Mic input (Stereo miniature phone type, plug-in powered mic), Line input (Stereo miniature phone type) * The Internal/ External Mic & the Line input can&0t be used at the same time (Line input priority). Audio Output Phones (Stereo miniature phone type) Nominal Input Level (Variable) Mic input: -33 d Bu (MIC GAIN is H, Default input level) Mic input: -15 d Bu (MIC GAIN is L, Default input level) Line input: -7 d Bu (Default input level) * 0 d Bu = 0.775 Vrms Input Impedance Mic input (MIC GAIN is H): 7k ohms Mic input (MIC GAIN is L): 5k ohms Line input: 8 k ohms Output Level 20 m W + 20 m W (In case 16 ohms load) Recommended Load Impedance 16 ohms or greater Frequency Response 20 Hz to 40 k Hz USB Interface Mini-B type connector (support USB (Universal Serial Bus) 2.0/1.1 mass storage device class) Effects Reverb 4 types (Hall 1, Hall 2, Room, Plate) Speed change: 50
- 150 % of playback speed * Playback only. Excludes playback in 88.2 k Hz or 96 k Hz. * Reverb & Speed Change can&0t be used at the same time. Others Display 128 x 64 dot graphic display Power Supply AC Adaptor Alkaline dry battery LR6 (AA) type x 2 or Nickel Hydrogen battery (HR15/51) x 2 Current Draw 290 m A (maximum) Duration of continuous product use with Alkaline battery operation Playback: over 30 hours Recording: over 16 hours * These figures will vary depending on the actual conditions of use. Size & Weight   Width 60 mm 2-3/8 inches Depth 103 mm 4-1/16 inches Height 25 mm 1 inches Weight 140 g 0 lbs. 5 oz.







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Affordable Pocket Recorder with Advanced Features More Info 24/96 Recording The R-05 provides pristine, uncompressed stereo recording directly to SD card — up to 24-bit/96k Hz resolution. Whether recording directly with the built-in stereo mic or capturing sounds from an externally connected microphone or stereo line input, you’ll be impressed with the R-05’s detail & clarity. & for worry-free recording, the convenient Rehearsal mode ensures that you won’t overload the input. Onboard Editing Even though the R-05 integrates fluidly with computers via USB (Universal Serial Bus) 2.0, this new-generation recorder doesn’t require a PC for editing. For speed & convenience, you can trim, divide, & combine within the R-05. And for those who’d like to apply a high-gloss finish to their recordings, the R-05 is equipped with built-in reverb. Rehearsal Mode In a rehearsal studio, you can make clear recordings of your b&, even at high volume levels. The R-05 can automatically set the optimum recording level, & can split the songs for you automatically. It’s also possible to simultaneously record a high-quality WAV file for CD production & an MP3 file for file sharing. Music-Practice Partner The R-05 can help you practice your instrument or vocals. You can repeatedly loop a specified region of audio, or change the playback speed without changing the pitch. You can play back a difficult phrase slowly or play back at high speed to grasp the overall structure of a song in a short time. For Non-Musicians Too! Musicians will naturally gravitate to the R-05, but this portable recorder is great for many non-musical applications as well. Record lectures, speeches, & meetings, for example. The high-sensitivity, built-in microphone will clearly capture all of the voices in a room. The included windscreen & tripod mount enhance optimal placement & cleaner recordings as well. Features The compact R-05 is easy to use, affordable, & packed with big-ticket features that raise the bar in its price class. Experience crystal-clear 24/96 capture, enhanced recording & editing features, and extended battery life (over 16 hours per charge). On stage, in rehearsal, at school, on the street, in the boardroom — whenever inspiration strikes, let the R-05 capture the moment with convenience and quality. High-quality stereo recording (24-bit / 96k Hz) with the built-in stereo mic or external input Records directly to SD card with extended battery life (over 30 hours continuous playback, over 16 hours continuous recording) Strong, attractive metallic exterior Onboard editing functions; built-in reverb Music-practice features (change tempo without changing pitch, loop playback, etc.) Auto record start, auto song split, auto level adjust Pre Record function (captures 2 seconds of audio that precedes pressing REC) Use as a high-quality portable audio player (plays WAV & MP3 files) Windscreen & tripod mount included Recorder Part Tracks 2 (stereo one pair) Signal Processing AD/DA conversion: 24 bits, 44.1/48/88.2/96 k Hz Data Type (Recording) WAVE (Sampling Rate: 44.1/48/88.2/96 k Hz, Bit

Depth: 16/24 bits) MP3 (Sampling Rate: 44.1/48 k Hz, Bit Rates: 64/96/128/160/192/224/320 kbps) WAVE + MP3 (Sampling Rate: 44.1/48 k Hz, Bit

Depth: 16 bits, Bit Rates: 128 kbps) *MP3.. . MPEG-1 Audio Layer 3 Data Type (Playback) WAVE (Sampling Rate: 32/44.1/48/88.2/96 k Hz, Bit

Depth: 16/24 bits) MP3 (Sampling Rate: 32/44.1/48 k Hz, Bit Rates: 32
- 320 kbps or VBR) *MP3.. . MPEG-1 Audio Layer 3, VBR.. . Variable Bit Rate Memory Card SD Card, SDHC format compatible Recording Time* WAV (24-bit/96 k Hz): 27 mins/GB WAV (24-bit/88.2 k Hz): 30 mins/GB WAV (24-bit/48 k Hz): 54 mins/GB WAV (24-bit/44.1 k Hz): 59 mins/GB WAV (16-bit/96 k Hz): 40 mins/GB WAV (16-bit/88.2 k Hz): 44 mins/GB WAV (16-bit/48 k Hz): 81 mins/GB WAV (16-bit/44.1 k Hz): 88 mins/GB MP3 (320 kbps): 392 mins/GB MP3 (128 kbps): 980 mins/GB * Each recording time is approximate. The times may change depending on the card specifications. * In case that there are plural files, the sum of recording time would be shorter than above. Input/ Output Audio Inputs Internal Stereo Microphone, Mic input (Stereo miniature phone type, plug-in powered mic), Line input (Stereo miniature phone type) * The Internal/ External Mic & the Line input can't be used at the same time (Line input priority). Audio Output Phones (Stereo miniature phone type) Nominal Input Level (Variable) Mic input: -33 d Bu (MIC GAIN is H, Default input level) Mic input: -15 d Bu (MIC GAIN is L, Default input level) Line input: -7 d Bu (Default input level) * 0 d Bu = 0.775 Vrms Input Impedance Mic input (MIC GAIN is H): 7k ohms Mic input (MIC GAIN is L): 5k ohms Line input: 8 k ohms Output Level 20 m W + 20 m W (In case 16 ohms load) Recommended Load Impedance 16 ohms or greater Frequency Response 20 Hz to 40 k Hz USB (Universal Serial Bus) Interface Mini-B type connector (support USB (Universal Serial Bus) 2.0/1.1 mass storage device class) Effects Reverb 4 types (Hall 1, Hall 2, Room, Plate) Speed change: 50
- 150 % of playback speed * Playback only. Excludes playback in 88.2 k Hz or 96 k Hz. * Reverb & Speed Change can't be used at the same time. Others Display 128 x 64 dot graphic display Power Supply AC Adaptor Alkaline dry battery LR6 (AA) type x 2 or Nickel Hydrogen battery (HR15/51) x 2 Current Draw 290 m A (maximum) Duration of continuous product use with Alkaline battery operation Playback: over 30 hours Recording: over 16 hours * These figures will vary depending on the actual conditions of use. Accessories Owner's manual, Quick start guide, SD card, Batteries (two AA), USB cable (mini-B type), Windscreen Size & Weight Width 60 mm 2-3/8 inches Depth 103 mm 4-1/16 inches Height 25 mm 1 inches Weight 140 g 0 lbs. 5 oz.







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View the Roland R-26 Brochure Here Superior detail, depth, & unparalleled flexibility—welcome to a new world of portable recording. The R-26 captures audio with high-definition direct sound, as well as the rich natural ambiance of the recording environment. With dual stereo mics, six channels of simultaneous recording, & much more, this portable recorder offers true professional quality & flexibility, opening the door to limitless creative possibilities. Two types of built-in stereo mics—omnidirectional & directional—operate independently of each other. Support for up to six channels of simultaneous recording—a powerful tool for professional applications. Three-channel IARC circuitry reduces interference between inputs for high-quality sound. H&-held field recorders have been hot commodities for musicians, recording engineers, & sound designers for years. Today, the mercury rises in this dynamic market with the debut of the game-changing R-26. This innovative recorder is portable yet loaded with first-class, professional features, the likes of which the industry has not seen before. There are two types of stereo microphones built into the R-26, plus a pair of XLR/TRS combo inputs for external mics, & an input for a stereo plug-in powered mic. Choose simultaneous combinations of the built-in mics (directional & omnidirectional), as well as the external inputs. Capture live performances with simultaneous line & ambient signal paths, record important speeches, lectures, & presentations, or take the R-26 into the inner city or deep forest for pristine field capture. The sky’s the limit with this powerful, portable, & incredibly flexible recorder. Two types of built-in stereo microphones (omnidirectional & directional) that can be used in various combinations Two XLR/TRS combo inputs with 48 V phantom power, plus an input for a stereo plug-in powered mic Supports up to six channels (three stereo channels) of simultaneous recording Large LCD touchscreen display for intuitive navigation Large input-level knobs for fine adjustment Built-in Hi-Speed USB (Universal Serial Bus) interface for use as an audio interface or external storage Loop-Back function; combine this with the built-in or external mics for the optimum live video streaming setup (only with Audio Interface function) Bundled with SONAR LE software (PC) With respect to sound quality, no stone was left unturned in developing the R-26’s new mic system. At the top of the R-26 are OMNI (omnidirectional) & XY (directional) stereo mic pairs, which not only provide pro-level sound, but also contribute to the unit’s impressive styling. To maximize their sound-collecting characteristics, we thoroughly studied the optimum shapes, positions, & angles of the mics. The OMNI mics are entirely enclosed in a mesh & optimized to faithfully capture sounds down to super-low frequencies. The XY mics have been given ample space at the back of the unit, maximizing their performance. in addition, the mics are laid out in a 90° configuration to create a natural stereo image. This ensures that your recordings will be clear, expansive, & true to the recording environment. Recorder Part Tracks 6 (3 stereo) Signal Processing AD/DA conversion: 24 bits, 96/88.2/48/44.1 k Hz Data Type For Recording WAVE/BWF: Sampling Rate: 96/88.2/48/44.1 k Hz, Bit

Depth: 24/16 bits MP3 (MPEG-1 Audio Layer 3): Sampling Rate: 48/44.1 k Hz, Bit Rates: 320/160/128 kbps WAVE + MP3: Sampling Rate: 48/44.1 k Hz, Bit

Depth: 16 bits, Bit Rates: 128 kbps For Playback WAVE: Sampling Rate: 96/88.2/48/44.1 k Hz, Bit

Depth: 24/16 bits MP3 (MPEG-1 Audio Layer 3): Sampling Rate: 48/44.1 k Hz, Bit Rates: 32-320 kbps or VBR (Variable Bit Rate) Memory Card SD Card (SDHC format compatible) Recording Time (unit: hours)   * Each recording time is approximate. The times may change depending on the card specifications. * In case that there are plural files, the sum of recording time would be shorter than above. Input/ Output Audio Inputs Internal Stereo Microphones: Omnidirectional (OMNI) mic, Directional (XY) mic Analog inputs 1/L, 2/R (XLR/TRS Combo type): XLR type (phantom powered), 1/4-inch TRS phone type (balanced/unbalanced) Plug-in powered mic input (Stereo miniature phone type) Audio Output Headphone jack (Stereo miniature phone type) Nominal Input Level (Variable) Analog inputs 1/L, 2/R: +4, -2, -8, -14, -20, -26, -32, -38, -44, -50, -56, -62 d Bu Plug-in powered mic input: LOW -7.5 d Bu, MID -21 d Bu, HIGH -26 d Bu * Input Level Knob: Center Input Impedance Analog inputs 1/L, 2/R: 5k ohms Plug-in powered mic input: 3k ohms (SENS = MID/HIGH), 2k ohms (SENS = LOW) Maximum Input Analog inputs 1/L, 2/R: +24 d Bu (SENS = +4 d Bu) Plug-in powered mic input: +4 d Bu (SENS = LOW) Output Level 35 m W + 35 m W (In case 16 ohms load) Recommended Load Impedance 16 ohms or greater Frequency Response 16 ohms or greater Phantom Power 48 V + or
- 4 V 10 m A or less in all channels USB (Universal Serial Bus) Interface Mini-B type connector USB (Universal Serial Bus) mass storage device class USB (Universal Serial Bus) audio (Hi-Speed USB) Other Display 160 x 160 dots graphic display (touch screen) Power Supply AC adaptor Alkaline battery (AA, LR6) x 4 or Rechargeable Ni-MH battery (AA, HR6) X 4 Current Draw 500 m A (MAX) Box Content Owner&0s manual SD Card AC Adaptor Power Cord Cakewalk SONAR LE DVD-ROM (for Windows) USB (Universal Serial Bus) Cable (mini-B type) Windscreen Size & Weight Width 82 mm 3-1/4 inches Depth 180 mm 7-1/8 inches Height 41 mm 1-10/16 inches Weight 370 g 0 lbs. 14 oz.






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V-4: Four-Channel Video Mixer with Effects The compact video mixer that&0s full of features The V-4 is a 4-channel Video Mixer made for portable or fixed installation use. It is ideal to be used in nightclubs, places of worship, theatres, & other live performances. The compact design of the V-4 gives you the freedom to make your video sources come alive. The V-4 is a part of the Roland SD video mixer line. For cutting-edge Multimedia artists, the V-4 offers V-LINK, an exciting feature from Roland that provides for realtime performance control over digital video, for the ultimate in creative expression. V-LINK allows the user to trigger clips, perform video effects & transitions in real-time when connected with the PR-80 (sold separately). The V-4 video mixer also has MIDI in/out/through, for real-time or sequenced control of video sources with effects & transitions. The V-4 is a part of the Roland SD video mixer line. See the SD Mixer Comparison. Main Features Video Mixer / Switcher with 4ch input Independent 2-channel TBC / Frame Synchronizer Independent 2-channel Digital Effects Professional quality T-Bar Video Fader Easy Operation Beat Synchronization between Audio & Video Over 200 Transition Effects Best Video Product for 2004. 2004 Review The compact video mixer that&0s full of features Video Mixer / Switcher with 4-ch input V-4 is equipped with four composite (RCA Pin) inputs plus two S-video (Y/C) inputs. V-4 offers scene transition of the four video sources with Dissolve, Wipes (with a total of about 200 variations), & Switching. The V-4 outputs the same video source to all the three jacks (Composite x 2, S-video x 1), for simultaneous monitoring & displaying, without resorting to external distribution boxes. Over 200 Transition Effects See Listings Here Hard Edge Types Luminance Types Multi Border Types Sliding Types Soft Edge Types Professional Video Quality The input video sources are processed completely in the digital domain, & give professional video quality (13.5 M Hz, 8-bit, 4:2:2, DV quality). ideal to be used on large screens, & because the V-4 internal processing is digital there is no quality loss. Independent 2-channel TBC / Frame Synchronizer The input sources go through independent 2-channel TBC (Time Base Correction) circuits to correct the time code, independent 2-channel Frame Synchronizers are also applied to the two sources at this stage. These processes enable smooth transitions & Dissolves, & ensuring stable images all the time. Independent 2-channel Digital Effects V-4 features independent 2-channel Video effects that include a rich selection of digital effects (refer to spec sheet). The V-4 also features composition effects such as Picture-in-Picture, Chroma-key, and Luminance-key. The effects are recallable by a single button press. Professional-use T-Bar Video Fader Professional-use T-Bar cross fades for quick & intuitive operation. A V-4 innovation is that you chose to attach the fade however you like, either, vertically as standard for video mixer, or horizontally as a DJ mixer fader. The fader resolution has over 100 steps & offers extremely smooth transitions. Its metal body as well as its fader is strong & durable to be used in your active performance. Easy Operation V-4 is designed for its functions & operations to be clear from the front panel. Because it is simple to use its easy-to-use operation will enhance your realtime performance. Most of the V-4 functions can be selected & controlled without resorting to the manual. On Screen Menu Preview Function & On-Screen Menu The preview function is controlled by the source selection button, & enables the user to monitor each of the input sources 1-4 or the output source before transition, to a single preview monitor, no more multiple preview monitors! You can control V-4&0s major functions (Ex. Effect selection, MIDI input setting, etc.) from the dedicated preview screen using the convenient On-Screen Menu. This is separate from the output to the main outs, so you can view it anytime you want. Convenient User Memory Function V-4&0s User memory function means that you can memorize & conveniently recall the panel settings, such as effect assignment to each button. The memory is saved even while the power is off, so you can store the frequently-used setting. Maximum eight configurations. Synchronization between Audio & Video/ Connection with MIDI Equipment The V-4 features video transition/effects that can be synchronized with MIDI. The BPM (beat per minute) of transition/effects can be made to follow the beat of a music track by hitting the tap button (TAP function). The functions of V-4 can also be controlled via MIDI equipment such as a MIDI keyboard controller. If you have the optional PR-80, various visual performances become even more creative by mixing the DV-7PR&0s numerous video clips with the V-4&0s visual effects, all with realtime transitions & composition. Configuration Examples Live Production/ Church Here we have 4 inputs
- 2 live cameras, text, still or video input coming from a laptop & all high quality video playback coming from the PR-80. By using a luminance key with the text input (e.g., Power Point, Media Shout, etc.) from the computer, you can overlay song lyrics, notes or messages over any of your other 3 inputs. Of the three outputs, 2 are being sent to the house projectors & the third one is recording the event to a VCR. At all times you can independently monitor your inputs and effects via the preview monitor. Note: S-video output or RGB-to-video scan converter is required to connect a computer to the V-4. Multi-Camera Live Event In this example we have 4 live cameras being mixed to 2 house projectors, bringing image magnification (IMAG) to the room. We are also recording the event to a VCR as well. In a non-IMAG setting (i.e., school, courtroom, community TV) you would not send the output to projectors and simply record the event. At all times you can independently monitor your inputs & effects via the preview monitor. Corporate Event Often at corporate or church events, the playback material is on different media (VHS, DVD, mini DV, Betacam, etc.). In this example we have 4 inputs
- 1 live camera & 3 different playback devices. The V-4 makes it easy to mix between material coming from a variety of sources. Of the three outputs, only two are being used
- 1 is being sent to a lobby plasma & 1 is being sent to the house projector. At all times you can independently monitor your inputs & effects via the preview monitor. This setup can be greatly simplified by using a PR-80 to playback all video material as shown in Example 1 above. VJ/ Club Setup Having instant access to video material along with transitions & effects is the key to any visually stimulating display. In this example the VJ has material playing on the 2 DVDs, the VCR as well as their PC. The V-4 allows the real-time manipulation & transitioning between all of these inputs. The outputs are doing to the LCDs or plasma around the room or in the private boxes as well as to projectors throughout the house. At all times you can independently monitor your inputs & effects via the preview monitor. As in the previous example, this setup can be greatly simplified by using a PR-80 to playback all video material as shown in Example 1 above. Note: S-video output or RGB-to-video scan converter is required to connect a computer to the V-4. Independent Multi-Camera Shoot with IMAG This example combines Example 1 & 2 above. It means that you can use & be recording a 4 camera shoot via the first V-4 but also overlay text or playback other video material via the second V-4 for room image magnification (IMAG). This configuration means that you can keep shooting the event (via your 4 cameras) independently of what is happening on the house screens. For example, your house screens could go to black or perhaps playback a clip (via the PR-80)
- but your cameras could still be capturing audience or stage reaction. Conversely you can decide to use your multi-camera feed from the first V-4 for IMAG. At the same time, you can record the IMAG output via the 2nd V-4. At all times you can independently monitor all inputs & effects via the preview monitors. Video Format NTSC or PAL (ITU601) Video Sampling Rate 13.5 M Hz, 4:2:2 (Y:B-Y:R-Y), 8-bit, Flame synchronizer x 2 Transition Effects Hard Edge Wipe, Soft Edge Wipe, Multi-Border Wipe Video Effects Strobe, Still, Mirror, Multi, Shake Compositing Effects Picture-In-Picture. Chroma Key, Luminance Key Video Input S-Video: 4-pin mini DIN type x 2 (inputs 1 or 2) Video (composite): RCA pin type x 4 (inputs 1-4: however if S-Video is simultaneously input to 1/2, S-Video takes priority) Video Output S-Video: 4-pin mini DIN type x 1 Video (composite): RCA pin type x 2 Preview Out Video (composite): RCA pin type x 1 Control MIDI (in, out), V-LINK, BPM synch, TAP Power Supply Dedicated AC Adaptor Current Consumption 1500m A Included Items AC Adaptor, Transition effect list, T-bar attachment screws x 4 pcs. (spares) Size & Weight Width 225 mm 8-7/8 inches Depth 295 mm 11-5/8 inches Height 105 mm 4-3/16 inches Weight 2.3 kg 5 lbs. 2 oz. * The specifications are subject to change without notice.



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In-Stock. The Roland V-40HD Multi-Format Live Video Switcher is a welcomed addition to the powerful V-1600HD & V-800HD model lineup. The V-40HD Live Video Switcher is ideal for any live event or installation that requires the freedom to connect a variety of sources whether they be digital or analog, computer or video format. It is particularly positioned to support configurations using popular HDMI cameras as well as computers. ...