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Equator D5 Studio Monitors With DSP (Pair)
Equator 2-Way Active Coaxial Studio Monitors with Internal DSP (Sold as a Pair).
"if
there&0s a better speaker that&0s even close to this price range, I
haven&0t heard it. The midrange has excellent definition, particularly
in the upper mids - they&0re smooth and non-fatiguing.
Electronic Musician Magazine
"The
D5 could arguably top a "$750 and under" small monitor classification;
sonically, I agree that they compete with heavyweight competition from
names such as like Neumann, Genelec and Focal, all of which are much
costlier."
Pro Audio Review Magazine
"The
D5 studio monitor is high quality, low in cost, sounds fantastic,
offers amazing detail and imaging, and is backed by a 60 day
money-back guarantee." Tape Op Magazine "I soon realized that something special is going on here." Recording Magazine "This is a no-brainer: Buy these speakers. You will not be disappointed." Mix Magazine The D5 Studio Monitors: Our new D5&0s (Direct 5) studio monitors are geared for the recording professional seeking a small (9.75" x 7" x 8.5"), affordable, accurate, well-voiced, reference studio monitor solution. Focused attention was paid to the development details to ensure that they deliver professional sonic performance. These monitors feature an expensive coaxially designed transducer with a 5.25" woofer and a 1" silk tweeter. The frequency
response is 53hz to 20khz. A new cutting edge digital amplifier with breakthrough performance was designed specifically for the D5. The internal DSP allows for intricate factory adjustments. The D5 also has pro features such as balanced XLR and balanced/unbalanced TRS inputs as well as a boundary selection switch to select the appropriate monitor response for their placement (in a corner, in front of a wall, free standing). No plastic front baffle here. The D5 features an all wood cabinet, including a wood front baffle for optimum performance. No simple air releasing cutout on the front baffle or cut-out hole in the back. The D5 features a fully extended 1.75" perfectly tuned front port, providing superior and accurate extended low-end
response. And because the port is on the front baffle, the D5&0s can be positioned close to a wall with no fear of the low-end being choked. The coaxial transducer design combined with a steep 4th order crossover delivers a detailed mid-range that allows for clarity in that complex 900Hz - 3 kHz range. Guitars, voices, strings, horns, & reverb trails are very clearly and accurately portrayed and any mid-range anomalies that might exist in the source material can be easily determined and addressed. Because of our matched transducer output, mid-range mix elements can be positioned in the stereo field without the fear of being misplaced. The D5’s are optimally pre-set and voiced for ideal instrument translation. Like the Q Series, the D5
features our Zero-Point Reference™ custom designed coaxial Digitally-Controlled Transducers™ along with internal DSP to provide a matched output curve for every unit. This allows for accurate no-shift imaging. The DSP allowed pin-point accurate adjusting during the voicing process. The voicing was aided by award-winning recording engineers that referenced their hit mixes for voicing considerations. The final D5 pre-set voicing curve is optimal for mid-range detail. With high-quality components, internal DSP, 100w of power and 103 dB of SPL the D5 deliver a huge bang for a little buck. DEMO IN YOUR OWN ROOM: Every room has different sonic characteristics. The best place to demo the D5&0s and confirm your speaker purchase is within your own
room. Direct Field Monitoring: It is a well known fact and a matter of physics that sonic reflections off of walls, ceilings and other reflective surfaces, when combined with directly received audio information, will result in a distorted representation of the original audio at any given space. The farther the listening position from the speakers, the larger the percentage of combined reflective information, the greater the distorted results. Room reflective problems can be relieved through digital software manipulation, as in the Equator Q Series Room Analysis software, or by building a room with non parallel walls and strategically positioned absorption panels or by working in the Direct Field. Simply put: in a normal
room, the farther from the speakers, the greater the room effect. Conversely: the closer to the speakers the less the room effect. Direct Field Monitoring is where the clear majority of the audio information is received directly from the speakers with minimal reflective interference. By working in the direct field, the negative distortion effect caused by the combining of reflected information with direct information is dramatically reduced. Many speaker systems are designed to deliver their optimum low frequency and high frequency combined audio results when monitoring from a certain distance away from the speakers. In the case of traditional tweeter over woofer designs, that distance would generally be greater than that of a coaxial design where the audio
develops and is delivered from a single source. The D5 works perfectly in the near field or the direct field.
money-back guarantee." Tape Op Magazine "I soon realized that something special is going on here." Recording Magazine "This is a no-brainer: Buy these speakers. You will not be disappointed." Mix Magazine The D5 Studio Monitors: Our new D5&0s (Direct 5) studio monitors are geared for the recording professional seeking a small (9.75" x 7" x 8.5"), affordable, accurate, well-voiced, reference studio monitor solution. Focused attention was paid to the development details to ensure that they deliver professional sonic performance. These monitors feature an expensive coaxially designed transducer with a 5.25" woofer and a 1" silk tweeter. The frequency
response is 53hz to 20khz. A new cutting edge digital amplifier with breakthrough performance was designed specifically for the D5. The internal DSP allows for intricate factory adjustments. The D5 also has pro features such as balanced XLR and balanced/unbalanced TRS inputs as well as a boundary selection switch to select the appropriate monitor response for their placement (in a corner, in front of a wall, free standing). No plastic front baffle here. The D5 features an all wood cabinet, including a wood front baffle for optimum performance. No simple air releasing cutout on the front baffle or cut-out hole in the back. The D5 features a fully extended 1.75" perfectly tuned front port, providing superior and accurate extended low-end
response. And because the port is on the front baffle, the D5&0s can be positioned close to a wall with no fear of the low-end being choked. The coaxial transducer design combined with a steep 4th order crossover delivers a detailed mid-range that allows for clarity in that complex 900Hz - 3 kHz range. Guitars, voices, strings, horns, & reverb trails are very clearly and accurately portrayed and any mid-range anomalies that might exist in the source material can be easily determined and addressed. Because of our matched transducer output, mid-range mix elements can be positioned in the stereo field without the fear of being misplaced. The D5’s are optimally pre-set and voiced for ideal instrument translation. Like the Q Series, the D5
features our Zero-Point Reference™ custom designed coaxial Digitally-Controlled Transducers™ along with internal DSP to provide a matched output curve for every unit. This allows for accurate no-shift imaging. The DSP allowed pin-point accurate adjusting during the voicing process. The voicing was aided by award-winning recording engineers that referenced their hit mixes for voicing considerations. The final D5 pre-set voicing curve is optimal for mid-range detail. With high-quality components, internal DSP, 100w of power and 103 dB of SPL the D5 deliver a huge bang for a little buck. DEMO IN YOUR OWN ROOM: Every room has different sonic characteristics. The best place to demo the D5&0s and confirm your speaker purchase is within your own
room. Direct Field Monitoring: It is a well known fact and a matter of physics that sonic reflections off of walls, ceilings and other reflective surfaces, when combined with directly received audio information, will result in a distorted representation of the original audio at any given space. The farther the listening position from the speakers, the larger the percentage of combined reflective information, the greater the distorted results. Room reflective problems can be relieved through digital software manipulation, as in the Equator Q Series Room Analysis software, or by building a room with non parallel walls and strategically positioned absorption panels or by working in the Direct Field. Simply put: in a normal
room, the farther from the speakers, the greater the room effect. Conversely: the closer to the speakers the less the room effect. Direct Field Monitoring is where the clear majority of the audio information is received directly from the speakers with minimal reflective interference. By working in the direct field, the negative distortion effect caused by the combining of reflected information with direct information is dramatically reduced. Many speaker systems are designed to deliver their optimum low frequency and high frequency combined audio results when monitoring from a certain distance away from the speakers. In the case of traditional tweeter over woofer designs, that distance would generally be greater than that of a coaxial design where the audio
develops and is delivered from a single source. The D5 works perfectly in the near field or the direct field.
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