The Virgin is shown at prayer. In the companion picture Christ is shown holding an orb as ruler of the world. They are posed in this fashion in other pictures which show them in heaven. Many versions of these pictures exist, indicating that they were popu ...
This picture appears to be an early work by Lorenzo. The Virgin kneels, adoring the Christ Child. This was a well-known formula, but here it seems to adapt a composition current in the workshop of Lorenzo's master, Andrea del Verrocchio, In the backgro ...
This painting probably dates from shortly before 1511 at a time when Fra Bartolommeo was in partnership with Mariotto Albertinelli (1475 - 1515). A version of the composition by Albertinelli (Rome, Borghese Gallery) with this date is probably based on Fra ...
This is the central panel of an altarpiece that is thought to have been on the high altar of the Oratory of San Pietro in Vincoli, Faenza. It shows the Virgin & Child with four angels. The reliefs on the Virgin's throne represent (left) the Presentation in the Temple & (right) the Marriage of the Virgin. Other sections of the altarpiece depict Saint Peter, Saint Philip, Saint John the Evangelist & Saint John the Baptist. There was also originally a separate horizontal panel on top, with a painting of the dead Christ supported by angels. ...
A studio piece usually dated to the 1490s. The crisp white drapery of the Virgin with its compelling plasticity, looking as if it were starched, & its relative lack of response to the forms covered was characteristic of Bellini (see, for example, the dr ...
The Christ Child holds an apple. Behind the Virgin hangs an ornate brocade cloth-of-gold of a type Bouts often uses (see also those in ' The Virgin & Child with Saints' & ' The Virgin & Child'). This is a devotional work probably intended for domestic ...
The minute details in this painting, most notably of light playing on the golden curls & on the silk scarf, are unusually well-preserved. Christ stands upon a sill & the edge of the painting is treated as a window opening. On loan to the Mc Lellan Galle ...
Filippo Lippi & his workshop painted a number of devotional works like this one showing the Virgin & Child. The coat of arms in the left spandrel is that of the Florentine Strozzi family. It is a later addition & may not have been part of the origina ...
The Child Jesus stands on the parapet. He is steadied by the Virgin Mary who is seen against a cloth of Honour. This painting is thought to be an early work, & was probably painted for private devotion. Basaiti, who was active in Venice in the early 16th ...
The Child Jesus is shown standing on a carpet on a parapet. He holds a crystal orb & is gently supported by the Virgin Mary. Beyond a second parapet there is a distant landscape. The picture has also been attributed to Pintoricchio but this is unlikely. ...
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The Virgin And Child
In this early work, the Child, like the Virgin, is holding a cherry, the 'fruit of Paradise', in his left hand. The Child is seated on a book, presumably the Bible. The defined outlines, solid forms and especially the pose of the Virgin and the foreshort
In this early work, the Child, like the Virgin, is holding a cherry, the 'fruit of Paradise', in his left h&. The Child is seated on a book, presumably the Bible. The defined outlines, solid forms & especially the pose of the Virgin & the foreshort
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The Virgin And Child National Gallery
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The Virgin And Child National Gallery
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Virgin And Child National Gallery
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Virgin And Child National Gallery
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The Virgin And Child Print National Gallery
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The Virgin And Child Print National Gallery
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The Virgin And Child Print National Gallery
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Jargon Buster
Hand - A part of the body at the end of the arm
Hand - A pointer which indicates time on a clock face
Solid - Something that is firm and not liquid, a hard shape that cannot be changed easily.
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