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This picture with its brilliant blues & greens is among Cima's finest works. The active twisting pose of the child Jesus has evolved from earlier more sedate paintings of him. The background shows a view of 15th-century Conegliano, Cima's home town, know ...

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The painting seems to be a comparatively early work of the studio. The composition of the Virgin in prayer before her Child has been adapted from that of larger paintings of the Nativity, but the Child is here placed on a marble ledge as was commonplace i ...

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On the left are a Bishop Saint & Saint Nicholas of Tolentino; on the right, Saints Bartholomew & Monica (the mother of Saint Augustine). The triptych is said to come from the Augustinian church of S. Spirito, Florence; & contains Augustinian saints. ...

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This picture was probably painted in Florence in the late 1480s or early 1490s. Credi was much influenced by Leonardo da Vinci (1452
-
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The Virgin Mary & the Christ Child are seen through a painted stone frame or window. The Virgin tenderly embraces Christ. The Child adopts a more formal pose, standing upright & raising his right hand to bless the viewer. Attached to this in the lower ...

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The letters inscribed on the left & right pilasters suggest the abbreviated forms of the first & last letters of the Greek alphabet (Alpha & Omega). This refers to a saying from the Book of Revelation: 'I am Alpha & Omega, the beginning & the e ...

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Signed & dated at the bottom of the central panel: OPVS BENVENVTI IOANES DE SENIS MCCCCLXXVIIII (Work of Benvenuto di Giovanni of Siena 1479). Inscribed below the Virgin & Child: REGINA CELI LETTARE ALLELVIA (Rejoice the Queen of Heaven, Alleluia); an ...

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This picture has been called a work of Bellini's workshop, but the best preserved parts are by no means unworthy of Bellini himself. Painted in the middle period of Bellini's career, this painting has been dated to various points in the 1480s & 1490s. ...

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The design occurs in many versions, two of which have been assigned to Pesellino. The execution of the painting has been attributed to Piero di Lorenzo (1412
- 1480) & to ' Don Diamante' (1430
- 1498).

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This work is a fragment of a fresco. It is painted in the style of Boltraffio, while also resembling the work by the Master of the Pala Sforzesca; it was presumably painted by a Milanese follower of Leonardo da Vinci. It is badly damaged. ...

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The Virgin And Child

This painting displays the influence of Leonardo da Vinci, in whose Milanese studio Boltraffio was working by 1491. Among the decorative motifs picked out in gold on the cloth of honour are the inscriptions 'AVE' and 'MA[RIA]' (Hail Mary). Both the Virgin

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Supplier: National Gallery
SKU: NG728

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