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Side panels of the Virgin's life: Left: her birth
- Saint Joachim's offering rejected; an Angel appears to him; the Meeting at
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The inscription refers to the words of God to the serpent after the Fall: 'I will put enmity between you & the woman, between your seed & her seed; he shall crush your head.. .' (Genesis 3: 15) Recent cleaning has established that this painting, long believed to be a copy, is Gossaert's original. It dates from about 1527. ...
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The Child is blessing with his right hand & holds a small scroll in his left h&. This panel & The Man of Sorrows had been separated since at least 1926, & probably many centuries before that. They were recently recognised as having originally formed a diptych. They were painted by an unknown artist, probably Umbrian, in about 1260. Together with The Man of Sorrows (formerly Stoclet Collection, Brussels), this is probably one of the earliest surviving examples of that combination in Italian painting. ...
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The inscription beside the Virgin's left hand (A.A.P.) has been taken to mean ' Andrea di Aloigi [or Andrea da Assisi] painted this'. Andrea di Aloigi from Assisi, also known as 'L' Ingegno' was one of the most accomplished of Perugino's pupils who, according to Vasari, became blind & had to abandon his art in 1501. This work probably dates from the 1490s. The composition is perhaps derived from an altarpiece or other painting in which Christ would have been looking at a saint or donor to his right. ...
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The Christ Child holds the Virgin's breast & tugs at her veil. There are several versions of this design by Morales, & from his studio. Morales worked mainly in Badajoz & its neighbourhood in Spain. He was much influenced by Flemish painting &, at second h&, by Leonardo da Vinci. ...
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The design is based on two Leonardo paintings, the ' Litta Madonna' (St Petersburg, Hermitage) & the ' Madonna of the Yarn-Winder' (known in several versions). The artist's late style is reflected in the draperies & colouring. The figure of the Child is similar to that in Giovanni Antonio Boltraffio's ' Virgin & Child'; both derive from a Leonardo design. ...
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This painting is badly worn away. A goldfinch, symbolising the Passion, is shown held captive on a string. The infant Christ is fully dressed: some altarpieces in which the Child is similarly well covered were said to have been commissioned for nuns. ...
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This fresco fragment is traditionally thought to come from the church at Magrè, near Schio, Vicenza. This information is recorded in an inscription on the frame which appears to have been made for the painting when it belonged to Layard & may reflect some evidence which is now no longer extant (or known). The attribution to Montagna has not been confirmed. ...
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The Virgin rests a hand on the parapet in the foreground. The view seen through the window is unlikely to be of a specific place. The painting, although much damaged, is important because it is a rare signed work. Alvise was the youngest member of a family of painters. ...
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The artist's composition of the Virgin seated on the ground reflects the tradition of the Madonna of Humility. The rocky setting is similar to those which Leonardo favoured for his paintings. A pricked drawing, apparently for the head of the Virgin, is in the Victoria & Albert Museum, London. ...
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The Virgin And Child Print

The Christ Child holds a rosary. The book on the parapet is inscribed with passages in Latin from Psalms 51 and 70 used in the morning service, such as 'O Lord open Thou my lips; and my mouth shall show forth Thy praise' and 'Make haste, O God, to deliver me; make haste to help me, O Lord'. The Virgin's halo is inscribed with the words of the prayer 'Ave Maria Gratia Plena Domin[us Tecum].. .' (Hail Mary, full of Grace, the Lord [is with thee]). In the background to the right, the Charterhouse at Pavia is seen in the course of construction which suggests the dating for this picture. Bergognone was one of the leading painters in Milan at the time, and made several paintings for Pavia.
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Product Description

The Christ Child holds a rosary. The book on the parapet is inscribed with passages in Latin from Psalms 51 & 70 used in the morning service, such as 'O Lord open Thou my lips; & my mouth shall show forth Thy praise' & ' Make haste, O God, to deliver me; make haste to help me, O Lord'. The Virgin's halo is inscribed with the words of the prayer ' Ave Maria Gratia Plena Domin[us Tecum].. .' (Hail Mary, full of Grace, the Lord [is with thee]). In the background to the right, the Charterhouse at Pavia is seen in the course of construction which suggests the dating for this picture. Bergognone was one of the leading painters in Milan at the time, & made several paintings for Pavia.

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Milan - A city in Italy
deliver - The method by which something is delivered fomr one location to another
Inscribed - To carve words or symbols into an object
Print - A mechanical process of putting text onto paper. It can also relate to a pattern on an item.

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National Gallery
Discover art-inspired treasures at the National Gallery Shop (https://shop.nationalgallery.org.uk/)! Elevate your home decor with our exquisite range of prints, posters, and gifts featuring timeless masterpieces from renowned artists. From striking wall art to stylish accessories, our collection celebrates the beauty of art in everyday life. Dive into history and culture with our curated selection of books and stationery, perfect for art enthusiasts of all ages. With exclusive products and unique finds, shopping at the National Gallery is like stepping into a world of creativity and inspiration. Indulge your passion for art and bring a touch of gallery elegance into your life today!
Page Updated: 2024-03-04 09:43:56

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