The Virgin Mary is seated on an elaborate throne with the Christ Child. The Child is standing, giving a sign of blessing. Above them, the foreshortened figure of God the Father is dispatching the dove of the Holy Spirit. This work, together with ' Head of a Tonsured Beardless Saint' & ' Head of a Tonsured Bearded Saint' also in the Collection, are the surviving fragments (now transferred to canvas) from a street tabernacle painted at the Canto de' Carnesecchi, not far from the Piazza Santa Maria Novella, Florence. The two heads of saints are fragments from the sides of the tabernacle. According to the painter & biographer Giorgio Vasari (1511
- 1574), this was one of Domenico's first works in Florence.
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This is a variant of Benozzo's altarpiece, ' The Virgin & Child Enthroned', with the attendant saints omitted. Two extra seated angels are added, apparently from a design of Donatello. This work was probably done soon after the altarpiece, perhaps in Ben ...

Saint Michael weighs human souls & tramples the devil. On the right is an unidentified bishop saint. On the columns either side of the Virgin's throne are the Angel Gabriel & the Virgin, making an Annunciation scene. The gilded decoration behind the t ...

Probably an early work, painted in Antwerp in the 1490s. The Virgin is being crowned. The gold of her elaborate Gothic throne, suggestive of a church, is created with gold leaf overlaid with black lines, whereas the radiance around the Virgin's head & t ...

This panel is one of the earliest paintings in the Collection. The Virgin is wearing a Byzantine crown & is seated on a lion-headed throne; she holds Christ on her lap. In the corners of the central section are the symbols of the four Evangelists. The eight smaller scenes on either side of the Virgin show episodes from the lives of saints: Saint John the Evangelist in a cauldron of boiling oil; Saint John the Evangelist resuscitating a woman called Drusiana; The Nativity with the Annunciation to the Shepherds; Saint Benedict rolling in brambles to overcome the temptation; Saint Nicholas' warning to the pilgrims to throw deadly oil given to them by the devil into the sea; Saint Catherine beheaded & her body carried to Mount Sinai by angels; Saint Nicholas miraculously saving three innocent men from being decapitated; & Saint Margaret in prison swallowed by a dragon & escaping unhurt. ...

The Christ Child, at the Virgin's breast, stares out of the picture. The landscape with its tall mountains is typical of landscape depiction in the Low Countries in the 16th century. In the past this picture has been ascribed to van Orley, but it appears n ...

The object held by the Child is a toy that could be made to rise & fall. Its shape recalls the Cross on which the adult Christ will be crucified. The pot of carnations on the right probably symbolises Christ's Passion. The extensive & detailed landsca ...

In the background at the right is Saint John the Baptist, carrying a lantern & preceded by the Lamb of God. The main towers of the town in the background suggest those of Bruges rather than Antwerp. This painting has been associated with the style of Ysenbrandt. Circular paintings are not very common in the Early Netherlandish School. ...

The Virgin & Child are seen in an almond-shaped aureole or mandorla (from the Italian for 'almond') of cherubim, the second of the highest order of angels representing Divine Wisdom. This work is one of many versions of an original design possibly by Per ...

The Virgin & Child are shown in an apse attended by two angels. The composition, sometimes called The Virgin in the Apse or The Virgin of Salamanca, is known in many versions. They derive from a presumed lost original by Robert Campin. The frame is orig ...