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The setting of this painting & ' The Rape of the Sabines (after the signal)' is the same. According to Plutarch's ' Lives', shortly after the founding of Rome neighbouring peoples were invited to equestrian games which were to provide the opportunity for carrying off brides for the Romans. The Sabine women, who have come to watch the games, are shown on either side of Romulus & his entourage. The pictures may come from a cassone. ...
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Joseph was warned in a dream that King Herod was searching for the Christ Child & so took Mary & the infant to Egypt for safety. Their rest during the journey is a frequently depicted incident which is not actually described in the Bible. Joseph lies ...
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Joseph had been warned in a dream that Herod was searching for the Christ Child, so he took him & the Virgin to safety in Egypt. (Matthew 2:13-15). Mola painted this subject several times. This painting is probably among the earliest of these treatments. A date in the early 1630s is likely. Stylistically the work shows the influence of Albani. ...
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Christ steps triumphant out of the tomb while four soldiers sleep in the foreground. New Testament (Matthew 28: 2-4). He holds the banner of the Resurrection with a red cross on a white ground. This panel formed the last scene in the predella of the high altarpiece of S. Croce, Florence. ...
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Christ rises from his tomb, while the Roman soldiers sleep. ' The Maries at the Sepulchre', ' The Resurrection' & ' Noli me Tangere' are all by an imitator of Mantegna, & all from the same series. Technical examination in 1982 showed these panels to have been painted no later than the first half of the 16th century. All three reflect Mantegna's style of about 1460 & it has been suggested that they either record lost paintings, or, perhaps more likely, lost drawings or engravings by Mantegna. ...
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This & its companion, ' The Boar Hunt', are not allegories of Europe & Asia respectively, as was once thought, but are a pair of gallant hunting scenes. Their magnificent frames decorated with carved animal heads are of the period 1710-30. ...
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The Ark of the Covenant was a chest containing the tablets of stone on which the Ten Commandments were written. The Philistines captured the Ark, but God punished them. They are shown returning the Ark as far as the land of the Bethsamites, who are rejoic ...
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Create your own bespoke print of David Teniers the Younger’s The Rich Man being led to Hell from our collection. About this painting The Rich Man being led to Hell, about 1647 © The National Gallery, London This painting joined our collection in 1871 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...
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£6.990
Taking tea is one of the quintessentially English occasions, & who is a greater authority on the subject than the sumptuous Ritz London Hotel? The Ritz London Book Of Afternoon Tea, a charming Edwardian-style book captures the essence of this traditional British pastime, & provides us with all the expertise on the ceremony as well as the recipes. Stories about the legendary afternoon teas at The Ritz & fascinating details about the history of tea drinking are complemented with passages from such diverse writers as Charles Dickens to Oscar Wilde. Over fifty recipes are included for different kinds of afternoon tea specialities, from delicate sandwiches, strawberry shortcake & rose petal jam, to crumpets & muffins for hearty teas in front of a roaring fire. The author gives an infallible guide to the many blends of tea & their suitability to particular occasions. Beautifully presented & delightfully illustrated, The Ritz London Book Of Afternoon Tea is the perfect gift for tea drinkers everywhere. ...
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Christ is shown as a pilgrim with hat, staff & shell. In the background he appears again, this time between disciples, approaching the village of Emmaus. The subject is taken from the New Testament (Luke 24: 13-35), which recounts how on the day after C ...
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The Resurrection: Upper Tier Panel Print

The 12 main panels of the altarpiece, one of the largest to be commissioned in 14th-century Florence, are in the National Gallery Collection. The predella shows scenes from the life of Saint Peter and is dispersed in different collections. The painting was commissioned for the church of San Pier Maggiore in Florence, probably by the Albizzi family. The accounts of 1370 show that a certain Niccolò, probably Niccolò di Pietro Gerini, designed the altarpiece. It was probably painted by Jacopo di Cione and assistants. It was completed in 1371. In the centre of the composition are Christ and the Virgin, dressed in white and gold, and seated upon a canopied throne surrounded by angels. The panels to each side are densely crowded with saints; to the left a prominent Saint Peter carries a
model of San Pier Maggiore. The middle tier of the altarpiece, which would have been supported by heavy buttresses, showed (from left to right) the Nativity, the Adoration of the Kings, the Resurrection, the Maries at the Sepulchre, the Ascension and Pentecost. In the three pinnacles above, the Trinity appeared in the centre with adoring angels on each side. A later, more fluent, Florentine version of the theme is 'The Coronation of the Virgin by Lorenzo Monaco
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Product Description

The 12 main panels of the altarpiece, one of the largest to be commissioned in 14th-century Florence, are in the National Gallery Collection. The predella shows scenes from the life of Saint Peter & is dispersed in different collections. The painting was commissioned for the church of San Pier Maggiore in Florence, probably by the Albizzi family. The accounts of 1370 show that a certain Niccolò, probably Niccolò di Pietro Gerini, designed the altarpiece. It was probably painted by Jacopo di Cione & assistants. It was completed in 1371. In the centre of the composition are Christ & the Virgin, dressed in white & gold, & seated upon a canopied throne surrounded by angels. The panels to each side are densely crowded with saints; to the left a prominent Saint Peter carries a model of San Pier Maggiore. The middle tier of the altarpiece, which would have been supported by heavy buttresses, showed (from left to right) the Nativity, the Adoration of the Kings, the Resurrection, the Maries at the Sepulchre, the Ascension & Pentecost. In the three pinnacles above, the Trinity appeared in the centre with adoring angels on each side. A later, more fluent, Florentine version of the theme is ' The Coronation of the Virgin by Lorenzo Monaco

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Gold - A precious highly conductive metal
White - A colour combining all colours
heavy - A concept of weight indicating an item may require some effort to lift or move
Gold - A colour, a type of rich metal. Chemical symbol AU.
Composition - A way in which something is made up.
Model - A representation of a person or thing, usually smaller scale. It can also be a person that wears clothing.
Print - A mechanical process of putting text onto paper. It can also relate to a pattern on an item.
Family - A group of people that live together made up from parents and children.

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National Gallery
Discover art-inspired treasures at the National Gallery Shop (https://shop.nationalgallery.org.uk/)! Elevate your home decor with our exquisite range of prints, posters, and gifts featuring timeless masterpieces from renowned artists. From striking wall art to stylish accessories, our collection celebrates the beauty of art in everyday life. Dive into history and culture with our curated selection of books and stationery, perfect for art enthusiasts of all ages. With exclusive products and unique finds, shopping at the National Gallery is like stepping into a world of creativity and inspiration. Indulge your passion for art and bring a touch of gallery elegance into your life today!
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