The subject possibly shows the quarrelsome end of the Silver Age, according to Hesiod, or perhaps according to a contemporary derivation from him. Similar subjects occur in a number of paintings by Cranach; some of these are dated 1527, 1529 & 1535. This ...

The painting seems to have been part of a series illustrating the ' Triumphs' by the poet Petrarch (1304
- 1374). Love's arrows
...

Create your own bespoke print of Gerrit Lundens’s The Company of Captain Banning Cocq & Lieutenant Willem van Ruytenburch (' The Nightwatch') from our collection. About this painting The Company of Captain Banning Cocq & Lieutenant Willem van Ruytenburch (' The Nightwatch'), after 1642 © The National Gallery, London This painting joined our collection in 1857 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

This painting has a strong claim to be ter Brugghen's finest treatment of a secular subject. He has taken a scene favoured by Caravaggio & his Roman followers
- a group of flamboyantly dressed musicians seen by candlelight
- & treated it in his own distinctive manner, placing the dramatically lit half-length figures against a light background. Paintings of the same subject by Caravaggio (New York, Metropolitan Museum of Art) & Bartolommeo Manfredi (Florence, Uffizi) are among the prototypes for this composition. Their large-scale, half-length figures, their crowding together within the composition & their closeness to the edge of the canvas, as well as the bright, colourful palette can all be found in this painting. Ter Brugghen brings to this existing format an individual fluency in modelling the soft edges of his forms & a remarkable subtlety of palette.

...

On the eve of the election of the archbishop of Myra in Lycia (Asia Minor) in the 4th century AD, it was revealed to one of the bishops that a young man called Nicholas had been divinely chosen. When Saint Nicholas presented himself at the cathedral the following day he was elected & immediately installed as archbishop. The story is told in The Golden Legend. Veronese has shown the moment of Nicholas's recognition
- or subsequent consecration
- with an angel above bringing his bishop's stole, crozier & mitre. The saint humbly obeys. In 1087 Saint Nicholas's remains were translated to Bari. This work was painted for the altar of Saint Nicholas in S. Benedetto Po, near Mantua, where it was probably installed in 1562.

...

The story of the conversion of the Magdalene represented here is not told in the Gospels, but is implied by her actions towards Christ. The work is based on a lost fresco by Federico Zuccaro formerly in the Grimani chapel in S. Francesco della Vigna, Venice, & datable to the early 1560s. The composition was modified to incorporate portraits, presumably of members of Grimani's family. The painting was mentioned in Grimani's will. ...

This early work was probably produced for a noble patron in Verona. There has been much debate over the subject matter; however, it is now generally believed that the painting shows the conversion of Mary Magdalene. Concerned for her sister's spiritual health, Martha takes Mary to the Temple to hear Jesus preach. Veronese shows Mary blushing with shame & sunk to her knees as she is overcome by Christ's words. Her fashionably low-cut dress, inappropriate for a visit to the Temple, is emblematic of her formerly sinful life centered on vanity & pleasure. Converted by this encounter Mary then turns to a life of piety. The jewellery slipping from her neck foreshadows her subsequent renunciation of worldly goods. The scene depicted is absent from the Bible & the Golden Legend but narrated in Pietro Aretino's book 'L'umanità di Cristo' (1535). This publication was widely read in Northern Italy & probably constitutes the literary source for the painting. ...

This painting by a Cologne artist, together with ' The Mass of Saint Hubert' was one of the inside shutters of an altarpiece from the Benedictine Abbey at Werden, near Cologne. The outside shutters, depicting various saints, are also in the National Galler ...

The painting is unusual, though by no means unique, as a Dutch painting of the later 17th century representing a dramatic religious theme. Such subjects had been treated by Rembrandt &, in the earlier years of the century, by the Dutch followers of Cara ...

Christ appearing in the clouds strikes his persecutor Saul blind. Saul (henceforth Paul) is the prominent figure who has fallen on the ground beside his horse. This is the moment of his conversion. New Testament (Acts 9: 1-9). This has been variously attri ...