Saint Jerome is on a panel in the centre. To either side are saints connected with him: Pope Damasus & Saint Eusebius on the left, & Saint Paula with a book & Saint Eustochium with a lily on the right. In the foreground, either side of the panel wit ...

The altarpiece is complete & was dedicated to Saint John the Evangelist. It came from the Camaldolese Nunnery of San Giovanni in Pratovecchio, Italy. In the pinnacles are the Archangel Gabriel, the Trinity & the Virgin Annunciate. On the left panel ar ...

This is an altarpiece of the Camaldolese Order dedicated to Saint John the Baptist. An inscription which is now no longer visible, recorded that it was painted for Filippo Neroni in 1387 (?). It is probable it was the altarpiece of the Stoldi Chapel in Santa Maria degli Angeli, Florence. In the centre, Saint John baptizes Christ, with God the Father & the Holy Spirit above. On the wings of the triptych are Saint Peter (left), & Saint Paul (right); the predella, or lower section of the altarpiece, shows episodes from the life of Saint John the Baptist. At the far ends are Saints Benedict (left) & Romuald (right). The pinnacles & side pilasters are missing. ...

This painting is a copy of the predella panel of an altarpiece originally in the Griffoni chapel of the church of S. Petronio, Bologna. The 15th-century central panel by Francesco del Cossa depicts ' Saint Vincent Ferrer', who became a Dominican friar in 1 ...

Legal documents mention a Giovanni ‘painter’, then ‘master’, living in Rimini between 1292 & 1336. He is assumed to be the same artist as the JOHES PICTOR (John the Painter) who signed the monumental Crucifix still in the church of San Francesco in the hill town of Mercatello sul Metauro. The very damaged frescoes representing the ' Life of the Virgin, with Augustinian Saints & Two Female Donors' in the Campanile Chapel of San Agostino, Rimini (dated. c. 1300 – 1310) are probably also by Giovanni. Giovanni da Rimini was one of a small group of artists who for a short period in the early 14th century made the Italian port city of Rimini a centre for some of the most innovative painting in Europe, characterised by its combination of jewel-like delicacy, emotional intensity & iconographic originality. Surviving paintings by members of the School of Rimini are rare, & paintings by Giovanni, the most talented member of the group, are exceptionally so. ...

Create your own bespoke print of Paolo Veronese’s Scorn from our collection. About this painting Scorn, about 1575 © The National Gallery, London This painting joined our collection in 1891 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Create your own bespoke print of Claude’s Seaport with the Embarkation of Saint Ursula from our collection. About this painting Seaport with the Embarkation of Saint Ursula, 1641 © The National Gallery, London This painting joined our collection in 1824 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Create your own bespoke print of Claude’s Seaport with the Embarkation of the Queen of Sheba from our collection. About this painting Seaport with the Embarkation of the Queen of Sheba, 1648 © The National Gallery, London This painting joined our collection in 1824 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Originally attributed to Corot, this seascape was probably painted by one of his followers. It is thought to be a view of the cliffs at Trouville in Normandy, France. The techniques employed & the costumes of the women suggests a date of around 1870. ...

The white horse carries a fishing net on its back; in the distance at the right two boats can be seen by the shore. This picture was exhibited at the British Institution in 1818 as the artist's last painting. There is no stylistic reason for this tradition ...