Create your own bespoke print of Sandro Botticelli’s Portrait of a Young Man from our collection. About this painting Portrait of a Young Man, probably about 1480-5 © The National Gallery, London This painting joined our collection in 1859 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Create your own bespoke National Gallery art print of Andrea del Sarto’s Portrait of a Young Man from our collection. About this painting Portrait of a Young Man, about 1517-18 © The National Gallery, London This painting joined our collection in 1862. With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

The identity of the young male sitter is not known. A former attribution linked the picture to the Florentine workshop of Domenico Ghirlandaio. His pose is certainly related to those of Ghirlandaio's portraits of men. However the painter has set the figure against the sky (rather than a landscape or interior setting) in a manner more akin to the Pollaiuolo brothers. ...

The sitter has not been identified. Ter Borch specialised in small full-length portraits of Dutch burghers. The portrait has been dated on the basis of style & costume to around 1663-4. It was probably painted as the pair to a ' Portrait of a Young Woman' (Clevel&, Museum of Art). ...

The man stands before a formal garden at the right & rests his arm on a pedestal decorated with a relief of a cupid overcoming Pan. The sitter was formerly identified as ' Admiral Lord Berkeley' but none of the admirals who were members of the Berkeley family was of the age of this sitter in 1679, the date inscribed on the portrait. If he is one of the earls of Berkeley the only reasonable candidate is Charles, the 2nd Earl (1649
- 1671), who was envoy to the States of Holland (1689-94). However, the only portrait which claims to represent Charles shows a different man. In the past this painting has been attributed to Caspar Netscher, while he was a student of Gerard ter Borch, but it is now considered to be a studio replica of a painting (Amsterdam, Rijksmuseum) dated 1678. The signature & date are not in Netscher's hand & were presumably added later.
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The costume of the unidentified sitter has been dated to about 1518. In the past this painting has been attributed to Raphael, to the Milanese School & (less appropriately) to Bartolommeo Veneto. ...

This portrait was formerly attributed to Rembrandt, from whose style it derives & whose false signature it bears. There are several pentimenti (alterations made by the artist to an area already painted). The attribution to Willem Drost, one of Rembrandt ...

This portrait was formerly believed to be a lady of the Brignole family from Genoa. The fashionable costume suggests the dating of about 1550. It is possibly a pendant to (made to be hung beside) a portrait of a young man now in the Uffizi, Florence, whic ...

This unidentified woman is seen with one breast exposed, & with carnations tucked into her chemise. This picture appears to have been painted in the late 16th century. ...

The young woman in this painting is richly dressed, in a silvery green dress patterned with oak leaves. She is surrounded by a swathe of gold-bordered material, & wears a lavish floral garl&. An annotation in a 1907 sale catalogue suggested that this portrait was of a “ Mlle de Coislin.” However, no other evidence exists to support this claim. ...