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Some of Van Dyck's most intimate & least formal portraits, such as this one, are those he painted of the predominantly bourgeois citizens of Antwerp & their families before his departure to Italy in 1621. This unknown woman & child may originally hav ...

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The sitter is depicted as Saint Agnes, patron saint of virgins & young girls, with her attributes of the lamb & the sword. The sitter may also have had the Christian name of Agnes. The silver support & the delicate finish suggest that this was a precious object, perhaps painted for a loved one or husband to carry with him. It is possible that the sitter was a member of the family who later bought the property. The background portico resembles the one designed by Rubens for his house in Antwerp. ...

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In 1483 Ambrogio de Predis (or Preda), with his brother Evangelista, was contracted in Milan to assist Leonardo da Vinci in painting & gilding the altarpiece which was to incorporate ' The Virgin of the Rocks'. It is likely that this portrait is also a Mi ...

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Create your own bespoke print of Lorenzo Lotto’s Portrait of a Woman inspired by Lucretia from our collection. About this painting Portrait of a Woman inspired by Lucretia, about 1530-3 © The National Gallery, London This painting joined our collection in 1927 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

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Create your own bespoke print of Swabian’s Portrait of a Woman of the Hofer Family from our collection. About this painting Portrait of a Woman of the Hofer Family, about 1470 © The National Gallery, London This painting joined our collection in 1863 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

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The beads worn by the unidentified lady are ornamented with the emblems of the Passion. One of them is inscribed 'SAP'. The costume suggests that this painting can be dated to the early years of the 16th century. It resembles costumes in frescoes in the P ...

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This half-length portrait of an unidentified sitter has in the past been catalogued as 'A Young Widow', but because she has no veil this seems unlikely. The costume is probably from soon after 1580. The painter was perhaps not French but Anglo-Flemish, an ...

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The young woman wears a richly embroidered, fur-trimmed dress typical of southern Germany. The coats of arms at the upper right corner, which were revealed when the painting was cleaned in 1968, identify the sitter as Susanna Stefan (died 1594), wife of Wolff Furter (1538?
- 1594) of Nuremberg. Her glance suggests that a companion portrait of her husband may once have existed.
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The painting may originally have formed the left-hand part of a devotional painting. On the wall behind the sitter is an illuminated scroll with a prayer to Saint Veronica, decorated with the type of Head of Christ which usually appears on the saint's vei ...

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This is a half-length depiction of an unidentified youth; the reverse of the support is marbled. This painting is almost certainly a forgery, made in Italy in the second half of the 19th century, of an Italian painting of the late 15th century. When bequea ...

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Portrait Of A Woman With A Fan

Hals pays great attention to detail in the portrayal of this woman's elegant attire, which is characteristic of the period around 1640, when this picture was probably painted. She wears a large, flat three-tiered collar, silver bow and wide lace-trimmed c

Availability: In Stock
Supplier: National Gallery
SKU: NG2529

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