The costume of the unidentified sitter suggests the approximate dating of this picture to 1585-95. The condition of the picture makes a precise attribution difficult. ...
The rich costume of this unidentified sitter would suggest that she came from a wealthy & possibly aristocratic family; a Habsburg identification has been proposed. It is likely that this bust-length portrait has been cut from a larger work. The style of ...
An early 19th-century label on the back of the lining canvas identifies the girl as a member of the Braganza family, but no other clues to her identity are known. ...
The child shown in this portrait has not been identified; her costume is consistent with a date of about 1640. The portrait was formerly attributed to Jacob Gerritsz. Cuyp (1612 - 1652), who painted a number of full length children's portraits. His style, ...
The date of this painting is just visible on the letter carried by the sitter; the words of the letter are otherwise illegible. The melancholy mood of the painting is underlined by the inscription in the parapet which reads, in primitive French, 'who loves well is slow to forget'. The sitter wears the Maltese Cross of the Order of Saint John; the order was expelled from Rhodes in between 1522 & 1523 & established in Malta in 1530. The painting recalls the work of Andrea del Sarto. The landscape itself, treated more in the manner of Fra Bartolommeo, is prominent in the design of the painting & may refer to a particular site. ...
This work is traditionally regarded as Florentine, but possibly of North Italian origin. It has been reduced in size. The identity of the sitter is not known, but the costume suggests a date of about 1540. It was formerly attributed to Bronzino & then t ...
It has been suggested at different times that the sitter is the Duchesse D' Angouleme, or Francoise d' Orleans, Princesse de Conde. Neither of these identifications is convincing. The picture is dated by the costume of the sitter, which is thought to be of t ...
The identity of this sitter is unknown. She is seated in a garden in front of a fountain in the shape of a putto holding up a ewer. The orange blossom in her hand refers to her allegiance to the House of Orange & the bas-relief of embracing cupids sugge ...
A three-quarter-length portrait of an unidentified sitter. The picture has been attributed to Solimena, & described as one of his very late works. It reflects the style of his paintings, but appears to be inferior in quality to portraits by the artist. ...
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Portrait Of A Grand Vizir, Or Of A European Dressed As One Print
The costume corresponds with that of a Grand Vizir, but the sitter may just be wearing a Turkish costume. He was once identified as Edward Wortley Montagu (1713 - 1776), and again as a self portrait.Liotard travelled widely in Europe and the East.
The costume corresponds with that of a Grand Vizir, but the sitter may just be wearing a Turkish costume. He was once identified as Edward Wortley Montagu (1713 - 1776), & again as a self portrait. Liotard travelled widely in Europe & the East.
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Costume - Clothes that set a scene of a particular theme or time period.
Print - A mechanical process of putting text onto paper. It can also relate to a pattern on an item.
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