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This bust-length portrait of an unidentified sitter is probably cut down at the right. The inscription, which is truncated, may be a part of a couplet of unknown origin, & presumably refers to the subject. This painting has in the past been attributed t ...

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The subject has formerly been called a ' Spanish General', & then a ' Military Commander'. The dress & background have been left unfinished. This is possibly a study for a sitter in a group. The costume suggests a date of about 1570-80. ...

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The artist worked in Venice. Many of his paintings are miniatures. His style is close to that of Antonello but with a crisp linearity which owes much to followers of Mantegna, such as Zoppo. The mid-16th century, North Italian, carved, tabernacle frame was ...

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This portrait was once wrongly attributed to Jacques-Louis David but it may be by his assistant Georges Rouget or by a follower of Baron Gros (1771
- 1835). The costume & especially the hairstyle suggest the approximate date for this painting
- the info

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The youthful sitter has not been identified. The dress suggests a date in the mid-1540s & is plainly that of a wealthy family; the full-length format also suggests an aristocratic sitter. This portrait was formerly attributed to Pontormo, Bronzino & Fr ...

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The portrait has been attributed to François Duchastel, a Flemish painter who worked in Ghent. His work is not, however, well defined & such an attribution must remain tentative. The costume shows a Spanish influence & was worn in the Southern Netherlands in about 1660. ...

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A profile portrait of an unidentified youth. This painting has in the past been attributed to the School of Clouet, & more understandably to the School of Fontainebleau. It has also been suggested that its origins may not be French at all. X-radiographs show changes made by the artist to the nose & collar. ...

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A smaller version of this portrait (Rome, Galleria Nazionale) is traditionally identified as a representation of Cardinal Savelli. Giacomo Savelli, was made Cardinal in 1596 & died in 1599. Pulzone was one of the leading artists in Rome in the last decades of the 16th century. ...

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The sitter is unidentified, but may have been a collector of note. The imitation classical relief on the left probably represents Mars & Venus with Cupid, & the statuette on the table may be a figure of Ceres, & is probably antique, as are the coins. Probably painted in Parma before 1524, although a later date is also possible. ...

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The sitter, who was presumably a military commander, has not been identified. He carries a commander's baton in his right h&. The bridge & towers in the background seem to be a reminiscence of those of the Castel Sant' Angelo in Rome. Their inclusion ...

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Portrait Of A Boy Aged 11 Print

Create your own bespoke National Gallery art print of Jacob van Oost the Elder’s Portrait of a Boy aged 11 from our collection. About this painting Portrait of a Boy aged 11, 1650 © The National Gallery, London This painting joined our collection in 1883. With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection and exhibitions. Choose your own size, print material and frames and have your masterpiece delivered straight to your door.

Availability: In Stock
Supplier: National Gallery
SKU: NG1137

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Product Description

Create your own bespoke National Gallery art print of Jacob van Oost the Elder’s Portrait of a Boy aged 11 from our collection. About this painting Portrait of a Boy aged 11, 1650 © The National Gallery, London This painting joined our collection in 1883. With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door.