Create your own bespoke print of Jean-Baptiste-Camille Corot’s Italian Woman or Woman with Yellow Sleeve from our collection. About this painting Italian Woman or Woman with Yellow Sleeve, about 1870 © The National Gallery, London This painting joined our collection in 2012 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

The composition, with variations, is known in several versions, two of which accord with the style of the Brunswick Monogrammist. It is improbable that any of the known versions is the original of the design. The costume dates from the 1550s. ...

A fascinating miscellany of facts, "es & tales. Dip in or find yourself engrossed in an alternative tour of the great art & artists in the National Gallery, London. This is not your usual art gallery guide. Instead, this volume gets you up close & personal to individual masterpieces in the National Gallery. Meet some of the colourful characters captured in portraits & the people who brought these treasures to the National Gallery. Read about the painting that took flight down a mountainside, the portrait which made a cameo appearance in a James Bond film, the paintings that conceal paintings, only discovered years later. This book unlocks the hidden history of masterpieces in the National Gallery, until now buried in larger books, articles or archives. Immerse yourself in a treasury of facts, discoveries & anecdotes. Many are touching, some highly amusing, while others are surprising, but all are addictive reading. If the Paintings Could Talk presents these accounts in an A–Z format, richly illustrated & skilfully cross-referenced with other entries in the book, leading art lovers on an intriguing journey. ...

It is likely that the foreground figures shown in this picture are Saint Roch & his attendant Gothardus, who tended the ulcer on Saint Roch's thigh. The picture may have been painted to commemorate relief from the plague, against which Saint Roch was in ...

A group of figures & a dog rest on a winding road. Further back another figure walks towards a small hilltop town. The scenery derives from the countryside outside Rome. The view was previously believed to represent the ancient town of Ariccia, but the buildings have now been identified as being a composite of buildings found in Tivoli as they were in Dughet's lifetime. This work is apparently a pendant to Dughet's ' Landscape with a Shepherd & his Flock', also in the Collection. ...

In the foreground a stag is resting, while a hind drinks from a pool in the left background. This painting was exhibited in 1863 with the title ' Amours de Cerfs' (Loves of Stags), but it had acquired its present title by 1873. ...

This panel is one of three in the Collection which were probably part of the predella of an altarpiece of the Coronation of the Virgin, commissioned by Camaldolese monks. They illustrate the life of Saint Benedict (about 480
- 547) whose rule the Camaldol
...

The church interior has not been identified. The painting was previously attributed to Pieter Neeffs the Elder, whose name, together with the date 1644, is inscribed on the wall tablet above the tomb on the right. However, the signature is false & the p ...

The paintings hanging in the church depict, from left to right, Christ carrying the Cross, the Virgin & Child, the Crucifixion & Saint Jerome. The object in the centre is the font crane which supports a font cover. The numbers 632 on the tombstone are ...

Brekelenkam painted many versions of this subject, using the same basic composition. The earliest version dates from 1653 (Worcester, Mass., Art Museum), & the latest from 1664 (private collection). This painting can probably be dated to just before 166 ...