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The Virgin & Child are shown in the foreground with a donor, probably a Franciscan friar, praying on the left. Christ holds a flower & gives a sign of blessing. The donor is tonsured & raises his hands in veneration. Saint Catherine of Alexandria st ...
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The unidentified donor kneels on the right of the Virgin & Child. He is accompanied by Saint George, the legendary third-century Cappadocian knight who rescued a princess by slaying a dragon, here shown at his feet. This is a small altarpiece, probably f ...
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Cherries are offered to the infant Christ in a golden chalice, which is a reminder of Francia's own work as a goldsmith
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The figure composition is taken from a painting by Filippo Lippi (Florence, Uffizi) & much of the detail (the elaborate veiled headdress of the Virgin & the curls of the infant Christ) is painted in his style. There are also affinities, especially in ...
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The Christ Child, held by the Virgin, reaches out to an angel who worships him. The very poor condition of this picture makes attribution impossible; however, it is now clear that it is not a fake as previously believed & probably dates from the 15th ce ...
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The Virgin & Child are under a canopy ornamented with shields; an angel gives the Christ Child a goldfinch, symbol of the Passion. The flowering hedgerows behind are echoed in the fringed tapestry covering the marble step. Clearly influenced by Fra Angel ...
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In the left background can be seen the Nativity with Saint Joseph & the Annunciation to the Shepherds. In the right background are shown the cavalcade of the three kings & their followers. The same design of the Virgin & Child was used several times, with variations, by Perugino. ...
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Create your own bespoke print of The Virgin & Child with Flowers from our collection. About this painting The Virgin & Child with Flowers, after 1642 © The National Gallery, London This painting joined our collection in 1876 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...
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This small panel of about 1305 may once have been attached to another (perhaps depicting the Crucifixion) to form a diptych. The Virgin & Child enthroned in majesty among angels is known as a Maestà & is also found in monumental altarpieces (see also the Maestà attributed to the Master of the Casole Fresco). The frame is original but has been regilded. ...
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The four saints are not identifiable, although, the one on the left with a book is probably a Franciscan. The group of the Virgin & Child is derived in reverse, except for the hands, from an engraving by Mantegna. The frieze-like composition is probably ...
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The Virgin And Child With An Angel Print

This altarpiece comes from a chapel in the Certosa di Pavia, a Carthusian monastery near Milan. The central Virgin and Child are flanked by the Archangel Saint Michael on the left, standing on Satan. Raphael and the young Tobias are on the right. The Virgin's robe is ultramarine of exceptional quality. The church was consecrated in May 1497. In 1499 Ludovico il Moro, ruler of Milan and the Certosa's most important supporter, applied pressure to get it completed. The Certosa had a large number of chapels. The original altarpiece had an upper tier with God the Father flanked by the Virgin Annunciate and the Archangel Gabriel. The two top side-panels were supplied by another Florentine artist, Albertinelli, after Perugino had failed to paint them. Originally these three panels formed
the lower tier of a six-panel altarpiece. They have been cut down at the bottom. Central panel 113.7 x 63.8 cm; wings each approx. 113 x 56 cm.
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Product Description

This altarpiece comes from a chapel in the Certosa di Pavia, a Carthusian monastery near Milan. The central Virgin & Child are flanked by the Archangel Saint Michael on the left, standing on Satan. Raphael & the young Tobias are on the right. The Virgin's robe is ultramarine of exceptional quality. The church was consecrated in May 1497. In 1499 Ludovico il Moro, ruler of Milan & the Certosa's most important supporter, applied pressure to get it completed. The Certosa had a large number of chapels. The original altarpiece had an upper tier with God the Father flanked by the Virgin Annunciate & the Archangel Gabriel. The two top side-panels were supplied by another Florentine artist, Albertinelli, after Perugino had failed to paint them. Originally these three panels formed the lower tier of a six-panel altarpiece. They have been cut down at the bottom. Central panel 113.7 x 63.8 cm; wings each approx. 113 x 56 cm.

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Jargon Buster

Cm - Centimetres, one centimetre is equal to 10 milimetres
Milan - A city in Italy
Quality - An object that has quality is superior in function and finish than a less quality object.
Large - something that takes up more space than normal.
Exceptional - Something that is very good.
Robe - A long garment, usually know as a dressing gown.
Print - A mechanical process of putting text onto paper. It can also relate to a pattern on an item.

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National Gallery
Discover art-inspired treasures at the National Gallery Shop (https://shop.nationalgallery.org.uk/)! Elevate your home decor with our exquisite range of prints, posters, and gifts featuring timeless masterpieces from renowned artists. From striking wall art to stylish accessories, our collection celebrates the beauty of art in everyday life. Dive into history and culture with our curated selection of books and stationery, perfect for art enthusiasts of all ages. With exclusive products and unique finds, shopping at the National Gallery is like stepping into a world of creativity and inspiration. Indulge your passion for art and bring a touch of gallery elegance into your life today!
Page Updated: 2024-03-04 09:43:56

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