One of four panels from the shutters of the high altarpiece in the Benedictine Abbey of Liesborn in Westphalia, Germany. They also included ' The Adoration of the Kings' & ' The Presentation in the Temple' (of which fragments are in the Collection). In the centre was a ' Crucifixion'; fragments from this are also in the Collection. In this scene the angel announces the birth of Christ to Mary in an interior rich with contemporary domestic details. The various coats of arms in the stained glass must refer to donors of the altarpiece or benefactors of the abbey. ...

Create your own bespoke print of Nicolas Poussin's The Annunciation from our collection. About this painting The Annunciation, 1657 © The National Gallery, London This painting joined our collection in 1944 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Create your own bespoke print of Fra Filippo Lippi’s The Annunciation from our collection. About this painting The Annunciation, about 1450-3 © The National Gallery, London This painting joined our collection in 1861 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

The Archangel Gabriel, with a lily (here symbol of the Virgin's purity), kneels before the Virgin & brings the Lord's salutation. New Testament (Luke 1:26-35). This may have been the upper part of an altarpiece. If the attribution is accepted, this would have to be a fairly early work by Giannicola while he was strongly influenced by Perugino. ...

Create your own bespoke print of Duccio’s The Annunciation from our collection. About this painting The Annunciation, 1307/8-11 © The National Gallery, London This painting joined our collection in 1883 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Create your own bespoke print of Carlo Crivelli’s The Annunciation, with Saint Emidius from our collection. About this painting The Annunciation, with Saint Emidius, 1486 © The National Gallery, London This painting joined our collection in 1864 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Create your own bespoke print of Gaudenzio Ferrari’s The Annunciation: The Angel Gabriel from our collection. About this painting The Annunciation: The Angel Gabriel, 1508-9 © The National Gallery, London This painting joined our collection in 1916 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

The Angel Gabriel announces to the Virgin Mary that she will bear the son of God (Luke 1: 26-8). His words, ' Hail Mary full of Grace, the Lord be with you', appear in abbreviated form in Latin on the scroll. The Virgin, interrupted from her reading, raise ...

This altarpiece shows the Virgin on a high throne, with Saint John the Baptist on the left, & Saint Nicholas of Bari to the right. It is dated 1505 on the basis of the inscription on the Virgin's mantle. It is known as ' The Ansidei Madonna' because it was commissioned by Bernardino Ansidei for his family chapel dedicated to Saint Nicholas in the church of San Fiorenzo, Perugia. Part of the predella, the lower section of the altarpiece, showing ' Saint John the Baptist preaching' is also in the Collection. The internal architecture is not in fact entirely logical. The throne has no arms, & the steps are too steep to be practicable. They do, however, beautifully reflect the arches above & give the sense of a humble approach to the throne., p> The Perugian patron probably wanted something in the tradition of the city's famous artist Perugino. On employing Raphael, influenced by Perugino, he got this & more. Raphael visited Florence in 1504. The influence of Donatello's sculpture is visible in the figure of Saint Nicholas. He would also have studied the sculptural approach of painters like Masaccio. ...

In the left panel the Virgin is shown in a pose of adoration. The central panel represents Christ of the Apocalypse as described in the New Testament (Revelation 1: 13). He has a golden girdle; his head & hair are 'as white as snow'; in his right hand he holds the seven stars & in his left the keys of death & hell. Originally he may have held a two-edged sword in his mouth. On the right, John the Baptist holds a scroll with an inscription from the Old Testament (Isaiah 7: 14) ' Ecce virgo co (n)cipiet' (Behold a Virgin shall conceive). The scroll originally read ' Ecce agnus dei' (Behold the Lamb of God), the words usually associated with the Baptist. ...