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This painting is first recorded in an inventory of June 1627 of the Palazzo Barberini, Rome. It was probably painted not long before for Pope Urban VIII or a member of his family. Saint Andrew is shown with his symbols of a book & a fish, referring to hi ...
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Saint Anthony reads a book & holds his tau-shaped stick; Saint Franciscrosses his hands before him, showing his stigmata, & looks heavenwards. This is possibly the picture recorded in Sacchi's inventory at his death. This work & ' Saints Andrew & Th ...
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Create your own bespoke National Gallery art print of Ary Scheffer’s Saints Augustine & Monica from our collection. About this painting Saints Augustine & Monica, 1854 © The National Gallery, London This painting joined our collection in 1885. With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...
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This is the outside-left shutter of an altarpiece from the Abbey of Werden near Essen in Germany. Both wings are in the National Gallery Collection, though the fronts & backs have been separated. It is not known what formed the centrepiece of the altarp ...
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The altarpiece is complete & was dedicated to Saint John the Evangelist. It came from the Camaldolese Nunnery of San Giovanni in Pratovecchio, Italy. In the pinnacles are the Archangel Gabriel, the Trinity & the Virgin Annunciate. On the left panel ar ...
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Saint Christina of Bolsena stands on a millstone to which she was tied & thrown into a lake, but she miraculously survived because the stone floated. Her companion, Saint Ottilia of Alsace displays her eyes, to show her blindness was cured; she was a Be ...
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This painting is a fragment of the Crucifixion, from the central panel of the Liesborn high altarpiece. This showed Christ crucified with the Virgin & Saints on either side, & angels above against a gold background. Saints Cosmas & Damian were twins, ...
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Fabian, the sainted Pope on the left, & Saint Sebastian on the right, were both martyrs & they share the same feast day. Saint Sebastian was a Roman centurion who was discovered to be a Christian & sentenced to death. He was shot with arrows, but th ...
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This panel formed part of an altarpiece which had as its central panel a ' Virgin & Child Enthroned' (now in the church of the Filippini, Padua, though not painted for that church). The saints are identified by the inscriptions beneath them & by their attributes. The Gothic arcading behind the figures & the cusped plinth upon which they stand relate to the architecture of the Virgin's throne. The triptych was perhaps originally in the church of S. Moisè, Venice. Another panel from the same altarpiece depicts ' Saint Peter & Saint Jerome'. Both these works date from the period of Antonio Vivarini & Giovanni d' Alemagna's partnership. ...
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Create your own bespoke print of Lucas Cranach the Elder’s Saints Genevieve & Apollonia from our collection. About this painting Saints Genevieve & Apollonia, 1506 © The National Gallery, London This painting joined our collection in 1987 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...
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Saints Catherine And Bartholomew Print

The names of the saints, Bartholomew and Catherine, are on a cartellino (or small paper) painted on the gold background. Saint Catherine stands by the wheel on which she was tortured and Saint Bartholomew holds a flaying knife, the instrument of his martyrdom. The panel was the right-hand panel of a triptych, or possibly a polyptych. Once catalogued as Florentine School, the panel is now attributed to Francescuccio Ghissi and Allegretto Nuzi on the basis of the decorative punchwork which is similar to that on other works associated with Allegretto.
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    Product Description

    The names of the saints, Bartholomew & Catherine, are on a cartellino (or small paper) painted on the gold background. Saint Catherine stands by the wheel on which she was tortured & Saint Bartholomew holds a flaying knife, the instrument of his martyrdom. The panel was the right-hand panel of a triptych, or possibly a polyptych. Once catalogued as Florentine School, the panel is now attributed to Francescuccio Ghissi & Allegretto Nuzi on the basis of the decorative punchwork which is similar to that on other works associated with Allegretto.

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    Jargon Buster

    Gold - A precious highly conductive metal
    Paper - A thin sheet mainly used for writing. Available in a variety of colours. Made mainly from wood pulp.
    Hand - A part of the body at the end of the arm
    Hand - A pointer which indicates time on a clock face
    Instrument - A wide range of meanings from musical instrument to a measuring instrument
    Small - something that takes up less space than normal.
    Gold - A colour, a type of rich metal. Chemical symbol AU.
    Decorative - Making things look more appealing and attractive.
    Print - A mechanical process of putting text onto paper. It can also relate to a pattern on an item.

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