Saint Roch, a pilgrim with an ulcerated thigh caused by the plague, was turned out of Piacenza, but his dog brought him a loaf every day & an angel tended his wound. This was the left wing of a triptych in Santa Maria della Scala, Verona. The other wing ...

This roundel probably formed part of a predella. It has been suggested that it could have come from the frame of an altarpiece by Fra Angelico for S. Domenico, Fiesole (see also ' Christ Glorified in the Court of Heaven'). Another roundel of similar dimen ...

The panel is probably part of the predella of Lorenzetti's ' Birth of the Virgin' of 1342, painted for the altar of Saint Sabinus in Siena Cathedral (now in the Museo dell' Opera del Duomo, Siena). It was one of four altarpieces, showing the life of the Virgin, for the altars of the four patron saints of Siena. Pietro Lorenzetti's altarpiece was flanked by figures of Saints Sabinus & Bartholomew & the National Gallery painting was presumably below the first. It apparently illustrates a rare episode showing Venustanius, the Roman Governor of Tuscany, trying to persuade Saints Sabinus, Marcellus & Exuperantius to worship a pagan statue, here apparently Venus since she is shown holding a golden ball representing the apple Paris gave to her. ...

Create your own bespoke print of Gerrit van Honthorst’s Saint Sebastian from our collection. About this painting Saint Sebastian, about 1623 © The National Gallery, London This painting joined our collection in 1930 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

Sebastian was a centurion sentenced to death by the Emperor Diocletian for his Christian faith. He was shot with arrows & left for dead. The arrows did not kill him & he was eventually stoned to death. His story is told in The Golden Legend. In the 17 ...

This figure of Saint Sebastian is the only surviving work signed by the artist, who often signed works with his brother. It is identifiable as the central panel of a polyptych (a picture or relief made up of two or more separate panels), which was commissioned for a chapel in the Carmine, Pavia. The two other main panels are in a private collection near Milan. According to the legend, Saint Sebastian was an officer in the imperial guard of the Roman emperor Diocletian. When it was revealed that he was a Christian he was shot with arrows, but his wounds healed. He was subsequently martyred by being stoned to death. ...

Two angels hold the crown of martyrdom above the Saint's head. Images of Sebastian were popular because he was a protector against the plague. This painting may have been part of an altarpiece, or a votive picture, or one made for private devotion. ...

Saint Simon on the left, holds a book, while Saint Thaddeus, who turns to the right, holds a knife. Three unidentified heads are depicted between decorative motifs in the band of quatrefoils below. This panel formed the second section from right of the up ...

The panel depicting the Virgin & Child was the central panel of a polyptych painted by Crivelli in 1476 as the high altarpiece for San Domenico in Ascoli Piceno, east central Italy. The polyptych was composed of the central panel & eight smaller panel ...

The panel depicting the Virgin & Child was the central panel of a polyptych painted by Crivelli in 1476 as the high altarpiece for San Domenico in Ascoli Piceno, east central Italy. The polyptych was composed of the central panel & eight smaller panel ...