An unidentified battle rages before a mountainous landscape. The costumes of certain figures suggest this work may date from about 1530-40, but various details reflect an earlier style. This painting may derive from one of the frescoes of an unknown subject by Piero della Francesca which are mentioned by Vasari as in the Palace in Ferrara, or may be based on another lost work of his. ...
Maris conveys a powerful sense of isolation in this image of a lone woman on a wind-swept beach. The only other signs of human presence are two empty boats pulled out of the water onto the s&. The top two-thirds of the canvas are given over to scudding ...
Derived from the foreground Elder in Guercino's ' Susannah & the Elders' (Prado, Madrid), painted in 1617 for Cardinal Alessandro Ludovisi. It is an old copy, possibly of the 17th-century, & varies from the original only in showing the figure with a la ...
The fragments of this altarpiece are mounted in a 19th-century frame. In the main panels are, from the left, Saints Michael & John the Baptist, & on the right, a bishop & a female martyr. The Archangel Gabriel & the Annunciate Virgin are depicted ...
On the left are a Bishop Saint & Saint Nicholas of Tolentino; on the right, Saints Bartholomew & Monica (the mother of Saint Augustine). The triptych is said to come from the Augustinian church of S. Spirito, Florence; & contains Augustinian saints. ...
The bishop saint shown here has not been identified; he holds a book. This, alongside a beardless ' Saint' & a ' Saint' with a beard, is one of three fresco fragments (now transferred to canvas) in the Collection which perhaps once formed part of the framing of some large composition. They are said to have come from the so-called Palazzo del Podestà, Assisi. Formerly ascribed to followers of Pietro Cavallini, they appear to be works of the middle or even late 14th century. ...
Along with paintings of Saints Peter, Jerome & Paul, this panel formed part of the upper tier of a polyptych (altarpiece consisting of several panels) of about 1470. Zoppo's artistic training was in Padua, where he was much influenced by Mantegna, but he ...
This painting has been variously attributed to Delacroix, Fromentin & to Marie-Guillemine Benoist. Although now unattributed, it is thought to be by a French hand & of the later 19th century. ...
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A Bearded Man Print
The sitter, who holds a paper in his right hand, has not been identified. Formerly ascribed to Pontormo and to Lotto. The costume accords best with a dating of about 1527-28.
The sitter, who holds a paper in his right h&, has not been identified. Formerly ascribed to Pontormo & to Lotto. The costume accords best with a dating of about 1527-28.
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A Bearded Man In A Cap Print National Gallery
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Paper - A thin sheet mainly used for writing. Available in a variety of colours. Made mainly from wood pulp.
Hand - A part of the body at the end of the arm
Hand - A pointer which indicates time on a clock face
Costume - Clothes that set a scene of a particular theme or time period.
Print - A mechanical process of putting text onto paper. It can also relate to a pattern on an item.
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