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Aelbert Cuyp, who was later to develop a personal interpretation of the so-called Dutch Italianate landscape style, began his career as a landscape artist in the near-monochrome manner of Jan van Goyen. This work, showing a calm river scene with small boa ...
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The row-barge in the foreground towards the left has a Dutch ensign, & most of the other vessels have Dutch flags. This painting is comparable in style with Cappelle's 'A Dutch Yacht firing a Salute as a Barge pulls away', which is dated 1650. ...
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This work is a companion piece to another painting by van Goyen in the National Gallery's Collection, ' Fishermen hauling a Net'. It is signed on the boat in the foreground, & can probably be dated to the early 1640s. ...
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The Dutch economy in the 17th century relied heavily on the country's waterways. The rivers were an important resource for the country's important fishing industry, & shippers used them to transport goods to the different towns & cities. The extremely ...
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In the centre is a 'boeier yacht', a Dutch vessel, usually sprit-rigged, with deep rail & curved spoon bow, & on the right is a 'tjalk', a Dutch sprig-sail barge. Beyond is a 'statenjacht', a vessel used by the States General (the chamber of representative of the Dutch United Provinces), for the transport of its members or foreign dignitaries, with the arms of the Province of Holland on her stern & a Dutch ensign. The church in the centre distance recalls Rotterdam Cathedral (St Lawrence), but the view is not topographically accurate. ...
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The authenticity of the painting & of its signature & date has been confirmed by cleaning. Like most of Vernet's landscapes this scene is doubtless imaginary. It is among the last pictures he painted during his long stay in Rome. The building in the background recalls one of that city's most celebrated buildings, the Pantheon. ...
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This is an early work by Haccou, who was born & trained in Middelburg. He was a pupil of Johannes Hermanus Koekkoek (1778
- 1851).
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The landscape, with its winding road leading to a sunlit clearing in the middle distance, is somewhat reminiscent of Hobbema's work. This painting was formerly thought to be by a follower of Jacob van Ruisdael, but it is now considered to be by Ruisdael h ...
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This is an important early work by Jacob van Ruisdael painted at the end of the 1640s. The prominence of the tree & the rutted path, as well as the heavy application of paint, are characteristic of Ruisdael's works of this period. ...
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The composition of this picture is characteristic of Hobbema's landscapes: a forest scene with a view towards a clearing in the middle distance illuminated by strong sunlight, a picturesque farm building & prominent figures. It was probably painted at a ...
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A River With Fishermen Drawing A Net

The painting is dated to the early 1630s because of its similarity to pictures such as 'River Landscape with Fishermen' and 'River Scene', which is dated 1631. This is typical of van Ruysdael's compositions, with the bank of the river and the trees on the
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£20.000

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The painting is dated to the early 1630s because of its similarity to pictures such as ' River Landscape with Fishermen' & ' River Scene', which is dated 1631. This is typical of van Ruysdael's compositions, with the bank of the river & the trees on the

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National Gallery
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Page Updated: 2024-03-04 09:43:56

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