Maes was a pupil of Rembrandt but abandoned his master's style & subject matter in the early 1650s. By 1654 he was painting small domestic interiors such as this one in a strongly individual style. He continued to paint genre scenes of this type until 1659, after which he confined himself to portraiture. ...
The sitter has not been identified, but her dress dates the portrait to the 1570s. Around her neck she wears a piece of coral, a common gift to children, believed to protect them from evil; the carnations on her headdress may serve them same purpose, but ...
This sketch is one of a number of representations of this subject by the artist which relate to a larger painting of 1883 (Paris, Musee d' Orsay). The motif of a partially clothed woman having her hair combed had long appealed to artists, & most notably ...
In Greek myth Charon was the boatman who took the souls of the dead across the river Styx to Hades. This is a copy of a picture in the Louvre of about 1735 & the composition also appears in the picture by Subleyras of his studio (Academy, Vienna). ...
The man holds a piece of paper which is inscribed '38'. This must refer to his age at the time the portrait was painted. The portrait conveys a tangible sense of volume. The shadow of the head appears on the wall in the background. The picture probably dat ...
The composition of a man & child eating grapes is unfinished; areas such as the body of the man have not been established & the table top has only been sketched in. This painting has formerly been attributed to Velazquez & to Pedro Nunez de Villavic ...
It is the artist's intention to ridicule the soldier. He is a swaggering, over-dressed figure who might have stepped from the pages of one of the many contemporary plays by Coster, Rodenburgh & others that mocked the pretensions of soldiers. Quast painte ...
This landscape was probably painted at about the same time as a very similar work by Berchem that is dated 1653 & is now in Vienna (Akademie). The dating is also supported by the form of the signature, which Berchem used until the mid-1650s but rarely later. This painting was owned by the French artist François Boucher in the mid-18th century. ...
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A Man
This portrait and the portrait of 'A Woman', presumably of a husband and wife, are a pair and were perhaps originally joined together as a diptych. The backs are marbled, which suggests that they were not intended to be hung against a wall. The sitters ma
This portrait & the portrait of 'A Woman', presumably of a husband & wife, are a pair & were perhaps originally joined together as a diptych. The backs are marbled, which suggests that they were not intended to be hung against a wall. The sitters ma
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