This extensive range of collapsible & reversible backgrounds gives photographers the colours & patterns to express their creativity. Two handy, portable durable backgrounds in one. Hand painted to give natural gradations of colour, Lastolite muslin backgrounds give your work the depth & polish your clients expect. Traditional backgrounds can be quite a handful both to use & to carry. For the busy portrait photographer who does most of his shooting on location, these collapsible two-sided backgrounds are the perfect solution. They fold down to one third their full size right into a zippered bag. Specifications: Type Collapsible Reversible Size 1.5 x or 1.5 x (with Train) Collapsible Yes. ...

This extensive range of collapsible & reversible backgrounds gives photographers the colours & patterns to express their creativity. Two handy, portable durable backgrounds in one. Hand painted to give natural gradations of colour, Lastolite muslin backgrounds give your work the depth & polish your clients expect. Traditional backgrounds can be quite a handful both to use & to carry. For the busy portrait photographer who does most of his shooting on location, these collapsible two-sided backgrounds are the perfect solution. They fold down to one third their full size right into a zippered bag. Specifications: Type Collapsible Reversible Size 1.5 x or 1.5 x (with Train) Collapsible Yes. ...

Only available for delivery to UK mainl&. Please do not order if you live outside of the UK mainland! Lastolites wipe clean vinyl backgrounds can literally be used over & over again. Simply wipe away any dirt or footprints at the end of your shoot, then roll it back up ready for next time! It couldnt be easier. Supplied on a roll the same width as our standard paper backgrounds (2. 75m) the vinyl background can easily be suspended using a background support system.

Features: Available in 3 colours. Wipe clean. Long lasting. Same width as Lastolites paper rolls.

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The Cubelite is the easiest way to achieve soft, even lighting for your larger-than tabletop product photography. Quick to set up & easy to take down, the open bottom makes it easy to place over hard to move subjects. As easy to use on location as in studio & available in three. Sizes. The 60cm (2ft), 90cm (3ft), & 120cm (4ft) Cubelite Kits include an Ezybalance Set which is primarily useful for product photography to ensure that each photo is taken at a number of different exposures. Each set comes with one white surface for white balancing the camera & three different grey surfaces. The mid grey achieves normal exposure whilst the darker & lighter grey surfaces over & under expose your photographs by half a stop. The photographer can then choose the photograph, which gives the best exposure for that product. As all three grey surfaces come with the point & shoot target, photos can be taken while the camera is set on auto! (Although setting the white balance to tungsten is recommended).

Features: Ideal for product shots. Shadowless lighting. Perfect for digital or film use. Isolates subject. Collapses to a third of original. Size into tote bag. Background clips mounted in the roof for additional height. Open base for even floor surface, easier to fold, & enables positioning of cube over immovable items e.g. plants Front opens to edge of Cubelite for wider viewing angles. Included in the kit: 1 Cubelite 1 Lightstand 1 Tungsten Light 1 500W Bulb 1 Reflector 1 Vinyl B/G 1 x 75cm/30 Ezybalance Set Available in. Sizes 58cm (2ft) 90cm (3ft) 120cm (4ft).

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The Cubelite is the easiest way to achieve soft, even lighting for your larger-than tabletop product photography. Quick to set up & easy to take down, the open bottom makes it easy to place over hard to move subjects. As easy to use on location or in studio & available in four sizes. The Cubelite offers a true location studio instantly ready for work. Key Features. Ideal for product shots. Shadowless lighting. Perfect for digital or film use. Isolates subject. Collapses to a third of original size into tote bag. Background clips mounted in the roof for additional height. Open base for even floor surface, easier to fold & enables positioning of cube over immovable items e. g. plants. Front opens to edge of Cubelite for wider viewing angles. Available in sizes. 45 cm. (1.5 ft). 58 cm. (2 ft). 90 cm. (3 ft). 120 cm. (4 ft). 150 cm. (5 ft). ...

The Cubelite 3687 comes with a removable bottom, so it can be placed directly over the subject e.g. flowers on location & the back panel can be removed so that the subject can still be kept in its natural environment but sheltered from the elements, giving a diffused light source. The Cubelite is the easiest way to achieve soft, even lighting for your larger-than table top product photography. Quick to set up & easy to take down, the open bottom makes it easy to place over hard to move subjects. As easy to use on location as in studio & available in three sizes. The 60cm (2ft), 90cm (3ft), & 120cm (4ft) Cubelite Kits include an Ezybalance Set which is primarily useful for product photography to ensure that each photo is taken at a number of different exposures. Each set comes with one white surface for white balancing the camera & three different grey surfaces. The mid grey achieves normal exposure whilst the darker & lighter grey surfaces over & under expose your photographs by half a stop. The photographer can then choose the photograph, which gives the best exposure for that product. As all three grey surfaces come with the point & shoot target, photos can be taken while the camera is set on auto! (Although setting the white balance to tungsten is recommended).

Features: Ideal for product shots. Shadowless lighting. Perfect for digital or film use. Isolates subject. Collapses to a third of original size into tote bag.

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The Studio Cubelite is the ultimate solution for product photography: It allows for control of the light from below & all other directions allowing the photographer to give products that floating look with no shadows if desired. The tensioned diffuser fabric means the reflections on even the most reflective surface are kept to an absolute minimum, whilst the generous front opening can be closed to mask reflections from the camera/operator as well. The patented design also means that you can control the light from underneath by pointing the source up or down into the base unit giving different light distribution effects & creating graduated backgrounds if required. Features. 360 degree lighting. Full shadow & reflection control. Collapses flat in minutes with simple tensioning rods. Features a unique base diffusion system.

Includes:: a diffused film to create the translucent background.

Includes:: an acrylic top surface for heavier items up to 8 kg. Dimensions: 100 x 100 x 185 cm. (39" x 39" x 73").



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The Studio Cubelite is the ultimate solution for product photography: It allows for control of the light from below & all other directions allowing the photographer to give products that floating look with no shadows if desired. The tensioned diffuser fabric means the reflections on even the most reflective surface are kept to an absolute minimum, whilst the generous front opening can be closed to mask reflections from the camera/operator as well. The patented design also means that you can control the light from underneath by pointing the source up or down into the base unit giving different light distribution effects & creating graduated backgrounds if required. Features Ideal for product shots. Shadowless lighting. Perfect for digital or film use. Isolates subject. Collapses to a third of original size into tote bag. Background clips mounted in the roof for additional height. Open base for even floor surface, easier to fold, & enables positioning of cube over immovable items e.g. plants Front opens to edge of Cubelite for wider viewing angles. Specification: Type: Light tent.

Colour: White.

Size: 2 x 2 x 2m.



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The Studio Cubelite is the ultimate solution for product photography & takes the highly successful. Cubelite concept even further. It allows for control of the light from below & all other directions allowing the photographer to give products that floating look with no shadows if desired. The tensioned diffuser fabric means the reflections on even the most reflective surface are kept to an absolute minimum, whilst the generous front opening can be closed to mask reflections from the camera/operator as well. The patented design also means that you can control the light from underneath by pointing the source up or down into the base unit giving different light distribution effects & creating graduated backgrounds if required. Features. 360 degree lighting. Full shadow & reflection control. Collapses flat in minutes with simple tensioning rods. Features a unique base diffusion system.

Includes:: a diffused film to create the translucent background.

Includes:: an acrylic top surface for heavier items up to 8 kg. Dimensions: 70 x 70 x 155 cm. (28" x 28" x 61").



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The Ezy Balance 12% is similar to the original Ezy Balance but features a 12% grey rather than the original 18% grey. Lastolite have launched this product following a number of requests from photographers who are now using a 12% grey as their midtone reference when calibrating their camera before they start shooting. This compensates for the camera&8217;s factory calibration settings & positions the midtone spike on the histogram in the centre position rather than slightly off to one side. The Lastolite Ezy Balance 12% Grey Card is the perfect solution to ensure that your camera white balance yields the perfect results. This handy double sided pop up 12% grey/white card simplifies the complex technical issues surrounding exposure & colour correction when working in different lighting conditions. This provides a major benefit when working under pressure at events such as weddings or fashion shows. What is a grey card? Camera light meters see reflected light, but it is often useful to know the incident light (the light hitting your subject). With an 12 percent grey card you can get a reflected light reading which is essentially the same as reading incident light. Why do we use a grey card? Here are several situations that benefit greatly by the use of a grey card to check the exposure. When there is a light source such as bulb or light fixture in front of your camera When there is any type of back light such as a bright sky or window behind the subject. When a large part of the scene has a fairly dark tone like a close up of a big black car. When a large part of the scene has a fairly light tone like a snow scene. Using the Grey card. To use the Grey Card as the basis for an in-camera custom white balance, make sure enough of the centre of the frame is covered by the card in your picture to be properly read for white balance. Fill the frame with the card. Next, go through the menu to select that picture for your custom white balance. Finally, set the camera to the custom white balance setting. Features. Colour correction pre & post capture. Exposure control pre & post capture. Accurate colour rendition. ...