Key Features Interface
- Apple 30-pin, USB (Universal Serial Bus) 2.0+ Frequency Response
- 26 Hz-20k Hz Sensitivity
- 28


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Key Features Power Required/ Consumption: 5V 500m A (USB) 4V DC (Analogue) Polar Patterns: Cardioid, Bidirectional, Omnidirectional, Stereo Frequency Response: 20 Hz Â- 20k Hz Weight: (microphone) 1.2 lbs/0.55kg (stand) 2.2 lbs/1 kg Dimensions: 12 x 12.5 x 29.5 cm (extended in stand) Ultimate microphone for professional USB (Universal Serial Bus) & XLR recording The Yeti Pro is the world's first USB (Universal Serial Bus) microphone combining 24 bit/192 k Hz digital recording resolution with analog XLR output. Featuring three custom condenser capsules & four different pattern settings, the Yeti Pro can capture digital audio with up to four times the clarity found on CDs. Plus, the Yeti Pro features a cutting-edge A-D converter chip & separate analog circuit path for use with professional studio mixers & pre-amps. You also get a built-in headphone amplifier for zero-latency monitoring, & direct controls for headphone volume, pattern selection, mute, & microphone gain. So whether you record at home, in a studio (or in the Himalayas!), the Yeti Pro is your ultimate sound solution. Legendary Features The legend of the Yeti continues with the most advanced & versatile multi-pattern USB (Universal Serial Bus) microphone roaming the wild today. The Yeti Pro features tools & recording capabilities usually requiring multiple microphones & devices, all with the simplicity of a plug 'n play USB (Universal Serial Bus) microphone. Desktop or studio, the possibilities are endless You can quickly select from each of Yeti Pro's four pattern settings (stereo, cardioid, omnidirectional, bidirectional) by simply rotating the pattern selector knob. The chart below shows each pattern's symbol, sound source direction, & suggested recording applications. For a more in-depth look at each pattern, please refer to the detailed descriptions & frequency response charts further down the page. Stereo The Stereo mode is great for capturing a realistic stereo image. To start, point the microphone at the sound source that you want to record (the "front" of the microphone is the side of the microphone with the Blue Microphones Logo). Depending on the instrument and/or sound that you want to achieve, place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source, you will get equal amounts of signal in both the left & right channels. If you want a little more of the signal in the right channel, move the sound source a little to the right side of the mic (as if one is behind the microphone), & if you want a little more of the signal in the left channel, move the sound source to the left (as if you are behind the microphone). Alternatively, you can record everything as centered as possible, & easily adjust the position when you're mixing the recording. If you want the sound in the right or left channel only, you should try using the cardioid, bidirectional or the omnidirectional setting, & use your software to hard-pan the sound to the left or the right. Cardiod Cardioid is the most commonly used mode & can be useful in most any situation. If you are recording vocals, a podcast, or a voice-over, cardioid is likely your best choice. When recording in cardioid, sound directly in front of the microphone is picked up while the sound at the rear & sides of the microphone is not picked up. Therefore, you will want to arrange the source directly in front of the microphone. Cardioid will deliver the most direct, rich sound, but will not offer as much airiness or presence as the other recording modes. Omnidirectional Omnidirectional means that the microphone picks up sound equally from all directions. This setting is perfect for recording a group of musicians all playing at the same time, recording a conversation between multiple parties around a room, a conference call, or any other situations where you want to capture the ambiance of 'being there.' Because sound is picked up from all directions in this mode, the orientation of the microphone isn't crucial, but as a good rule of thumb, start by orienting the front of the microphone at the primary sound source you wish to record. Bidirectional Bidirectional means that the microphone picks up sound at the front & rear of the microphone, while the sounds to the sides are "rejected", or not picked up. The bidirectional setting is very useful in achieving a nuanced, pleasant sound when recording musical instruments, & is perfect for recording an interview with two or more guests. By placing the microphone between two or more subjects (front of microphone facing one source, rear of microphone facing another), you can achieve a natural sound without the complexity of using multiple microphones. Blue Microphone Blue Microphones was founded in 1995 to improve the front-end of audio recording by utilizing the increased bandwidth benefits enabled by digital technology. Advances in digital processing (e.g. extended frequency response, dynamic range, project recording capability) fundamentally changed the recording process as well as the potential for microphone performance. Basing many of their concepts, designs, & technology on knowledge gleaned from years of repairing & improving classic microphones from a wide variety of manufacturers, but by simultaneously integrating new technologies, materials & a first-hand knowledge of today's recording process, Blue began to pioneer the perfect analog input devices for the digital age. Starting with state-of-the-art technology that ensures the purest possible signal path & Class A fully discrete circuitry with no ICs, pads, or filters, each microphone is designed to fill a specific role in a recording repertoire. Every single design contains its own propriety capsule that is h&-tested & approved to capture specific sonic signatures in specific ways. The first proprietary design, the Blueberry (Electronic Musician 2000 Editor's Choice Microphone of the Year) was designed & engineered at the behest of John Gass, a Grammy award-winning engineer/mixer, who asked Blue if it was possible to create a contemporary pop vocal mic that also substantially eliminated the need to spend hours "EQing" or over-processing the signal source. The Blueberry's success led to future Blue designs that focused solely on delivering the best possible reproduction of specific vocal or instrument types. The result is a portfolio of professional microphones that create a palette of sounds, enabling artists to realize the sonic landscape of their vision. At the turn of the millennium, after receiving an early version of Apple's software program Garage Band TM, the team at Blue realized that project studio recording presented the next revolution of the recording industry. Believing that the lack of a high-quality USB (Universal Serial Bus) microphone to protect the signal source would slow down this revolution, Blue developed the Snowball, now the 1 selling wired condenser microphone in the world. Throughout the development process, the Snowball was designed specifically with musicians in mind; however, people very quickly began to adopt the product for consumer applications, such as podcasting, chat, & narration. Out of this, Blue's line of consumer audio products was born, solidifying Blue's belief that everyone, everywhere should have access to great audio. Blue is 100% committed to getting the very best microphones in the world into the hands of those who have a passion for high quality audio; this is our heritage & will always be the core focus of everything we do. We also realize that great sound enhances every environment, & for this reason Blue has leveraged its pro-audio DNA to launch a line of products catering to life outside the studio. These include high-quality USB (Universal Serial Bus) products for both Mac & PC, iPod accessories, & an XLR-to-USB converter that allows everyone to take advantage of the quality & performance inherent in every Blue microphone on their computer. From the uncompromising & revolutionary Bottle to the HD audio/video Eyeball webcam, every single product reflects Blue's rare expertise & inimitable design sense. We encourage you to audition each Blue microphone to discover the ideal sonic character for your audio needs. ...

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Nessie takes the fear out of great recording by instantly delivering studio-enhanced sound for desktop recording of vocals, instruments, voice-overs & more. Key Features Custom-tunes Cardioid Condenser Capsule Built-in Pop Filter Three Recording Modes Serpentine Adjustable Head Zero-latency Headphone Output Introducing Nessie
- the first adaptive USB (Universal Serial Bus) mic for fearless recording Nessie takes the fear out of great recording by instantly delivering studio-enhanced sound for desktop recording of vocals, instruments, voice-overs & more. Designed to combat the most common pitfalls of recording, Nessie automatically adapts to whatever youÂ’re recording, applying professional studio processing combined with a built-in pop filter & internal shock-mount, to produce expertly finished sound, without the need for additional mixing or editing. Just as the latest point-&-shoot cameras will reduce red-eye & automatically adjust focus & exposure for enhanced photos, Nessie professionally enhances audio so that you get polished music demos, pod-casts, interviews, You Tube broadcasts & more, instantly! The built-in, studio-grade pop filter & shock-mount reduce harsh plosives & disruptive rumbling & vibrations, while the adaptive processing, including EQ, de-esser & level control, automatically smoothes & refines your audio in real time. No matter what you want to record, Nessie takes the guesswork out of great recording! NessieÂ’s three flexible recording modes are optimized for richer vocals, more detailed instruments or an option for raw audio for manual post-production editing. Nessie employs a single custom-tuned condenser capsule with a cardioid pattern. Nessie also features a zero-latency headphone output for direct monitoring, which is critical for eliminating distracting delay, while headphone volume & instant mute are located directly on the microphone. For optimal positioning, NessieÂ’s head adjusts with serpentine flexibility. Nessie is plug-&-play compatible via USB (Universal Serial Bus) with both PC & Mac with driver-less installation. For mobile recording, you can connect Nessie to iPad using AppleÂ’s camera adapters (30-pin to USB (Universal Serial Bus) or Lighting to USB) & a powered USB (Universal Serial Bus) hub, both sold separately. Features NessieÂ’s key features & internal processing are specifically designed to combat the most common pitfalls of recording. The built-in, studio-grade pop filter & shock-mount reduce harsh plosives & disruptive rumbling & vibrations, while the adaptive processing, including EQ, de-esser & level control, automatically smoothes & refines your audio in real time. Nessie employs a single custom-tuned condenser capsule with a cardioid pattern. NessieÂ’s three flexible recording modes are optimized for richer vocals, more detailed instruments or an option for raw audio for manual post-production editing. Nessie features a zero-latency headphone output for direct monitoring, while headphone volume & instant mute are located directly on the microphone. For optimal positioning, NessieÂ’s head adjusts with serpentine flexibility. Nessie is plug-&-play compatible via USB (Universal Serial Bus) with both PC & Mac. Technical Specifications Microphone & Performance Power Required/ Consumption: 5V 150m A Sample Rate: 48 k Hz Bit Rate: 16bit Capsules: 1 Blue-proprietary 14mm condenser capsule Polar Patterns: Cardioid Frequency Response: 20 Hz
- 20k Hz Max SPL: 110d B (THD: 0.5% 1k Hz) Headphone Amplifier Impedance: 16 ohms Power Output (RMS): 100 m W THD: 0.009% Frequency Response: 15 Hz
- 22 k Hz Signal to Noise: 100d B Specifications

Dimensions (in st&, home position): 3.75”x 3.75” x 10”

Dimensions (max extension): 3.75”x 3.75” x 11.25” Weight (microphone in stand): 1.4 lbs (.64 kg) System Requirements PC: Windows 8, Windows 7, Windows Vista, XP Home Edition or XP Professional USB (Universal Serial Bus) 1.1/2.0; 64 MB RAM (minimum) Macintosh: Mac OSX (10.4.11 or higher ) USB (Universal Serial Bus) 1.1/2.0 64 MB RAM (minimum) Blue Microphone Blue Microphones was founded in 1995 to improve the front-end of audio recording by utilizing the increased bandwidth benefits enabled by digital technology. Advances in digital processing (e.g. extended frequency response, dynamic range, project recording capability) fundamentally changed the recording process as well as the potential for microphone performance. Basing many of their concepts, designs, & technology on knowledge gleaned from years of repairing & improving classic microphones from a wide variety of manufacturers, but by simultaneously integrating new technologies, materials & a first-hand knowledge of today's recording process, Blue began to pioneer the perfect analog input devices for the digital age. Starting with state-of-the-art technology that ensures the purest possible signal path & Class A fully discrete circuitry with no ICs, pads, or filters, each microphone is designed to fill a specific role in a recording repertoire. Every single design contains its own propriety capsule that is h&-tested & approved to capture specific sonic signatures in specific ways. The first proprietary design, the Blueberry (Electronic Musician 2000 Editor's Choice Microphone of the Year) was designed & engineered at the behest of John Gass, a Grammy award-winning engineer/mixer, who asked Blue if it was possible to create a contemporary pop vocal mic that also substantially eliminated the need to spend hours "EQing" or over-processing the signal source. The Blueberry's success led to future Blue designs that focused solely on delivering the best possible reproduction of specific vocal or instrument types. The result is a portfolio of professional microphones that create a palette of sounds, enabling artists to realize the sonic landscape of their vision. At the turn of the millennium, after receiving an early version of Apple's software program Garage Band TM, the team at Blue realized that project studio recording presented the next revolution of the recording industry. Believing that the lack of a high-quality USB (Universal Serial Bus) microphone to protect the signal source would slow down this revolution, Blue developed the Snowball, now the 1 selling wired condenser microphone in the world. Throughout the development process, the Snowball was designed specifically with musicians in mind; however, people very quickly began to adopt the product for consumer applications, such as podcasting, chat, & narration. Out of this, Blue's line of consumer audio products was born, solidifying Blue's belief that everyone, everywhere should have access to great audio. Blue is 100% committed to getting the very best microphones in the world into the hands of those who have a passion for high quality audio; this is our heritage & will always be the core focus of everything we do. We also realize that great sound enhances every environment, & for this reason Blue has leveraged its pro-audio DNA to launch a line of products catering to life outside the studio. These include high-quality USB (Universal Serial Bus) products for both Mac & PC, iPod accessories, & an XLR-to-USB converter that allows everyone to take advantage of the quality & performance inherent in every Blue microphone on their computer. From the uncompromising & revolutionary Bottle to the HD audio/video Eyeball webcam, every single product reflects Blue's rare expertise & inimitable design sense. We encourage you to audition each Blue microphone to discover the ideal sonic character for your audio needs.






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Custom shockmount for BlueÂ’s Snowball USB (Universal Serial Bus) microphone Key Features Custom shockmount for Blue Microphones Snowball USB (Universal Serial Bus) microphone Isolates the microphone from ambient vibration Combines cool vintage styling with rugged durability Works with both US & Euro mic stands The Ringer is a vintage-style suspension mount designed to isolate the microphone body from ambient vibration when mounted on a mic st&. The Ringer works with BlueÂ’s Snowball USB (Universal Serial Bus) microphone as well as virtually any mic with a standard thread mount. Blue Microphone Blue Microphones was founded in 1995 to improve the front-end of audio recording by utilizing the increased bandwidth benefits enabled by digital technology. Advances in digital processing (e.g. extended frequency response, dynamic range, project recording capability) fundamentally changed the recording process as well as the potential for microphone performance. Basing many of their concepts, designs, & technology on knowledge gleaned from years of repairing & improving classic microphones from a wide variety of manufacturers, but by simultaneously integrating new technologies, materials & a first-hand knowledge of today's recording process, Blue began to pioneer the perfect analog input devices for the digital age. Starting with state-of-the-art technology that ensures the purest possible signal path & Class A fully discrete circuitry with no ICs, pads, or filters, each microphone is designed to fill a specific role in a recording repertoire. Every single design contains its own propriety capsule that is h&-tested & approved to capture specific sonic signatures in specific ways. The first proprietary design, the Blueberry (Electronic Musician 2000 Editor's Choice Microphone of the Year) was designed & engineered at the behest of John Gass, a Grammy award-winning engineer/mixer, who asked Blue if it was possible to create a contemporary pop vocal mic that also substantially eliminated the need to spend hours "EQing" or over-processing the signal source. The Blueberry's success led to future Blue designs that focused solely on delivering the best possible reproduction of specific vocal or instrument types. The result is a portfolio of professional microphones that create a palette of sounds, enabling artists to realize the sonic landscape of their vision. At the turn of the millennium, after receiving an early version of Apple's software program Garage Band TM, the team at Blue realized that project studio recording presented the next revolution of the recording industry. Believing that the lack of a high-quality USB (Universal Serial Bus) microphone to protect the signal source would slow down this revolution, Blue developed the Snowball, now the 1 selling wired condenser microphone in the world. Throughout the development process, the Snowball was designed specifically with musicians in mind; however, people very quickly began to adopt the product for consumer applications, such as podcasting, chat, & narration. Out of this, Blue's line of consumer audio products was born, solidifying Blue's belief that everyone, everywhere should have access to great audio. Blue is 100% committed to getting the very best microphones in the world into the hands of those who have a passion for high quality audio; this is our heritage & will always be the core focus of everything we do. We also realize that great sound enhances every environment, & for this reason Blue has leveraged its pro-audio DNA to launch a line of products catering to life outside the studio. These include high-quality USB (Universal Serial Bus) products for both Mac & PC, iPod accessories, & an XLR-to-USB converter that allows everyone to take advantage of the quality & performance inherent in every Blue microphone on their computer. From the uncompromising & revolutionary Bottle to the HD audio/video Eyeball webcam, every single product reflects Blue's rare expertise & inimitable design sense. We encourage you to audition each Blue microphone to discover the ideal sonic character for your audio needs. ...

The Snowball is a direct plug n' play mic that connects to either a Mac or PC
- no additional software is needed Key Features Transducer
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Spark Digital is the world's first studio-grade condenser microphone to offer both USB (Universal Serial Bus) & iPad connectivity Key Features Blue's legendary studio condenser capsule & electronic components Plug 'n play for iPad, Mac & PC – no drivers needed Works with Garage Band™ & other recording applications Focus Control switch offers two sonic signatures in one mic Headphone jack for zero-latency real-time monitoring Spark Digital is the world's first studio-grade condenser microphone to offer both USB (Universal Serial Bus) & iPad connectivity. Expanding on the professional & sound of Blue's Spark XLR studio microphone, Spark Digital features the same studio-grade condenser capsule & h&-tuned components for high-fidelity recording & consistence performance in any situation– vocals, drums, piano, speech, location recording & more. Spark Digital also

Includes:: the Focus Control, providing two different sonic options in one mic at the push of a button. Complete with an adjustable desk stand & built-in shockmount, Spark Digital also

Includes:: y-cables for each platform with a headphone jack for zero-latency real-time monitoring. With a full range of recording capabilities, Spark Digital turns your iPad into a true mobile studio. Technology Blue's legendary studio condenser capsule & electronic components Plug 'n play for iPad, Mac & PC – no drivers needed Works with Garage Band™ & other recording applications Focus Control switch offers two sonic signatures in one mic Headphone jack for zero-latency real-time monitoring Onboard control for volume, gain & instant mute LED meter provides visual feedback

Includes:: Blue's Cloud Production Bundle for audio back-up & sharing online The Focus Control provides two different usage modes: the Normal mode (off position) providing increased low frequency sensitivity for recordings with great impact & definition, along with the Focus mode (on position) for even greater clarity & detail. The Focus Control functions differently than a standard high-pass or low-pass filter– it changes the input driver of the capsule rather than the signal output of the microphone circuit. This avoids coloring or degrading the signal quality coming out of the Spark microphone like low or high pass filters can. Specifically, the Focus Control alters the voltage loading of the capsule, which alters the capsule's dynamic frequency response, changing the capsule's behavior in a way that's more nuanced than a standard filter acting on a microphone's output. The result is a change to Spark's frequency response curve as well as the dynamic properties of the capsule (response to transients), providing two different mic characteristics. Spark Digital works with most all popular i OS Recording Apps Spark Digital is instantly recognized for use with any audio or video application. To fully benefit from the quality Spark Digital offers, we recommend using a high-quality recording app like one of those listed below, since Apple's built-in Voice Memos app records at a lower bit rate.





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Key Features Compatibility
- PC & Mac with USB (Universal Serial Bus) 2.0+ Set Up
- Plug n Play with no drivers needed

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The Yeti features tools & recording capabilities usually requiring multiple microphones & devices Key Features Power Required/ Consumption: 5V 500m A (USB) 4V DC (Analogue) Polar Patterns: Cardioid, Bidirectional, Omnidirectional, Stereo Frequency Responce: 20 Hz – 20k Hz Weight: (microphone) 1.2 lbs/0.55kg (stand) 2.2 lbs/1kg Dimensions: 12 x 12.5 x 29.5 cm (extended in stand) Ultimate USB (Universal Serial Bus) mic for professional recording The Yeti is one of the most advanced & versatile multi-pattern USB (Universal Serial Bus) microphones available anywhere. Combining three capsules & four different pattern settings, the Yeti is an ultimate tool for creating amazing recordings, directly to your computer. With exceptional sound & performance, the Yeti can capture anything with a clarity & ease unheard of in a USB (Universal Serial Bus) microphone. The Yeti features Blues innovative triple capsule array, allowing for recording in stereo or your choice of three unique patterns, including cardioid, omnidirectional, & bidirectional, giving you recording capabilities usually requiring multiple microphones. The Yeti utilizes a high quality analog-to-digital converter to send incredible audio fidelity directly into your computer, a built-in headphone amplifier for zero-latency monitoring, & simple controls for headphone volume, pattern selection, instant mute, & microphone gain located directly on the microphone. There are no drivers to install
- simply plug the Yeti into your PC or Mac, load up your favorite recording software, & record something amazing. Legendary Features The legend of the Yeti continues with the most advanced & versatile multi-pattern USB (Universal Serial Bus) microphone roaming the wild today. The Yeti features tools & recording capabilities usually requiring multiple microphones & devices, all with the simplicity of a plug n play USB (Universal Serial Bus) microphone. 4 settings. Endless possibilities You can quickly select from each of Yetis four pattern settings (stereo, cardioid, omnidirectional, bidirectional) by simply rotating the pattern selector knob. The chart below shows each patterns symbol, sound source direction, & suggested recording applications. Stereo The Stereo mode is great for capturing a realistic stereo image. To start, point the microphone at the sound source that you want to record (the "front" of the microphone is the side of the microphone with the Blue Microphones Logo). Depending on the instrument and/or sound that you want to achieve, place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source, you will get equal amounts of signal in both the left & right channels. If you want a little more of the signal in the right channel, move the sound source a little to the right side of the mic (as if one is behind the microphone), & if you want a little more of the signal in the left channel, move the sound source to the left (as if you are behind the microphone). Alternatively, you can record everything as centered as possible, & easily adjust the position when youre mixing the recording. If you want the sound in the right or left channel only, you should try using the cardioid, bidirectional or the omnidirectional setting, & use your software to hard-pan the sound to the left or the right. Cardiod Cardioid is the most commonly used mode & can be useful in most any situation. If you are recording vocals, a podcast, or a voiceover, cardioid is likely your best choice. When recording in cardioid, sound directly in front of the microphone is picked up while the sound at the rear & sides of the microphone is not picked up. Therefore, you will want to arrange the source directly in front of the microphone. Cardioid will deliver the most direct, rich sound, but will not offer as much airiness or presence as the other recording modes. Omnidirectional Omnidirectional means that the microphone picks up sound equally from all directions. This setting is perfect for recording a group of musicians all playing at the same time, recording a conversation between multiple parties around a room, a conference call, or any other situations where you want to capture the ambience of being there. Because sound is picked up from all directions in this mode, the orientation of the microphone isnt crucial, but as a good rule of thumb, start by orienting the front of the microphone at the primary sound source you wish to record. Bidirectional Bidirectional means that the microphone picks up sound at the front & rear of the microphone, while the sounds to the sides are "rejected", or not picked up. The bidirectional setting is very useful in achieving a nuanced, pleasant sound when recording musical instruments, & is perfect for recording an interview with two or more guests. By placing the microphone between two or more subjects (front of microphone facing one source, rear of microphone facing another), you can achieve a natural sound without the complexity of using multiple microphones.
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Ultimate USB (Universal Serial Bus) mic for professional recording The Yeti is one of the most advanced & versatile multi-pattern USB (Universal Serial Bus) microphones available anywhere. Combining three capsules & four different pattern settings, the Yeti is an ultimate tool for creating amazing recordings, directly to your computer. With exceptional sound & performance, the Yeti can capture anything with a clarity & ease unheard of in a USB (Universal Serial Bus) microphone. The Yeti features Blue's innovative triple capsule array, allowing for recording in stereo or your choice of three unique patterns, including cardioid, omnidirectional, & bidirectional, giving you recording capabilities usually requiring multiple microphones. The Yeti utilizes a high quality analog-to-digital converter to send incredible audio fidelity directly into your computer, a built-in headphone amplifier for zero-latency monitoring, & simple controls for headphone volume, pattern selection, instant mute, & microphone gain located directly on the microphone. There are no drivers to install
- simply plug the Yeti into your PC or Mac, load up your favorite recording software, & record something amazing. Legendary Features The legend of the Yeti continues with the most advanced & versatile multi-pattern USB (Universal Serial Bus) microphone roaming the wild today. The Yeti features tools & recording capabilities usually requiring multiple microphones & devices, all with the simplicity of a plug 'n play USB (Universal Serial Bus) microphone. 4 settings. Endless possibilities You can quickly select from each of Yeti's four pattern settings (stereo, cardioid, omnidirectional, bidirectional) by simply rotating the pattern selector knob. The chart below shows each pattern's symbol, sound source direction, & suggested recording applications. For a more in-depth look at each pattern, please refer to the detailed descriptions & frequency response charts further down the page. Stereo The Stereo mode is great for capturing a realistic stereo image. To start, point the microphone at the sound source that you want to record (the "front" of the microphone is the side of the microphone with the Blue Microphones Logo). Depending on the instrument and/or sound that you want to achieve, place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source, you will get equal amounts of signal in both the left & right channels. If you want a little more of the signal in the right channel, move the sound source a little to the right side of the mic (as if one is behind the microphone), & if you want a little more of the signal in the left channel, move the sound source to the left (as if you are behind the microphone). Alternatively, you can record everything as centered as possible, & easily adjust the position when you're mixing the recording. If you want the sound in the right or left channel only, you should try using the cardioid, bidirectional or the omnidirectional setting, & use your software to hard-pan the sound to the left or the right. Cardiod Cardioid is the most commonly used mode & can be useful in most any situation. If you are recording vocals, a podcast, or a voiceover, cardioid is likely your best choice. When recording in cardioid, sound directly in front of the microphone is picked up while the sound at the rear & sides of the microphone is not picked up. Therefore, you will want to arrange the source directly in front of the microphone. Cardioid will deliver the most direct, rich sound, but will not offer as much airiness or presence as the other recording modes. Omnidirectional Omnidirectional means that the microphone picks up sound equally from all directions. This setting is perfect for recording a group of musicians all playing at the same time, recording a conversation between multiple parties around a room, a conference call, or any other situations where you want to capture the ambience of 'being there.' Because sound is picked up from all directions in this mode, the orientation of the microphone isn't crucial, but as a good rule of thumb, start by orienting the front of the microphone at the primary sound source you wish to record. Bidirectional Bidirectional means that the microphone picks up sound at the front & rear of the microphone, while the sounds to the sides are "rejected", or not picked up. The bidirectional setting is very useful in achieving a nuanced, pleasant sound when recording musical instruments, & is perfect for recording an interview with two or more guests. By placing the microphone between two or more subjects (front of microphone facing one source, rear of microphone facing another), you can achieve a natural sound without the complexity of using multiple microphones.
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