On the Whos final album with Keith Moon, their trademark honest power started to get diluted by fatigue & a sense that the groups collective vision was beginning to fade. As instrumentalists, their skills were intact. More problematic was the erratic quality of the material, which seemed torn between blustery attempts at contemporary relevance (" Sister Disco, " " New Song, " " Music Must Change") & bittersweet insecurity (" Love Is Coming Down"). Most problematic of all were the arrangements, h