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Pentangle: Bert Jansch (vocals, acoustic guitar, dulcimer, recorder, concertina); John Renbourn (vocals, acoustic & electric guitars, sitar, recorder); Terry Cox (vocals, drums); Jaqui Mc Shee (vocals); Danny Thompson (double bass). Recorded at Sound Techniques, London, London in 1970. All tracks have been digitally remastered. ...

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A 14-song, 63-minute collection (originally a double LP) comprising many of the highlights (but no " Light Flight") of the original groups history from 1968 through 1972. The notes are minimal, & there are no original release dates or any identification of the albums (The Pentangle, Sweet Child, Basket of Light, Cruel Sister, etc.) whence this material originated. The latter are the only flaws in what is otherwise a fine if not completely comprehensive cross-section of the groups work, showca ...

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This Double CD of Pentangles BBC Recordings is Comprised Primarily of Rare & Previously Unheard Tracks. From 1968 to 1973 Pentangle were Prolific Session Guests on BBC Radio, their Unique Fusion of Sounds Providing Access to Programmes Covering Folk, Pop & Progressive Rock. When BBC Cupboards were Trawled for These Recordings in the Early Nineties They were Almost Bare
- a Mere Handful of Tracks Survived in the Tape Archive (Released on the Band of Joy/ Strange Fruit Labels). Here at Last, w
...

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This album was released before Steeleye Span even existed & Fairport Convention was still a West Coast-sounding folk-rock group with Judy Dyble instead of Sandy Denny, & yet this album bears more than a striking resemblance to Steeleye Span, except bluesier & jazzier, with all acoustic instruments (instead of electric like Steeleye Span). Vocalist Jacqui Mc Shee sings in a soprano that seems like an obvious influence on Steeleye Spans Maddy Prior. While folk purists would not complain that ...

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The sixth & final album by Pentangles original incarnation was, like the preceding Reflection, a disappointment, if only in relation to the high standards set by the groups first batch of LPs. As on Reflection, theres an expansion into some wider use of electric guitars, sometimes mildly distorted. Theres a narrower scope of styles than on Reflection, though not to the bands detriment, as the bandmembers concentrate on the folk-jazz-blues blends that were their greatest strengths, rather ...

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This album, released in 1968 at the peak of the Pentangles career, is probably the most representative of their work. A sprawling two-record set, half recorded in the studio & half live at the Royal Festival Hall, showcases just how versatile the Pentangle were in their unique brand of British folk, jazz, Celtic, blues, & pop styles. Some of the live covers are easily their finest performances. Furry Lewis " Turn Your Money Green, " sung by the delightful Jacqui Mc Shee, swings sweetly, buttr ...

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Al Pacino transforms himself into former all-star publicist Eli Wurman in Dan Algrants PEOPLE I KNOW. Wurman is a southern-born one-time mover & shaker who is at the end of his rope--and his career. His last major client, Cary Launer (Ryan ONeal), is an Oscar-winning actor who has Wurman clean up his messes for him; in this case, Wurman has to get drug-addled television host Jilli Hopper (Tea Leoni) out of jail & back to California. But a detour leads Wurman into a secret sex-&-drug den ...

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Pentangle - Pentangle

This album was released before Steeleye Span even existed and Fairport Convention was still a West Coast-sounding folk-rock group with Judy Dyble instead of Sandy Denny, and yet this album bears more than a striking resemblance to Steeleye Span, except bluesier and jazzier, with all acoustic instruments (instead of electric like Steeleye Span). Vocalist Jacqui McShee sings in a soprano that seems like an obvious influence on Steeleye Spans Maddy Prior. While folk purists would not complain that

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Pentangle - Pentangle

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