Like much pop music in the mid-1990s, POP is cobbled together out of buzzy synthesizers & reverberant keyboards, techno drum loops & funky live drums, guitars distorted into clouds of metal, vocals you sometimes have to work to hear, & songs that seek God & sex & other important stuff in the world's trash heaps. & it's obsessed, more than anything else, with pop itself. At its most frisky, as on the dance-club single " Discotheque, POP sounds like Oasis backed by the Chemical Brother