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1981's Mob Rules was the second Black Sabbath album to feature vertically challenged singer Ronnie James Dio, whose powerful pipes & Dungeons & Dragons lyrics initially seemed like the perfect replacement for the recently departed & wildly popular Ozzy Osbourne. In fact, all the ingredients which had made their first outing, Heaven & Hell, so successful are re-utilized on this album, including legendary metal producer Martin Birch (Deep violet, Whitesnake, etc.) & supporting keyboard p ...
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Even though this album was released some 22 years ago, Mob Rules stands as one of Black Sabbath's best albums without the aid of Ozzy Osbourne. Ronnie James Dio does a great job on vocals, & presents a much more interesting vocal range than anything Ozzy put out in the 1970's. The tracks " Turn Up the Night", The Sign of the Southern Cross, & " The Mob Rules" are the obvious hits, but who could forget " Country Girl", Over & Over, & " Falling Off the Edge of the World." ...
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After quitting briefly following the band's previous tour, singer Ozzy Osbourne returned to Black Sabbath for 1978's Never Say Die! The title track kicks things off with a promising bang but ultimately lacks enthusiasm; a pleasant surprise arrives in the very original & experimental " Air Dance, featuring tasteful piano flourishes from leading session keyboardist Don Airey. Never Say Die! is best suited for Sabbath completists. Eduardo Rivadavia. ...
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Towards the end of 1977, Black Sabbath were in a state of turmoil. Problems of all description were having an adverse effect on the bands ability to function & finally Ozzy Osbourne could take no more & would quit at the end of the Technical Ecstasy World Tour. Briefly replaced by ex-Savoy Brown vocalist Dave Walker & resulting in the first line-up change since the band began ten years earlier, Walkers tenure would however, be extremely short lived & Ozzy returned to resume lead vocal du ...
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' Paranoid', Black Sabbath's second album, released in 1970 was a work like no other at the time of its release. The quartet of Ozzy Osbourne (vocals), Toni Iommi (Guitar), Geezer Butler (Bass) & Bill Ward (Drums) after their self titled debut at the turn of the '70's put together this heavy-metal work of art. Black Sabbath are rightly credited as the main band which pioneered the heavy metal sound
- their style was very revolutionary for its time. They were light years ahead of quite a lot of
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Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass instrument); Bill Ward (drums).PARANOID proved to be Black Sabbath's most focused, consistent, & successful record. Leaving behind the amorphous, extended jams of their debut for focused songs & a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, & dark themes on this release. There are some up-tempo rockers, the famous ti ...
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Originally released in 1980 under the name Live at Last, this infamous live disc has never been heard in its entirety until its 2002 reissue. Where the original album suffered from flat sound & an abrupt ending, this has been remastered & remixed to give it the spacy vibe & airy sound it needs. Recorded at several different points in their career, this live disc is a psychedelic journey into the primal sludge of early heavy metal, warts & all. Wrong notes, tempo mistakes, meandering jams ...
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This is a limited-edition CD Digipak. Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums). Additional personnel: Geoff Nichols (keyboards). Engineers include: Thom Panunzio, Bob Marlette, Greg Hackett. Recorded live at The N.E.C., Birmingham, England on December 5, 1997; A&M Studios, Los Angeles, California in April-May 1998.

Includes::
liner notes by Phil Alexander. " Iron Man" was nominated for the 2000 Grammy Award for Best Metal Performance. Rival

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Upon its release in ‘73, Sabbath Bloody Sabbath began achieving a feat that had, for the previous four albums & three years, eluded the Birmingham metal maestros. It started getting good reviews. Until then, the music critics had not warmed to the bare, brutal honesty of Black Sabbath’s music, not least Rolling Stone critic Lester Bangs, who had described the band’s debut Black Sabbath as ‘ Just like Cream. But worse!’ Sabbath Bloody Sabbath was released on 1 December 1973 & was immediately h ...
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Released in July '75, Black Sabbath's sixth studio album gained another favourable review from Rolling Stone magazine who stated " Sabotage is not only Black Sabbath's best record since Paranoid it might be their best ever. Even with the usual themes of death, destruction & mental illness running throughout this album, the unleashed frenzy & raw energy they've returned to here comes like a breath of fresh air". The album is evidence that the band still weren't afraid of musical experimentation ...
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Black Sabbath - Paranoid (Deluxe Edition)

PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, W
  • Availability: In Stock
  • Supplier: CD WOW UK
  • SKU: 31011459
Availability: In Stock
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PARANOID proved to be Black Sabbath's most focused, consistent, & successful record. Leaving behind the amorphous, extended jams of their debut for focused songs & a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, & dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, W

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