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Sufficiently recharged via Taxi, Ferry got down to business & the following year released Mamouna, notable among other things for being his first recordings with the help of Brian Eno since the latter split from Roxy Music back in 1973. Rather than playing the wild card as he so often did, though, Eno concentrates on (to use his own descriptions in the credits) "swoop treatment" & "sonic awareness." Slightly more to the fore are Ferry's usual range of excellent musicians & pros. Steve Ferr ...

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Taxi shows a mature Bryan Ferry, suave & controlled, very much in line with his general career from 1979 on. The choices of songs to cover doesn't make for any surprises -- the same selections of classic rock, pop, & soul numbers dominate, with an interesting ringer here & there like " Amazing Grace." As with his other recent solo records, a cast of thousands supports him, ranging from the Grid's Richard Norris on synth programming to Brit guitar legends Robin Trower & Michael Brook, plus ...

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Much like his contemporary David Bowie, Ferry consolidated his glam-era success with a covers album, his first full solo effort even while Roxy Music was still going full steam. Whereas Bowie on Pin-Ups focused on British beat & psych treasures, Ferry for the most part looked to America, touching on everything from Motown to the early jazz standard that gave the collection its name. Just about everyone in Roxy Music at the time helped out on the album -- notable exceptions being Andy Mackay an ...

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Over his 11 CDs plus a greatest-hits package for the Justin Time label, Bryan Lee has been one of the most consistently satisfying blues artists heard anywhere. Sporting a sly but sweet voice & more than competent, pleasing guitar style, Lee has made inroads into keeping the real urban blues tradition alive, where many others have either watered it down, rocked it out far too much, or funkified it past the point of recognition. Fans will be doubly pleased to hear Lee with an all-star showstopp ...

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From the get-go of " Lit Up" right on through to " Drink the Water, Buckcherry doesn't let up on their self-titled disc -- it's like a blast of fresh air clearing out a stale room. Buckcherry returns to the raucous edge of rock while avoiding the pitfalls of veering headlong into metal l&. Melodic & concise, these guys keep your attention much like Guns N' Roses did on their first disc. Helped out by Terry Date & ex-Sex Pistol Steve Jones in the production department, Buckcherry is quite a ...

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Cuckoo Clocks of Hell is a full return to Buckethead's blistering, super-heavy guitar heroics after releases that focused on different parts of his multiple musical personalities. That may please the heavy shredder fans, but the relentless pummeling beats can get a bit tiresome. There's no doubting Buckethead's virtuosity, but this album starts to sound like a series of exercises after a while. It's only about two-thirds of the way in, when he slows things down a bit & opens up the form on son ...

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Experience the haunting, beautiful & ethereal side of BUCKETHEAD, described by the likes of Bootsie Collins, Bill Laswell & Santana as a phenomenal musician. He is the guitarist from experimental jazz metallists, PRAXIS & GIANT ROBOT & has even played for Guns n Roses. But there is no hard funk or rock here. This time Buckethead is on the ethereal META RECORDS, a label dedicated to gentle & spiritual music. Be taken through gentle soundscapes & meditative places. ...

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This release from Avabella is a follow-up to the label's 2007 album Acoustic Shards, another collection of Buckethead juvenilia. In this case, it's a demo tape the guitarist made in 1988, combining electric & acoustic guitar work. Already, it's apparent that he is a nascent member of the Eddie Van Halen/ Joe Satriani/ Steve Vai school of fleet-fingered electric guitarists, demonstrating on " Disembodied, Pt. 1" & " Disembodied, Pt. 2" that he is worthy to join their ranks. But the demo tape seem ...

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Personnel: Buckethead (various instruments). As renowned for the fact that he wears a white mask & a KFC bucket over his head as he is for his mercilessly blistering leads, Buckethead is one of the most enigmatic performers in rock. His 2005 release on John Zorn's Tzadik label is an appropriate installment in the label's Lunatic Fringe series. Combining everything from metal to funk to avant experimentalism, Buckethead stays true to his anything-goes aesthetic on KALEIDOSCALP, defying expect ...

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For those who don't remember who Bucks Fizz were, they were the British winners of the Eurovision Song Contest in 1981, before Eastern Europe took over the contest & appeared to shut out all other nations. This was still a time when mixed boy/girl groups were in vogue in the contest, Brotherhood of Man, Teach In, Milk & Honey, & of course ABBA, all having won the annual show in the previous seven years. Bucks Fizz, like ABBA before them, launched their career appearing in front of millions o ...

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Buckethead - Bermuda Triangle

No genre remains untouched by Buckethead on his 11th and most challenging outing. A collaboration with Extrakd, this collection vacillates from sheer shards of noise, which come to a frenetic apex in "The Triangle Part 1, to sublime melody, as evidenced in the folky veneer that underpins Sea of Expanding Shapes." The majority of cuts are steeped in various permutations of electronica which encompass trance, funk, punk, R&B, and pop motifs bolstered by Buckethead's angular harmonics. When plung

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Supplier: CD WOW UK
SKU: 3203419

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No genre remains untouched by Buckethead on his 11th & most challenging outing. A collaboration with Extrakd, this collection vacillates from sheer shards of noise, which come to a frenetic apex in " The Triangle Part 1, to sublime melody, as evidenced in the folky veneer that underpins Sea of Expanding Shapes." The majority of cuts are steeped in various permutations of electronica which encompass trance, funk, punk, R&B, & pop motifs bolstered by Buckethead's angular harmonics. When plung

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