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Personnel: Bob Dylan (vocals, guitar, harmonica, piano); Pete Drake (steel guitar); Charles Mc Coy (bass); Kenny Buttrey (drums).

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Bob Dylan's career has always been about defying expectations. Accordingly he followed 1997's much-heralded TIME OUT OF MIND with a marked about-face. Where its predecessor was a bleak emotional landscape full of languid atmospheres, existential sentiments, & graveyard vocal delivery, LOVE & THEFT finds Dylan much more energized & hopeful. Instead of swamp-like textures, we get sharp, cracking bar-band blues, & lissome ballads with a '20s/'30s feel. The old codger has never sounded more ...
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The successor, of course, to Bob Dylans original Greatest Hits collection, More Greatest Hits is remarkable on so many different levels that it remains one of the crucial compilations in his catalog, no matter how many other, bigger & brighter collections have been unleashed in the years since then. For starters, it brought half an albums worth of unheard performances onto the market, beginning with a beautiful 1964 live version of " Tomorrow Is a Long Time." There was a gli ...
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Personnel: Bob Dylan (vocals, guitar); Kenny Buttrey, Charles Mc Coy, Pete Drake, Norman Blake, Charlie Daniels, Bob Wilson, Johnny Cash.
Includes: liner notes by Johnny Cash. Personnel: Bob Dylan (vocals, guitar); Johnny Cash (vocals); Norman Blake, Pete Drake, Kenny Buttrey, Bob Wilson, Charles Mc Coy, Charlie Daniels. Recording information: 1969. It is hard to recall now how deeply unfashionable country music was in 1969-- Dylan's label, Columbia, dismayed at his apparent retrogressi
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Also available in a 3-pack with NASHVILLE SKYLINE & JOHN WESLEY HARDING. Personnel: Bob Dylan (vocals, guitar, organ, piano); David Bromberg (guitar, dobro); Al Kooper (guitar, French horn, piano, organ); Buzzy Feiten, Ron Cornelius (guitar); Harvey Brooks, Charlie Daniels (bass); Russ Kunkel, Billy Mundi (drums); Hilda Harris, Albertine Robinson, Maeretha Stewart (background vocals). Following the critical & commercial drubbing that SELF PORTRAIT received, Dylan returned with NEW MORNING, i ...
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Arriving after the twin peaks of Blood on the Tracks & Desire, Street Legal features a set of songs with no connecting themes, & Bob Dylan replaced the sprawl of the Rolling Thunder Revue with a slick, professional big band featuring a horn section & several backing vocalists. The interesting thing about this 1978 release is that, despite the music & slick production, the songs are as dense as anything Dylan had written since before his motorcycle accident. So, Street Legal becomes an in ...
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Personnel: Bob Dylan (vocals, acoustic & electric guitars, harmonica, piano); Robert Britt (acoustic & electric guitars); Daniel Lanois (acoustic & electric guitars, mando-guitar); " Bucky" Baxter (acoustic & pedal steel guitars); Duke Robillard (guitar); Cindy Cashdollar (slide guitar); Jim Dickinson (Wurlitzer piano, pump organ, keyboards); Augie Meyers (accordion, organ); Tony Garnier (acoustic & electric basses); Winston Watson, Jim Keltner, David Kemper, Brian Blade (drums); Tony Mangurian ( ...
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If Good as I Been to You was a strong traditionalist folk record, World Gone Wrong was an exceptional one, boasting an exceptional set of songs given performances so fully realized that they seemed like modern protest songs. Much of this record is fairly obscure to anyone outside of dedicated folk fans; " Delia" (covered by Johnny Cash the following year) & " Stack-A-Lee" are the most familiar items, yet they're given traditional readings, meaning that the latter doesn't quite seem like " Stagger ...
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This compilation is an indispensable purchase for lovers of smooth jazz. Much criticised & ignored by jazz purists, Bob James has developed a style of his own, & the evolution of his music is perfectly exemplified here. Covering his best music from the 1974
- 1985 period, this compilation starts with a funky cover of Night In Bald Mountain. As the compilation develops, arrangements are less syrupy & a groovier feel is installed, allowing the smooth piano melodies free themselves in the fre
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Bob Dylan - Saved

Personnel: Bob Dylan (vocals, guitar, harmonica); Terry Young (vocals, keyboards); Clydie King, Regina Havis, Mona Lisa Young (vocals); Fred Tackett (guitar); Spooner Oldham (keyboards); Tim Drummond (bass); Jim Keltner (drums); Barry Beckett. Recorded at Muscle Shoals Sound Studio, Sheffield, Alabama. Ever the spiritual nomad, the former Robert Zimmerman became a born-again Christian in the late '70s, a development strongly reflected in his work from that period. His second "Christian" album, S
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    • Supplier: CD WOW UK
    • SKU: 56318343
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    Product Description

    Personnel: Bob Dylan (vocals, guitar, harmonica); Terry Young (vocals, keyboards); Clydie King, Regina Havis, Mona Lisa Young (vocals); Fred Tackett (guitar); Spooner Oldham (keyboards); Tim Drummond (bass); Jim Keltner (drums); Barry Beckett. Recorded at Muscle Shoals Sound Studio, Sheffield, Alabama. Ever the spiritual nomad, the former Robert Zimmerman became a born-again Christian in the late '70s, a development strongly reflected in his work from that period. His second " Christian" album, S

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    Jargon Buster

    King - The figure head of a monarch
    Muscle - Fibrous tissue found in a living body providing movement.
    Vocals - The part of a song that is sung.

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    Page Updated: 2014-03-18 14:15:16

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