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Includes:: Alanis Morissette (vocals, guitar, keyboards); Tim Thorney (guitar, bass); Nick Lashley, Dean
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Personnel: Gary Nicholson (guitar); Michael Borkosky (acoustic guitar, electric guitar, mandolin, strings, English horn, keyboard, bass instrument, percussion, programming, sampler, background vocals); Kurt Schefter (electric guitar); Jeff Healey (slide guitar); Dragoslav Tanaskovic (strings, Fender Rhodes piano, organ); Jerome Godboo (harmonica); Ray Coburn (Fender Rhodes piano, Wurlitzer piano, Hammond b-3 organ); Daniel Le Blanc (keyboard, programming); Randy Cooke, Creighton Doane (drum, perc ...

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Taken from a few December reunion shows in 2000, the Alarm's Greatest Hits Live is a document of their eventual comeback after almost ten years of being apart. The U2 comparisons that have dogged them through their entire career have been thrown aside now that Bono has traded in the self-important rock-savior image. What that means is that the Alarm may be one of the few bands really making this sort of music anymore, & although these are all songs from the past, they seem that much more impor ...

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Albert Ayler Trio: Albert Ayler (tenor saxophone); Gary Peacock (double bass); Sunny Murray (drums). Recording information: New York, New York (07/10/1964). Like all the great free-jazz players, Albert Ayler possessed a musical intelligence that ranged far & wide. With an approach to the saxophone that reinvents its vocabulary, Ayler's playing tests the limits & possibilities of harmonic structure & tonality. His work is singular however, & markedly different from peers Ornette Colem ...

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BGO's two-fer of Albert Hammond & 99 Miles from LA rounds up the two albums that Albert Hammond recorded after the success of 1973's " It Never Rains in Southern California." Where that single & the album of the same name were big hits, the 1974 Albert Hammond & 1975's 99 Miles from LA were modest hits, along the lines of his 1973 follow-up to " Southern California, The Free Electric Band": the albums themselves didn't chart on Billboard, but the 1974 LP brought a Top 40 single in the prop ...

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Stretching his legs outside the day job, Strokes guitarist Albert Hammond, Jr., has put together an impressive set of songs that aim for a slightly more rarified plane than his usual fare. Although he adopts the affectless vocals of a non-singer, he takes his guitar on some cool excursions. Highlights include " Bright Young Thing, which has an unrestrained & swoon-inducing sweep, & Holiday, featuring textured guitar sounds & gauzy, filtered vocals that transport & uplift. ...

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These 17 tunes come from King's most fertile period, his 1966-68 tenure at Memphis's Stax Records. Stax chief Jim Stewart had been reluctant to sign blues artists because he felt straight blues wouldn't mesh with Stax's patented Memphis soul. Ironically, the fusion of King's sharp guitar wails with the dynamic rhythms of Booker T. & the MGs--the Stax house b&--was what set King apart from other bluesmen. The unique blend produced classic after classic: Booker T. Jones' rolling piano propels "L ...

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Personnel: Albert King (vocals, guitar); Jesse Edwin Davis, Tippy Armstrong, Wayne Perkins (guitar); John Gallie, Barry Beckett (keyboards); Donald " Duck" Dunn, David Hood (bass); Jim Keltner, Roger Hawkins (drums); Sandy Konikoff (percussion); Jeanne Green, The Mt. Zion Singers (background vocals). Recorded at Skyhill Studios, Hollywood, California in December 1970 & January 1971. Originally released on Stax (2040). Digitally remastered by Kirk Felton (1990, Fantasy Studios, Berkeley). ...

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Free-jazz aficionados have reason to celebrate with the 2007 CD issue of THE HILVERSUM SESSION by the Albert Ayler Quartet. Recorded in 1964 in a radio station before a small audience, the session was not issued until 1980 on LP (a CD did appear later, though briefly), but the 2007 edition boasts superior sound, notes, & packaging. Ayler's quartet consists of stellar musicians-- drummer Sunny Murray, bassist Gary Peacock, & trumpeter Don Cherry--all of whom were playing at their peak. The se ...

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Albert Cummings - Working Man

Raw, funky, and lyrical, Albert Cummings' guitar playing has been compared with the likes of Stevie Ray Vaughan, and he's also received accolades from legends like B.B. King. His third album is a vibrant set that blends the country of Merle Haggard's "Workin' Man Blues" with Cummings' own attention-grabbing style on self-penned songs like the percolating James Brown style funk of "Girls to Shame, the rocking Party Right Here, and the sensitive, regretful Feeling End, the latter recalling th

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Supplier: CD WOW UK
SKU: 2849177

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Raw, funky, & lyrical, Albert Cummings' guitar playing has been compared with the likes of Stevie Ray Vaughan, & he's also received accolades from legends like B.B. King. His third album is a vibrant set that blends the country of Merle Haggard's " Workin' Man Blues" with Cummings' own attention-grabbing style on self-penned songs like the percolating James Brown style funk of " Girls to Shame, the rocking Party Right Here, & the sensitive, regretful Feeling End, the latter recalling th

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