Designed specifically to hold all models of Zip Discs, this versatile 6' (1.8m) mini-boom arm also works well with most other portable reflector & diffusion systems. It is versatile enough to accommodate all light stands & is made from anodized black aluminium to prevent reflections when shooting. This professional quality light stand offers maximum support with minimum bulk. It is made from attractive black aluminum, making it lightweight & easy to take on location. Get this FREE 22" Calumet Gold-Silver/ White Zip Disc worth £13.99 when purchasing the Zip Disc holder & Light stand together. The Zip Disc combines gold & silver in a "Z" pattern. Its turns high contrast areas into even tones & adds warmth to your subject. ...

Set of two cards: One 8.5 x 10" & One 4.25 x 5.5" When accurate colour is imperative, Calumet Zip Balance Cards provide a spectrally neutral reference to precisely balance your images. Each pack contains one large card ideal for studio use & one smaller card perfectly sized for your camera bag. Zip Balance Cards feature a matte surface that eliminates glare & reflections to ensure accurate data capture. The front side

Includes:: certified, spectrally-neutral white & grey references properly balanced for optimum colour balance, along with a black point reference for brightness/contrast adjustments. The reverse side provides a neutral white reference for white balancing video cameras. Each card is protected in a zippered vinyl storage pouch to withstand rigorous daily use. Zip Balance Cards are ideal for portrait, commercial, medical, & scientific use where colour accuracy is critical. The Calumet Zip Balance Cards are perfect for eliminating colour casts & balancing images when shooting digitally with any kind of lighting, anywhere! Tips for Using Calumet's Zip Balance Card Zip Balance cards can achieve precise custom white balance both in-camera refer to your camera's manual) or in post-processing RAW & JPEG files. The best way to ensure that your images are properly white balanced is to photograph the Zip Balance card as a reference for each lighting situation. A Zip Balance reference shot can be captured before, during, or after a series of images in a session. We also recommend that you set your camera's white balance to closely match the current lighting conditions, rather than using auto white balance. Shooting Inside If your lighting source is in a controlled studio environment, simply have your subject hold the card near their face & take a reference shot anytime during the session. Or place the Zip Balance Card next to your subject in tabletop still life or product photography. As long as the light source does not change, you'll only need one reference image. When shooting with mixed lighting sources such as fluorescent, tungsten, or daylight, use the same process as above. Further image adjustments may be necessary, but the Zip Balance reference shot can be used as a neutral guide in the editing process. Photographing Outdoors If you are photographing outside, place the Zip Balance Card on the ground or at arms length for a Zip Balance reference shot. If the lighting conditions have not changed drastically, there is no need for intermittent reference shots. However, if your subject moves to another area of light or your camera is positioned at a different angle, capture another reference shot for the most accurate reading. Videography When using the backside of the card to white balance video cameras, simply insert the card into the scene, making sure the exposure is correct. Zoom in & focus the camera lens until the card fills the entire frame, & activate the " White Balance" on your camera setting & your white balance is set. Your camera should confirm that the white balance was performed. Postproduction By using conversion software such as Adobe Photoshop Lightroom® & Adobe® Photoshop® (Adobe Camera RAW), you can accurately & automatically adjust the RAW images that were captured in the same lighting conditions by referencing the perfect middle grey from the Zip Balance Card. When using a RAW converter program, open your Zip Balance reference shot, select the "white balance" tool, & click the eye dropper over the grey section of the Zip Balance card. Once your image is perfectly colour balanced, you can save the settings & apply to all of the similarly lit images in that session. If using JPEG files, adjust the images in Photoshop within the "curves" or "levels" dialog using the middle grey eyedropper. Batch-process your images captured in the same lighting conditions to achieve uniform color without any casts or noise.

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One 4.25 x 5.5" Zip Balance Card. When accurate colour is imperative, Calumet Zip Balance Cards provide a spectrally neutral reference to precisely balance your images. This pack contains one small 4.25 x 5.5" card perfectly sized for your camera bag. Zip Balance Cards feature a matte surface that eliminates glare & reflections to ensure accurate data capture. The front side

Includes:: certified, spectrally-neutral white & grey references properly balanced for optimum colour balance, along with a black point reference for brightness/contrast adjustments. The reverse side provides a neutral white reference for white balancing video cameras. The card is protected in a zippered vinyl storage pouch to withstand rigorous daily use. Zip Balance Cards are ideal for portrait, commercial, medical, & scientific use where colour accuracy is critical. The Calumet Zip Balance Cards are perfect for eliminating color casts & balancing images when shooting digitally with any kind of lighting, anywhere! Tips for Using Calumet's Zip Balance Card Zip Balance cards can achieve precise custom white balance both in-camera refer to your camera's manual) or in post-processing RAW & JPEG files. The best way to ensure that your images are properly white balanced is to photograph the Zip Balance card as a reference for each lighting situation. A Zip Balance reference shot can be captured before, during, or after a series of images in a session. We also recommend that you set your camera's white balance to closely match the current lighting conditions, rather than using auto white balance. Shooting Inside If your lighting source is in a controlled studio environment, simply have your subject hold the card near their face & take a reference shot anytime during the session. Or place the Zip Balance Card next to your subject in tabletop still life or product photography. As long as the light source does not change, you'll only need one reference image. When shooting with mixed lighting sources such as fluorescent, tungsten, or daylight, use the same process as above. Further image adjustments may be necessary, but the Zip Balance reference shot can be used as a neutral guide in the editing process. Photographing Outdoors If you are photographing outside, place the Zip Balance Card on the ground or at arms length for a Zip Balance reference shot. If the lighting conditions have not changed drastically, there is no need for intermittent reference shots. However, if your subject moves to another area of light or your camera is positioned at a different angle, capture another reference shot for the most accurate reading. Videography When using the backside of the card to white balance video cameras, simply insert the card into the scene, making sure the exposure is correct. Zoom in & focus the camera lens until the card fills the entire frame, & activate the " White Balance" on your camera setting & your white balance is set. Your camera should confirm that the white balance was performed. Postproduction By using conversion software such as Adobe Photoshop Lightroom® & Adobe® Photoshop® (Adobe Camera RAW), you can accurately & automatically adjust the RAW images that were captured in the same lighting conditions by referencing the perfect middle grey from the Zip Balance Card. When using a RAW converter program, open your Zip Balance reference shot, select the "white balance" tool, & click the eye dropper over the grey section of the Zip Balance card. Once your image is perfectly color balanced, you can save the settings & apply to all of the similarly lit images in that session. If using JPEG files, adjust the images in Photoshop within the "curves" or "levels" dialog using the middle grey eyedropper. Batch-process your images captured in the same lighting conditions to achieve uniform colour without any casts or noise.

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Designed specifically to hold all models of Zip Discs, this versatile 6' (1.8m) mini-boom arm also works well with most other portable reflector & diffusion systems. It is versatile enough to accommodate all light stands & is made from anodized black aluminium to prevent reflections when shooting. NB: The standand zipdisc is sold separately. ...

Mamiya lenses are designed to produce distinctive & excellent results. Considered the benchmark by which to measure lens quality, each Mamiya lens must pass a stringent set of performance criteria. Lens elements are polished & treated with multi-coating to increase light transmission & reduce flair while ensuring true-to-nature color accuracy & razor-sharp images are produced every time. Newly developed leaf-shutter lenses offer flash synchronization for speeds up to 1/1, 600 second. Optical construction: 13 elements 11 groups Angle of view: 37°
- 19° Minimum aperture: 32 Minimum focusing distance (from CCD): 150cm Maximum magnification ratio: 0.09
- 0.18 Area covered (6x 4.5cm): 105mm: 595 x 441mm / 210mm: 313 x 232mm Equivalent focal length for 35mm: 65
- 130mm Filter diameter: 58mm

Dimensions (length x diameter): 158 x 82mm Weight: 990g




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The Profoto Zoom Reflector 2 is a smoother, more accurate reflector, with an integrated grid holder that accepts Profoto grids directly, no more need for the expensive extra grid holder. The light from the new reflector is smoother yet more precise; the fall-off is more even, the dynamic range bigger, the stray light almost completely eliminated. An optional protection cap
- the Zoom Cap, fits on top of the reflector, even if it's holding a grid or if the reflector is mounted on a lamp head.
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Canon ZSG-C10 Zoom Grip ZSG-C10 zoom grip allows shoulder style rig or shooting hand held grip allows shoulder style rig or shooting hand held. For added versatility, the optional accessory ZSG-C10 is a comfortable lens grip with rocker zoom switch & record start/stop & one-shot AF buttons. ...

The ZUIKO DIGITAL 35mm 1:3.5 Macro lens offers an equivalent range of 70mm on a 35mm film camera. This is a special macro photography lens designed for use with the Macro flash system but also equally good in normal use. It is extremely compact & the world's lightest macro lens*. It offers a magnification of 1:1 life size which has an image magnification size equivalent to 2:1 in a 35mm film camera. Equivalent to 70mm Macro lens on a 35mm Film Camera For close-ups & portraits Closest focusing distance of 0.146m ...

The ZUIKO DIGITAL ED 9-18mm (35mm equivalent focal length: 18-36mm) is a super-wide-angle lens offering a 100°
- 62° angle of view.
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Zacuto Zwiss Plate V2 Z-ZWP2 The Zacuto Zwiss Plate V2 has multiple mounting options for various recorders & specific hole patterns for battery plates. The Zwiss Plate V2 has all the holes labeled to easily identify the correct hole pattern for various devices. It means that you can mount articulating arms, rods, battery plates, converter boxes & various other camera accessories to your support system. Unlike other cheese plates, the Zwiss Plate V2 has two sets of industry standard 15mm rod holes spaced 60mm apart. This allows vertical mounting onto standard 15mm rods. The red levers enable you to securely mount the plate onto your rods. The Zwiss Plate V2 is also designed to work with our Wireless Plate Pro for mounting multiple wireless receivers or other small devices. You can use the Zwiss Plate V2 to mount a variety of accessories or V-mount or 3 Stud battery plates & batteries. The battery plate & battery mounted on the Zwiss Plate V2 also acts as a counterbalance. Our Zamerican quick release arms mount directly into the 15mm holes of the plate & are perfect for mounting lights, monitors & audio devices. With plenty of ¼” 20 & 3/8” 16 holes on the Zwiss Plate V2, your mounting options are limitless.  Please note below when ordering if you are using this with the QRC-CA940 for the C300 or C500 or the Codex Onboard S 4K Recorder as you will need extra screws.   ...