MTA offer a wide range of CD Folio & pocket books to stand alone or compliment the MTA album Range. The CD Folios are available to hold a single or double CD.   All CD Folios come in hard presenentaion box. ...

MTA offer a wide range of CD Folio & pocket books to stand alone or compliment the MTA album Range. The CD Folios are available to hold a single or double CD.   All CD Folios come in hard presenentaion box. ...

Articulated arm. Features as 143N, but a large locking knob takes the place of cam-lever. Variable friction & locking of arm obtained by adjusting knob. arm length: 53.00 cm arm tube diameters: 20mm attaches by.: type 17 attachment type attachment (top): type 17 attachment type

Colour: Black load capacity: 3kg

Material: Aluminum weight: 1.09kg



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Manfrotto 244RC incorporates a large locking knob & quick release camera plate with secondary safety lock. Variable friction & locking of arm is obtained by adjusting knob. 5/8" male stud on ball joint with 3/8" & 1/4-20" female thread. Works especially well with 035S Super Clamp. ...

ARRI Variable Snoot for Arri Junior 300. The ARRI Fresnel series is ideal to be used where compact, light weight tungsten Fresnel spotlights are required. Arri Fresnels are the perfect solution in small studios where grid height is a problem. The classic ARRI construction of corrosion resistant extruded & die cast aluminium maximises body strength while maintaining the light weight of an ideal location fixture. Despite the small size, short focal length lenses with wider angles give more light output & better light distribution over the full beam area. Arri Fresnels are available in both manual & Pole Operated version. ARRI Professional Tungsten Lighting is the preferred choice for many film, TV & photographic productions. The stable, high output & ease-of-use of Arri lampheads makes them the perfect lighting solution where large amounts of easily controllable light are needed. ...

The Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens is a mid-range zoom lens that provides a 35mm-equivalent focal length range of 24-105mm, covering wide-angle to short telephoto perspectives. A constant f/4 maximum aperture offers consistent performance throughout the zoom range & is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefitting working in dim light or at the long end of the zoom range is Optical Steady Shot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps. The optical construction incorporates four aspherical elements to help reduce chromatic aberrations throughout the zoom range as well as contribute to a compact overall form-factor. A Carl Zeiss T* anti-reflective coating has been applied to the lens elements to minimize lens flare & ghosting while providing enhanced contrast, clarity, & color fidelity. * Mid-range zoom lens provides a 35mm-equivalent focal length range of 24-105mm, covering wide-angle to short telephoto perspectives. * Constant f/4 maximum aperture enables greater consistency throughout the zoom range & benefits working in dim conditions with longer focal lengths. * Optical Steady Shot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting & with greater zoom magnifications. * Four aspherical elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor. * Carl Zeiss T* anti-reflective coating enhances contrast, clarity, & color reproduction by countering the effects of lens flare & ghosting. * Metal lens barrel increases durability & adds a refined aesthetic appearance. ...

This compact, multi-purpose 24–70mm zoom lens bring renowned ZEISS resolution & contrast to a range of shooting situations – from studies of the natural world to portraits & landscapes. With an F4 maximum aperture across the zoom range & built-in image stabilisation, it also performs well in low-light conditions. Founded in 1846, ZEISS AG is a legend in the field of camera optics. Their lenses are renowned for exceptional clarity, brightness, resolution & contrast. This one features the acclaimed ZEISS T* coating, which subdues internal reflections to minimise flare & ghosting. Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, & colour fidelity. An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, & reduced minimum focusing distances. ...

Phottix Varos H-Mount Plate & Strap Easily mount your flashes horizontally with the Phottix Varos H-Mount Plate & Strap. Mounting flashes by the hot shoe can cause some issues. When using umbrellas the light from a vertical flash does not hit the center of the umbrella as it is much taller. This cuts down on the effectiveness of the umbrellas as a lighting modifier. Phottix comes to the rescue with the new Phottix Varos H-Mount Plate & Strap. Using this kit with a Phottix Varos Umbrella Adapter, or swivels & mounts from other manufacturers, allows flashes to be mounted horizontally, more in line with the center of a reflective or shoot through umbrella. ...

A set of 10 filters for adding colour or cosmetic effects to the light output. Contains one each of the following: • Cosmetic Peach 57%
- Adds subtle, warm highlights. • Moroccan Frost 57.2%
- Smooths flood washes in large areas. • Medium Amber 57.6%
- Emulates afternoon sunlight or candlelight. • Light Lavender 37.8%
- Excellent for general area washes. • Pale Blue 54.8%
- Creates an overcast or cold weather look. • Bright Pink 14%
- Deep, saturated pink. Great for down/back lighting. • Light Red 11%
- Good for TV & theatre as well as cycloramas. • Bedford Blue 18%
- Warm, smokey blue, good for skin tones. • Liberty Green 67%
- Creates mystery & suspense. • Sunlight Yellow 80%
- Produces a strong sunlig









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Veho VCC-006-K2NPNG MUVI K-Series K-2 Wi-Fi Handsfree Camera The MUVI K2 NPNG takes handsfree video capture to the next level. The enhanced MUVI K2 XA-7 Achilles chipset extends your options for filming with a top

Specification of 1080p @ 60 FPS using 19 Mbits/sec. The MUVI K2 NPNG also comes ready for watersports including the new waterproof case capable of operating at depths of 100 metres (330 feet) & is bundled with the detachable LCD screen, 8GB memory, helmet front mount & is packed into a reusable protective carry case. The MUVI K-Series has a new smaller & sleeker form factor which makes this camera even more versatile than the previous MUVI HD models. Measuring only 6cm x 4cm x 2.3cm (2.7in x 2in x 1in) the K-Series is the smallest high definition MUVI yet, meaning handsfree video capture is easier than ever before. The MUVI K2 records high definition 1080p video at 60 FPS as well as 720p at 120 FPS using the new MUVI XA-7 Achilles chipset & has a choice of bit rate, the default being 19 Mbit/s. As well as settings great for handsfree video capture the K2 also has settings to enable broadcast quality video capture for professional & pro-sumer use. The K2 captures stills at 8, 12 & 16 megapixel, & now comes equipped with photo burst mode that means that you can take up to 10 photos per second, which is perfect for trying to achieve the perfect action shot. Additional new features include 180 degree rollover which means if you are mounting your K-Series upside down the footage plays back the correct way up & G-sensor auto-start which means that you can set your MUVI to start recording on a change of gravity. You can also now capture interval stills during video capture at a set of pre-defined periods so you can save the best still images handsfree while capturing footage. The MUVI K2 now has an interchangeable, rechargeable lithium battery which has a capacity of 1500m Ah, the largest on the handsfree camera market, which will allow up to 4 hours of continuous recording.

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