Fast maximum aperture telephoto lens optimized for digital SLR cameras. This telephoto lens has a fast maximum aperture, & also features a new super multi-layer coating, which optimizes the characteristics of digital SLR cameras. A versatile, fast aperture telephoto lens for both digital & film SLR cameras. Two ELD glass elements reduce chromatic aberration to a minimum & also ensure sharp, quality images of high contrast. The new multi-layer lens coating reduces flare & ghosting, a common problem with digital SLR cameras. The Internal Focus system ensures the overall length of the lens does not change during focusing, ensuring convenient handling & ease of use. The HSM (Hyper Sonic Motor) models provide fast, silent AF function as well as full- time manual focus override. A drop-in 46mm filter holder in the rear part of the lens barrel can be rotated to facilitate the use of filters, including a polarising filter, in situ. Simply adding an APO teleconverter (optional extra), means that this lens can be used as a 420mm F4 AF ultra-telephoto lens with a 1.4X EX teleconverter, or a 600mm F5.6 AF ultra-telephoto lens with a 2X teleconverter. ...

The 300N Panoramic Head allows the photographer to take sequential constant-angle shots around a single axis, an essential part of achieving accurate & easy-to-stitch panoramic compositions. The set positions of the 300N give ample choice of rotation angle & also of the number of photos needed to complete a 360° pan. It covers the most common requests of panoramic photographers depending on the camera/lens equipment used. To make angle selection easier, a "click-stop" selector screw is included & attached to a safety cable to prevent it from being separated from the head & getting lost. The 300N also comes complete with a secondary locking screw which stops unwanted or accidental rotation of the head when heavy or off-center equipment makes it less balanced or when the head is used for non-horizontal rotation. The 300N can also be used as a turntable base for object panoramas, or as a means of reading the angle of rotation of camera pan movements in a range of photography. A camera can be mounted on the panoramic unit by adding one of a range of quick release, sliding or fixed plates or a conventional geared, ball or 3-way head. ...

300W lamp for Quadx Flash Head. ...

300w/240v Replacement Lamp for the Calumet Bravo Video Light. ...

Developed specifically for audio-for-picture applications, the 302 mixer is the perfect tool for production companies & camera operators wanting to take control of their audio. The 302 is stunning for its size, flexibility, control & performance; it is the most compact & cost-effective battery-powered professional audio mixer in its class. With important features to accommodate nearly any over-the-shoulder production, the 302 interfaces with wireless transmitters & receivers, camera audio inputs of all kinds, & external audio recorders. Its microphone inputs share the same superb circuitry of all Sound Devices field production tools. Like Sound Devices larger 442 Field Mixer, the 302 has a complete feature-set in a compact, functional design. All controls are accessible on its three main surfaces; no hidden controls. The high-efficiency power circuitry runs the mixer from either three internal AA batteries or external 5-18 VDC. Spec Frequency Response: 20 Hz
- 30 k Hz, +0.2, -0.5 d B, -1 d B @ 5 Hz & 50 k Hz typical Equivalent Input Noise: -126 d Bu (-128 d BV) maximum (22 Hz
- 22 k Hz bandwidth, flat filter, trim control fully up) Input Clipping Level: 0 d Bu minimum (trim control fully down) Line Output Clipping Level (1% THD): 20 d Bu minimum, 18 d Bu minimum with 600 ohm load Dynamic Range: 115 d B minimum (trim fully down) THD + Noise: 0.007% typical (1 k Hz, +4 d Bu at Line out), 0.009 max (50 Hz to 20 k Hz, +18 d Bu at line out, fader fully up) Output Noise: -100 d Bu (-102 d BV) maximum (22 Hz
- 22 k Hz bandwidth, flat filter, master gain fully up, faders fully down) L/R Gain Matching: +/- 0.1 d B (Mic In to Line Out) Metering: 40-segment, sunlight-viewable Selectable peak, VU, or peak (with or without peak hold) + VU ballistics High-Pass Filters: Switchable 80 Hz or 160 Hz, 12 d B/oct, silent activation Mic Powering (each mic selectable): none, 12 V phantom, 48 V phantom, 12 V T-power, selected per mic input Input Limiters: +18 d Bu threshold, 20:1 limiting ratio, 1 m S attack time, 200 m S release time. Output Limiters: Affects the outputs of the mixer. Threshold selectable from +4 d Bu to +20 d Bu, 1 d B steps, 20:1 limiting ratio, 1 m S attack time, 200 m S release time Power supply: Internal ±16 V (bi-polar) regulated audio rails, 2.4
- 6 V range internal batteries, isolated (floating) external DC input jack, 5-18 V locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-) Temperature: Operating: -20°C to 60°C, 0 to 95% relative humidity; (non-condensing), storage: -40°C to 85°C Weight: 0.85 kg, (1.8 lbs) unpackaged with three alkaline AA batteries Dimensions: 47 mm x 214 mm x 114 mm (H x W x D), 1.8" x 8.4" x 4.5" Lundahl transformer-balanced mic or line level inputs on XLR connectors Continuously adjustable input trim Two-position high-pass filter Pan switches Limiters on inputs & outputs Stereo & MS linking of channel 1 & 2 Phantom (48 V or 12 V) or "T" microphone powering selected per channel Solo (PFL) channel monitoring in headphones Peak limiters per channel Tape level output on TA3 locking connectors Active-balanced line/tape/mic level outputs on XLR connectors Return input for monitoring Channel 4/5 input option Sunlight-viewable LED meters with proprietary software selected ballistics On-board MS stereo matrix Push pots for setup features to keep the front panel clutter-free Durable extruded aluminum chassis Weight less than 1kg with batteries



...

This universal 30° honeycomb grid will snap into a 7" grid reflector. Great for use with the Calumet Grid Reflector for the Genesis (CF0534). ...

The Ezy Balance ‘point & shoot’ grey/white card enables you the freedom of being able to concentrate on setting up your shot to ‘capture the moment’ without having to spend time worrying about the exposure & colour correction for your lighting conditions. The Ezy Balance grey/white card is a useful double-sided ‘pop-up’ 18% grey/white card makes such technical issues simpler & is particularly handy when you are working under the pressure or time constraints of a wedding or fashion show. This 30cm version collapses down to a third of its size & comes complete with a carry bag for easy storage. The Ezy Balance ‘point & shoot’ grey/white card is ideal for closer range work such as head & shoulders portraits & product photography. ...

The Lastolite 30cm (12") Reflector is ideal for close up or small product shots & as a handy sized reflector for any gadget bag. White will retain natural colours whilst removing unwanted shadows contrast & the Gold will add a very noticaeble warm tone to the image (3800k).   Available in a choice of six reversible colours (Sunfire/ White, Silver/ White, Silver/ Gold, Sunfire/ Silver, Gold/ White & Sunlite/ Soft Silver) this reflector collapses down to just one third of its original size. ...

The Lastolite 30cm (12") Reflector is ideal for close up or small product shots & as a handy sized reflector for any gadget bag.  Silver will retain natural colours whilst removing unwanted shadows & giving an increase in contrast & the Gold will add a very noticeable warm tone to the image (3800k).   Available in a choice of six reversible colours (Sunfire/ White, Silver/ White, Silver/ Gold, Sunfire/ Silver, Gold/ White & Sunlite/ Soft Silver) this reflector collapses down to just one third of its original size. ...

The Lastolite 30cm (12") Reflector is ideal for close up or small product shots & as a handy sized reflector for any gadget bag. White will retain natural colours whilst removing unwanted shadows & the Silver will perform the same role whilst giving an increase in contrast.  Available in a choice of six reversible colours (Sunfire/ White, Silver/ White, Silver/ Gold, Sunfire/ Silver, Gold/ White & Sunlite/ Soft Silver) this reflector collapses down to just one third of its original size. ...