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The Neutral Density Set contains graduated resin filters that enable the photographer to adjust exposure over part of the photograph without effecting colour balance. Exposure can be controlled by 1, 2 or 3 stops. For example, when photographing a landscape in which the sky is much brighter than the foreground, placing the Neutral Density part of the filter onto the sky in the frame will reduce the sky exposure without effecting the foreground. This enables cloud detail to be kept correctly exposed & avoids the “white out” effect caused by exposing for the foreground. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...
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Lee Seven 5 Super Stopper A glass filter that reduces exposure by Approx. 15 stops. The new Super Stopper works well in harsh midday sunlight
- traditionally considered an unfavourable time to shoot. However, with this filter the softness that arises from any movement contrasts pleasingly with areas of bright light, creating an effect rarely seen before now. Seven 5

Size:
75x 90mm. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment.


...
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Lee Seven 5 System Pouch Green Your filters are always at h&, thanks to a well thought-out design of the filter bag, which has three options: portable with shoulder strap, belt loop or carrying strap for tripod. made from robust & durable fabric in accordion design, the pole filter, the filter holder as well as 8 other filters (75x 90 mm) fit. ...
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The Big Stopper is a 10 stop filter. The Big Stopper is a neutral density filter that reduces the amount of light entering your lens by ten stops. By greatly extending exposure times the Big Stopper has the effect of allowing anything that is moving in your image to become blurred or ghost like, for example clouds, waterfalls, rivers, & the sea. The filter can also be used on cityscapes to blur people or on roads & motorways to blur traffic. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...
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For all Cambo 2x 3 cameras. Board size is 4 7/8" square. ...
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Nikon SG-3IR is a replacement panel for built-in flash & can be attached to the hotshoe of a camera when using the built in flash as a remote commander for Nikon flashguns like the R1 close-up flash system, removing any unwanted flash spill from the builtin unit. Cameras like the Nikon D70 series fire a reduced output flash to set off the remote flashgun which can sometimes slightly affect the results especially at close distance. The Nikon SG3IR is included as standard with the R1 series closeup Flash Gun. ...
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The optional SGH-6 shotgun capsule adds a professional-quality hyper-directional (that is, highly directional) microphone to the H6, making it the perfect audio recorder for anyone working in film, video or live theatre, or for ENG (electronic news gathering) applications. Thanks to the three internal mics with digital signal processing ability, the SGH-6 achieves a frequency independent super-cardioid polar pattern. Compared to ordinary shotgun microphones using an acoustic tube method, the SGH-6 maintains a highly directional pickup at about half the length. Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera & you don't want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic. However, shotgun mics are not the audio equivalent of a photographic telephoto lens. Even though they do an above-average job of picking up sounds that originate from a short distance away, they always sound better when they're physically close to the sound source. If the capsule is more than three feet away, the audio will start to sound distant. The farther away it is, the more distant & reverberant the audio will become. Note: The SGH-6 is a monaural microphone. ...
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The SGM-DSLR is a broadcast quality shotgun microphone aimed at professional DSLR users. It offers a highly directional pickup with wide frequency response & very low noise levels. Unlike the plastic housing of many competitors microphones, the all-metal SGM-DSLR with its shock-mount holder eliminates camera, lens & motor noise. in addition, its long, lightweight metal barrel offers superior directionality & wide response. Powered by an LR-44 Alkaline battery, the SGM-DSLR comes complete with shock-mount microphone holder & shoe, Azden Logo foam windscreen & DSLR 3.5mm plug to plug output cable. ...
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Azden SGM-PDII Professional Phantom-Powered Mini Shotgun Microphone The SGM-PDll is a professional shotgun microphone with balanced XLR mic output. It is a highperformance microphone that operates via Phantom Power only (11-52VDC). Designed to fit into the microphone clamp/holder of today’s high performance broadcast & prosumer cameras, the SGMPDII offers super directional, professional quality sound pickup with wide response & low noise. The compact body is just 150mm long & terminates with a hard-wired 3-pin XLR output cable. A shock mount holder with shoe, flocked foam windscreen & zip-up pouch case are included. ...
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Azden SGM-PII Professional Mini Microphone The SGM-Pll PRO is a professional shotgun microphone with balanced XLR mic output. The Special Edition SGM-PII is a high-performance microphone that operates via Phantom Power only (11- 52VDC). Designed to fit into the microphone clamp/holder of today’s high performance broadcast & prosumer cameras, the SGM-PII offers the same directional, quality sound as the popular & highly rated SGM-PDII. Where the SGM-PDII has a hard wired output cable, the SGM-PII terminates with an XLR connector, allowing the use of any length high performance microphone cable. The SGM-PII offers super directional sound pick-up, wide response & low noise. A shock mount holder with shoe, flocked foam windscreen & zip-up pouch case are included. ...
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SF-72 Recessed Lensplate With 0 Mount

Recessed Lensboard with 0 mount for use with Cambo Ultima 23 and 35 cameras. The exchange of the original flash sync and cable release mount of the Copal shutter to the CRS-01 and CRS-02 is advised to maintain access for mounting the flash sync cable and a cable release.
RIP - This product is no longer available on our network. It was last seen on 07.10.2017

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Availability: In Stock
£124.18

Product Description

Recessed Lensboard with 0 mount for use with Cambo Ultima 23 & 35 cameras. The exchange of the original flash sync & cable release mount of the Copal shutter to the CRS-01 & CRS-02 is advised to maintain access for mounting the flash sync cable & a cable release.

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Jargon Buster

Cable - A series of wires bonded to form a single thread

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Calumet Photographic
Page Updated: 2017-03-29 12:07:29

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