Filters are widely used by black & white photographers for creative effect – most commonly to increase contrast between sky & cloud. However, care should be taken, because as much as a black & white filter darkens one colour, it lightens another – specifically, any colour that is similar to its own. A red filter, for example, makes a red pillar box appear almost white, & a blue sky as almost black. However, a red filter also absorbs green, which would block up the foreground of a verdant landscape. The black & white filters in the LEE Filters range can be used in conjunction with others, such as the polariser & neutral density standards & graduates. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

Filters are widely used by black & white photographers for creative effect – most commonly to increase contrast between sky & cloud. However, care should be taken, because as much as a black & white filter darkens one colour, it lightens another – specifically, any colour that is similar to its own. A red filter, for example, makes a red pillar box appear almost white, & a blue sky as almost black. However, a red filter also absorbs green, which would block up the foreground of a verdant landscape. The black & white filters in the LEE Filters range can be used in conjunction with others, such as the polariser & neutral density standards & graduates. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

Filters are widely used by black & white photographers for creative effect – most commonly to increase contrast between sky & cloud. However, care should be taken, because as much as a black & white filter darkens one colour, it lightens another – specifically, any colour that is similar to its own. A red filter, for example, makes a red pillar box appear almost white, & a blue sky as almost black. However, a red filter also absorbs green, which would block up the foreground of a verdant landscape. The black & white filters in the LEE Filters range can be used in conjunction with others, such as the polariser & neutral density standards & graduates. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

Filters are an essential part of any black & white photographer’s kit, & this set reflects that. The set is made up of Yellow, Red & Yellowish Green standard filters (not grads). The Yellow & Red filters will enhance the contrast in a sky to varying degrees, while the Yellowish Green both imparts contrast & opens up the tones of green foliage. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

Lee Seven 5 Circular Polariser When light from the sun bounces off a flat non metallic surface, such as glass or water, it becomes polarised with all of the reflected light waves vibrating in the same plane. This reflected glare can be removed by the polarising filter. There are two types of Polariser, circular & linear. These names bear no relation to the physical shape of the filter itself but refer instead to the way the light waves are transmitted through the filter to achieve the polarising effect. Aunique clip-on design means this can be snapped onto the front of the Seven 5 Holder & rotated independently of any graduated filters also in use. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

A lightweight, precision-engineered filter holder specifically designed for everyday Compact System Cameras. Also available as part of the Seven 5 Starter Kit. ...

Designed to snap easily to the front of the Seven 5 filter holder & shade the lens when you are out & about. The Seven 5 Polariser will fit easily inside the Hood when needed. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

The LEE Little Stopper increases the exposure by six stops, this allows texture & detail to be retained in the sea & sky while still giving a sense of time passing. At six stops, the Little Stopper is ideal for those low-light conditions at the beginning & end of the day (when the Big Stopper's ten stops may prove too much), allowing you to enjoy increased flexibility with exposure lengths. In many shooting conditions, this means that detail & texture in areas of movement such as the sky & water would be retained, while still conveying a sense of time passing. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

The LEE Filters range of Neutral Density (ND) Graduated Filters enable the photographer to selectively adjust exposure across the frame without affecting colour balance. They are almost an essential in modern landscape photography on both digital & film cameras & come in a range of strengths denoting the light stopping power of the filter. The 0.3 Neutral Density Hard Grad Filterreduces exposure by 1 stop without affecting colour balance. Hard transition from dark to light. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

The LEE Filters range of Neutral Density (ND) Graduated Filters enable the photographer to selectively adjust exposure across the frame without affecting colour balance. They are almost an essential in modern landscape photography on both digital & film cameras & come in a range of strengths denoting the light stopping power of the filter. The 0.3 ND Hard Grad Filter reduces exposure by 1 stop without affecting colour balance. Hard transition from dark to light. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...