Touit 2.8/50M A perfectionist with an eye for the details. The delicate structure of a petal, the tiny hairs on a cat’s fur or the seductive lines at the corner of the eyes – whenever a shot is all about the minute details, the ZEISS Touit 2.8/50M will delight & inspire. It not only means that you can portray objects in their original size, but also provides for beautiful contrast between the pin sharp focus of the image & the softly sketched background thanks to its aperture of 2.8. The famous symmetric lens design invented by Dr. Paul Rudolph at ZEISS in 1896. The Planar lens is the most successful camera lens design – &, by the way, the most plagiarized – ever created. It provides the lens designer with numerous means to correct aberrations extraordinarily well. & its performance is very constant over a wide range of imaging ratios, enabling such a versatile lens variety as the Makro-Planar lens. The ZEISS Touit 2.8/50M lets you capture the smallest things & the tiniest details at their actual size. At its closest focusing distance, subjects sized 15x 23 mm fill the frame with an impressive maximum reproduction ratio of 1:1. The imaging performance of the ZEISS Touit 2.8/50M is just as exceptional at such short distances as it is at medium & long distances. Minimum distortion, outstanding correction of chromatic aberrations, minimal image field curvature & excellent correction of coma & astigmatism allow true-to-life reproduction of any subject, particularly in combination with the high resolving power of modern sensors. ...

Cloudburst™ construction with welded & taped critical seams, DWR treated fabric & YKK RCPU zippers provides a first line of weather defense Safe Zone construction in bag ensures advanced protection for fragile gear Three-way use (chest, holster, sling) for adaptable flexibility & wearability Fits up to prosumer DSLR body with extended battery pack & lens up to 70–200mm f/2.8 ...

The SNIPER-STRAP THE TPH" TRIPLE-PRESS-HARNESS CAMERA CASE is a module of the "TPH" carrying system. The large camera case is simply fastened to the "TPH" back case. The result: a professional camera backpack with laptop compartment & the facilities to carry three cameras. The amply padded carrying system allows a substantial amount camera equipment to be transported comfortable for a long time. The camera case is attached to the D-rings on the "TPH" with six sturdy carabiners. The upper two carabiners are fastened directly to the straps, & the lower end of the straps is attached to two D-rings on the camera case. So the weight of the camera case is transferred to the straps, & the "TPH" back case serves as a generous back cushion. The main compartment, well padded all around, folds open to reveal numerous adjustable pouches for cameras, lenses, flashes & other accessories. The main compartment has a durable zipper & is in addition secured with two snaps.

Features: Completely padded main compartment with adjustable pouches folds open Access to main compartment from the front, with a sturdy zipper Two snaps on the side offer additional security Two zipper pouches on the front with a mesh compartment in the big zipper compartment Two mesh pouches on the inside Integrated tripod carrier on the side, detachable straps Padded side zipper pouch Side mesh pouch Four additional D-rings made from durable nylon on the sides, for accessories Sturdy carrying strap on top Side compression straps Interior: 42 x 34 x 12 cm (Hx Wx D), space for several camera bodies, various lenses & lots of accessories

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Designed with the busy press photographer in mind the Sun-Sniper TPH Complete Kit

Includes:: the Triple Press

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The Sun-Sniper TPH Waist Bag (Black) is designed to securely tuck under the TPH triple press harness. It is made to store chargers, batteries, a small lens, even a small rain parka or other accessories. The water-resistant ballistic nylon waist bag keeps the accessories close at h&. Tucks under a Sun-Sniper TPH triple press holder Water-resistant ballistic nylon Holds chargers, batteries, a small lens, even a small rain parka or other accessories ...

This has a Fiber Photo Paper Base of 300 gsm, a 13 millimetre thickness, Acid & Lignin Free, Micro Porous Smooth Gloss Surface (F-Type) with minimum gloss differential. It has an extremely high D-Max, wide colour gamut & instant drying time. Epson Traditional Photo Paper is a breakthrough paper, designed exclusively for use with Epson's Ultra Chrome K3 ink, developed in collaboration with many of the industry's leading professional photographers to ensure it meets their most discerning requirements. Many who have contributed to the development of Traditional Photo Paper have commented that it reminds them of revered silver halide papers as well as providing greater creative control due to extraordinary D-Max & tonal transition in black & white. You can also print extraordinary colour with the same paper - something that was not possible with traditional fibre based papers. Combining the artistry of traditional photography with the ease & control of digital output, this unique media offers the same deep blacks, subtle tonal gradations & long-lasting results as the darkroom papers from previous generations. Its fibre base has a rich surface, a continuous tone & soft gloss that are ideal for creating stunning colour or neutral black & white prints that retain the look & feel of traditional fiber paper. Like all Epson innovative media, this paper is engineered to give you the highest resolution & colour saturation possible. As always, Epson supplies guarantees Epson quality. ...

The base support & silver halide crystal control technology work together to produce enhanced whiteness, highlight & shadow depth qualities, making this an all purpose colour print paper for the photofinisher. So in effect, all your customers can have prints which both look better & last longer: creating a sales proposition that no professional photographer can afford to ignore. Fujitrans is used to produce stunning backlit images for display lightboxes. Ideal for long­term advertising displays. Designed to be equally suited to digital or optical exposure. Rich, highly­saturated colours for maximum impact, the opalescent base eliminates the need for lightbox diffusers. ...

Pocket Wizard Transceiver Caddy for Flex TT5. No more dangling on the end of a cord or using Velcro. Simply screw in the back of the Transceiver & use the bungee cord to secure it. ...

Pocket Wizard Caddy for Plus II & Max is designed to attach to the Transceiver & have the ability to mount on a light st&, tripod, etc... No more dangling on the end of a cord or using Velcro. Simply screw in the back of the Transceiver & use the bungee cord to secure it.   ...

The Hildozine Pocket Wizard Transceiver Caddy for the Plus III is designed to attach to a transceiver & have the ability to mount on a light st&, tripod, etc. No more dangling on the end of a cord or using Velcro. Simply screw in the back of the transceiver & use the bungee cord to secure it. This Caddy is an inexpensive way to make your transceiver very secure & is a perfect match for all Pocket Wizard Products. ...