Designed with the busy press photographer in mind the Sun-Sniper TPH Complete Kit

Includes:: the Triple Press

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The Sun-Sniper TPH Waist Bag (Black) is designed to securely tuck under the TPH triple press harness. It is made to store chargers, batteries, a small lens, even a small rain parka or other accessories. The water-resistant ballistic nylon waist bag keeps the accessories close at h&. Tucks under a Sun-Sniper TPH triple press holder Water-resistant ballistic nylon Holds chargers, batteries, a small lens, even a small rain parka or other accessories ...

This has a Fiber Photo Paper Base of 300 gsm, a 13 millimetre thickness, Acid & Lignin Free, Micro Porous Smooth Gloss Surface (F-Type) with minimum gloss differential. It has an extremely high D-Max, wide colour gamut & instant drying time. Epson Traditional Photo Paper is a breakthrough paper, designed exclusively for use with Epson's Ultra Chrome K3 ink, developed in collaboration with many of the industry's leading professional photographers to ensure it meets their most discerning requirements. Many who have contributed to the development of Traditional Photo Paper have commented that it reminds them of revered silver halide papers as well as providing greater creative control due to extraordinary D-Max & tonal transition in black & white. You can also print extraordinary colour with the same paper - something that was not possible with traditional fibre based papers. Combining the artistry of traditional photography with the ease & control of digital output, this unique media offers the same deep blacks, subtle tonal gradations & long-lasting results as the darkroom papers from previous generations. Its fibre base has a rich surface, a continuous tone & soft gloss that are ideal for creating stunning colour or neutral black & white prints that retain the look & feel of traditional fiber paper. Like all Epson innovative media, this paper is engineered to give you the highest resolution & colour saturation possible. As always, Epson supplies guarantees Epson quality. ...

This has a Fiber Photo Paper Base of 300 gsm, a 13 millimetre thickness, Acid & Lignin Free, Micro Porous Smooth Gloss Surface (F-Type) with minimum gloss differential. It has an extremely high D-Max, wide colour gamut & instant drying time. Epson Traditional Photo Paper is a breakthrough paper, designed exclusively for use with Epson's Ultra Chrome K3 ink, developed in collaboration with many of the industry's leading professional photographers to ensure it meets their most discerning requirements. Many who have contributed to the development of Traditional Photo Paper have commented that it reminds them of revered silver halide papers as well as providing greater creative control due to extraordinary D-Max & tonal transition in black & white. You can also print extraordinary colour with the same paper - something that was not possible with traditional fibre based papers. Combining the artistry of traditional photography with the ease & control of digital output, this unique media offers the same deep blacks, subtle tonal gradations & long-lasting results as the darkroom papers from previous generations. Its fibre base has a rich surface, a continuous tone & soft gloss that are ideal for creating stunning colour or neutral black & white prints that retain the look & feel of traditional fiber paper. Like all Epson innovative media, this paper is engineered to give you the highest resolution & colour saturation possible. As always, Epson supplies guarantees Epson quality. ...

The base support & silver halide crystal control technology work together to produce enhanced whiteness, highlight & shadow depth qualities, making this an all purpose colour print paper for the photofinisher. So in effect, all your customers can have prints which both look better & last longer: creating a sales proposition that no professional photographer can afford to ignore. Fujitrans is used to produce stunning backlit images for display lightboxes. Ideal for long­term advertising displays. Designed to be equally suited to digital or optical exposure. Rich, highly­saturated colours for maximum impact, the opalescent base eliminates the need for lightbox diffusers. ...

Pocket Wizard Caddy for Plus II & Max is designed to attach to the Transceiver & have the ability to mount on a light st&, tripod, etc... No more dangling on the end of a cord or using Velcro. Simply screw in the back of the Transceiver & use the bungee cord to secure it.   ...

The Hildozine Pocket Wizard Transceiver Caddy for the Plus III is designed to attach to a transceiver & have the ability to mount on a light st&, tripod, etc. No more dangling on the end of a cord or using Velcro. Simply screw in the back of the transceiver & use the bungee cord to secure it. This Caddy is an inexpensive way to make your transceiver very secure & is a perfect match for all Pocket Wizard Products. ...

The California Sunbounce Pro Translucent 2/3 Screen (4 x 6') is a translucent screen that transmits light, cutting the exposure by 2/3 f-stop, & softening & diffusing the light. Frame is not included. ...

An economical & practical method of storing negatives & contact proof pages. Translucent paper is free from acid & chlorine & suitable for long-term negative storage. ...

This umbrella can be used as a shoot-through diffuser to provide a softer light from your flash or diffuse sunlight. It features a telescopic shaft that collapses to under 15.5" &

Includes:: a storage sleeve. Designed for use with GENESIS GF200 or GF400 Portable Flash Systems (CF0180, CF0182).  Requires GENESIS Umbrella Holder (CF01804), sold separately.

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