The Pro Glass ND is an extremely high quality glass ND standard filter optimised for use with digital cameras, but equally useful for film. This new filter uses a surface coating made from evaporated metal, & therefore provides very even absorption across the visible spectrum & through the UV & Infra Red regions. Digital SLR users need to use ND standard filters to prolong exposure times in bright conditions for landscape photography, but the excess UV & IR can cause colour problems in some lighting situations. The Pro Glass filter reduces any chance of false colour casts, & also provides a result described as punchier on digital & film because the light forming the image is more specific to the requirements of the film or sensor. ...

The Pro Glass ND is an extremely high quality glass ND standard filter optimised for use with digital cameras, but equally useful for film. This new filter uses a surface coating made from evaporated metal, & therefore provides very even absorption across the visible spectrum & through the UV & Infra Red regions. Digital SLR users need to use ND standard filters to prolong exposure times in bright conditions for landscape photography, but the excess UV & IR can cause colour problems in some lighting situations. The Pro Glass filter reduces any chance of false colour casts, & also provides a result described as punchier on digital & film because the light forming the image is more specific to the requirements of the film or sensor. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

The Pro Glass ND is an extremely high quality glass ND standard filter optimised for use with digital cameras, but equally useful for film. This new filter uses a surface coating made from evaporated metal, & therefore provides very even absorption across the visible spectrum & through the UV & Infra Red regions. Digital SLR users need to use ND standard filters to prolong exposure times in bright conditions for landscape photography, but the excess UV & IR can cause colour problems in some lighting situations. The Pro Glass filter reduces any chance of false colour casts, & also provides a result described as punchier on digital & film because the light forming the image is more specific to the requirements of the film or sensor. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

Subtle cool wash for stage & studio lighting. ...

Sunlight effect. ...

Special 28mm Adapter. attaches by.: 3/8'' screw attachment type attachment (top): 1 1/8" male attachment type length: 4.00 cm



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Lee 019 Fire is good a strong amber / red colour. Great for fire effects. Reduces light by 2 stops. ...

Fire effect, sunset. ...

A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths. They are primarily used to colour balance films, the required filter being determined as a result of tests, or as specified by the manufacturer. They can also be useful for correcting light sources for which no one conversion filter exists, or for adding a deliberate colour bias. Cyan principally absorbs Red. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...

A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths. They are primarily used to colour balance films, the required filter being determined as a result of tests, or as specified by the manufacturer. They can also be useful for correcting light sources for which no one conversion filter exists, or for adding a deliberate colour bias. Green principally absorbs Blue & Red. Looking for the right Lee Filter for you? Use Lee’s System Match tool to find what’s compatible with your equipment. ...