Be prepared for an exciting, vibrant and different approach to using acrylics. With an infectious energy and enthusiasm, Hashim Akib shows how acrylics can be used in
unusual, surprising ways to create beautiful paintings full of life, atmosphere and colour. Step-by-step demonstrations, exercises and expert advice illustrate his simple, yet
effective techniques and there are many inspiring examples of what can be achieved. This extensive book details step-by-step projects that include urban landscapes, pet portraits
and abstracts. Neither beginners nor more experienced artists will want to be without this book.
About the Author
Hashim Akib was encouraged to paint as a child. He attended art collage and has worked as an illustrator for newspapers and design firms. In 2009 he won the SAA Artist of
the Year competition and has produced DVDs in partnership with Daler Rowney.
Winton is a traditional range of oil colours, made from moderately priced pigments, formulated for student and amateur artists or more accomplished painters requiring large volumes of colour within moderate cost limits. This great value set contains 6 x 21ml tubes in the perfect basic colour range.
Learn to paint a variety of likenesses. This book contains the information on how to address and overcome the many variables to consider when painting people. The book
covers many key topics such as; capturing a likeness, adding character to your portraits, painting skin tones, placing the image properly, editing visual information and how to paint
clothing and backgrounds. Everything the reader needs to know to be a successful painter of portraits is included, no matter what the physical characteristics of the person are.
About the Author
Suzanna Reese Winton is known for her instruction in watercolour painting and jurying of art exhibitions. Her work has been published in The Artist's Magazine, American Artist,
Watercolor Magic magazine, Splash 6 (North Light Books), and the Best of Watercolor 2000.
Winton Oil Colour Paper has a canvas textured surface which is specifically designed for use with oils. It is also suitable for most acrylic techniques (although it is better suited
to thicker applications of acrylic colour). It is popular for those sketching both outdoors and in the studio and for artists who prefer using paper to canvas.
Artists will learn how to take a 'flat' painting and create a sense of depth using 5 different techniques to animate the composition and increase the overall depth and
realism.The 5 key concepts featured are contrast, colour saturation, perspective, detail and unifying washes. Being able to manipulate the sense of 'pushing forward'
and 'pulling back' using the unifying washes is the most unique concept not addressed that extensively in other books.Readers will find step-by-step demonstrations,
short exercises, close-up details, before-and-after comparisons and samples of finished work extremely useful in conveying the importance of the 5 key concepts.
A truly interactive art instruction book.
The Watercolour Wheel Book will help anyone who wants to paint in watercolour to produce quality art in days. It begins with a look at the equipment you will need to get
started and then describes the basic principles of colour mixing and applying colour. The book presents a series of eight step-by-step projects designed to teach you the most
rewarding watercolour techniques, such as laying flat and graduated washes, working wet-in-wet and wet-in-dry, masking out, lifting off, and sponging, all applied to subjects from
still lifes to landscapes, and from buildings to woodland. By working through the projects, you will increase your knowledge and confidence and will be able to produce satisfying
watercolour art. Each project also introduces and illustrates the most important technique for the project and gives at-a-glance advice on colour mixing. The colour wheel on the
jacket allows mixes to be immediately visible, for successful paintings every time.
Turn the interactive colour wheel to instantly see the results of mixing different colours Learn the basics of colour mixing in watercolour, how to get the effect you are looking
for, and how to use watercolour in your compositions Discover the materials and equipment that watercolour artists use most often and with greatest success Work through the
eight projects to learn the basic techniques of working in watercolours Grow in confidence as you paint so that you produce exciting and successful watercolour art every time.
About the Author
John Barber is a professional artist and designer whose work has been published by many leading publishers worldwide. His interest in art and design have led to diverse
commissions, including model-making for film and TV, sculpture, and stained glass design, in addition to painting. He has lectured widely on Turner and Rembrandt, and regularly
teaches painting courses in Suffolk.
Perspective is the art of understanding and reproducing the space surrounding us - an attempt to 'flatten' what is seen on a sheet of paper. It links graphic combinations to
explain space just as language links words to explain thought. Perspective passes through an awareness of the space surrounding us. It puts at stake the artist's deductive ability
to capture a place, a direction or the way a surface behaves. It's about establishing the interplay between spatial reasoning and visual disorder, sorting out information and
providing a viewing point; conveying a 'graphic' space and 'spatial' graphics. This clear and richly illustrated book with more than 400 diagrams introduces artists, graphic designers
and architects to the principles of perspective so that they can create their own illusion of reality.
About the Author
Yves Leblanc has taught perspective at French universities since 1992. He is also a draughtsman and plastics technician.
This is a complete painting course for the beginner in ten easy-to-follow lessons, designed to make oils accessible to everyone. Principles and approaches are explained in a simple
and logical way using practical examples, step-by-step demonstrations and illustrated with finished paintings. This work demonstrates the versatility of oil paint and how to take
advantage of its slow drying time, which means that the paint remains flexible and mistakes can easily be rectified. Fundamental techniques are explained in a straightforward
fashion, although readers are also encouraged to experiment, leaving room for artistic integrity.
p>This is a practical and comprehensive guide for all oil painting enthusiasts, from the beginner to the experienced artist. Starting with advice on materials, painting from
photographs, colour and composition, it goes on to describe basic and more advanced techniques such as wet on wet, wet on dry, scumbling, dry brush, sgraffito, impasto and
glazing and the wonderful effects they can produce. For those wanting to avoid the use of smelly additives like turpentine or white spirit, there is a section on water mixable oils.
For readers who would like to see quick results, there is a section on instant oil painting, or painting in an intuitive, spontaneous way. Easy to follow step-by-step demonstrations
show the reader how to paint landscapes, sea and sky, still life and flowers, and each section is accompanied by a selection of inspirational paintings by the four featured artists, in
a rich variety of styles.
About the Author
Noel Gregory studied at High Wycombe College of Art and Bournemouth Teacher Training College. He owned an art gallery near Beaconsfield, Buckinghamshire for twenty five
years, dealing with Victorian pictures and later his own work. He now makes a living as an artist, specialising in oil painting, and sells his work internationally. Noel lives in Spain.
James Horton is an experienced artist with a particular knowledge of the field of anatomy. He has written numerous practical art books, including 'Learn to Draw the Figure', 'Pastel
Techniques' and 'Skin Tones'. He teaches art in colleges around the UK, and has exhibited his work widely, including mixed exhibitions at the National Portrait Gallery, the Royal
Academy and Royal Portrait Society. He lives in Cambridge. Roy Lang writes 'I do not consider my self to be an artist; rather someone who has learnt to portray its moods, colours
and movements with paint on canvas.' Despite opting out of art at school at the age of thirteen, Roy started painting again in his late thirties while out of work. His understanding
of the sea, mainly gleaned from angling in his youth, made up for his lack of any formal training in art. He now travels, giving demonstrations and workshops; and lives in the south-
west of England. Michael Sanders studied graphic art at Plymouth College of Art and Ceramics at Bristol University. He went on to become a graphic artist and signwriter, then a
potter, tutor and professional artist. He still teaches and he now runs painting holidays in the UK and Europe. He regularly writes articles for art magazines, loves boats and
travelling, and he enjoys music, the theatre and teaching art.
This title includes easy-to-follow techniques, tips and step-by-step demonstrations that provide guidance and encouragement for beginning artists to paint with oils. Familiar
subjects, simple compositions and a realistic style build confidence in beginning artists giving them the skills they need to create finished oil paintings. The reader will enjoy the 10
mini
demonstrations and 12 complete painting demonstrations. The bonus DVD features a complete painting workshop with the authors
Carrie will show you how to paint realistic faces step-by-step, as she paints a young girl from start to finish. Follow steps for masking, underpainting, and layering, then work
on bringing out the details of each facial feature with strong value contrasts.
Learn about achieving luminous skintones, focusing on values to paint facial features with ease and more. Carrie's friendly instruction and helpful tips will give you the skills you
need to paint your own favorite faces.
Follow along as Joyce demonstrates painting flowers in watercolour. You'll paint two flowers using unique approaches mixing colour directly on the surface to paint a magnolia,
and glazing colour to paint an iris to create fabulous darks, luscious colour and wonderful contrasts.