The MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications. Increased directivity due to intereference tube principle Very low inherent self noise High sensitivity Transformerless and fully floating balanced output Rugged, suitable for adverse climatic conditions Matt black all-metal body includes 1x MZW-415 windsield
Dedicated stereo microphone designed to expand the movie capabilities of compatible Nikon D-SLRs and COOLPIX cameras. A smart alternative to a camera’s built-in microphone, it suppresses unwanted operational noise such as autofocus to let you capture movies in superb stereo sound. A wind screen and low-cut filter switch prevent interference from wind or low-frequency noise and it boasts a short body for comfortable operation when shooting. Conveniently powered via the camera, it offers the ideal way to record crisp, clear sound. For more information about the compatibility of this item with other Nikon products, please check ‘Related Products’.
The ME 4 is a sub-miniature clip-on lavalier microphone which is suitable for speech applications in noisy environment. Itis equipped with a cardioid capsule and has therefore a high feedback rejection. Colour: Matt black. Features: High speech intelligibility High feedback rejection Easy attachment on clothing Mini jack for bodypack transmitters from evolution wireless series
The ME 62 is an omni-directional microphone head suitable for K6 and K6P powering modules. It can be used for reporting, discussions and interviews. The ME 62 is particularly suitable for good reproduction of 'room' ambience and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.Features Omni-directional pick-up pattern Minimal inherent self-noise Excellent rejection of rumble, wind and handling noise Wide frequency response High maximum sound pressure level Integral pop filterDelivery Includes 1 ME 62
Sennheiser MKE 2-EW Gold C Clip-On Lavalier Microphone The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Features: New Umbrella Diaphragm™ protects the mic against sweat Very high sound pressure handling capability Versatile attachment due to an extensive range of accessories
The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions.
Azden SGM-PII Professional Mini Microphone The SGM-Pll PRO is a professional shotgun microphone with balanced XLR mic output. The Special Edition SGM-PII is a high-performance microphone that operates via Phantom Power only (11- 52VDC). Designed to fit into the microphone clamp/holder of today’s high performance broadcast and prosumer cameras, the SGM-PII offers the same directional, quality sound as the popular and highly rated SGM-PDII. Where the SGM-PDII has a hard wired output cable, the SGM-PII terminates with an XLR connector, allowing the use of any length high performance microphone cable. The SGM-PII offers super directional sound pick-up, wide response and low noise. A shock mount holder with shoe, flocked foam windscreen and zip-up pouch case are included.
Improve your movie's sound with the shotgun stereo mic. Select from pure shotgun or shotgun/surrounding sound modes. Since the mic is powered by the camcorder's power source, you remain cable free. Wind shields are included. Use the microphone with the following Canon camcorders: XL-2, XL-H1, XM-2, and Canon's MV series camcorders.
Sennheiser ME 2 EW Lavalier Microphone The ME 2 is a sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications. Features: High speech intelligibility Easy attachment on clothing Mini jack for bodypack transmitters from evolution wireless series
Designed for field audio acquisition, professional recording and boradcast applications, the AT897 can be camera, stand or boom mounted for full flexibility. Features: Designed for video production and broadcast (ENG/EFP) audio acquisition Short length (11") ensures mic stays out of the shot -- even when used with compact digital cameras Smooth, natural-sounding on-axis audio quality Provides the narrow acceptance angle desirable for long-distance sound pickup Excellent sound rejection from the sides and rear of mic Switchable low-frequency roll-off Operates on battery or phantom power RoHS compliant—free from all substances specified in the EU directive on hazardous substances
The AG-MC200G microphone provides exceptional targeted pickup, isolating signals in noisy environments. Uses +48v phantom power and features standard XLR output, providing high signal gain and low noise floor. Ideal for mounting on camera as well as for use with portable recording or field devices.
Azden SGM990+i Zoom Shotgun Microphone The pick-up pattern of the built-in microphone on camcorders and DSLR cameras is omni-directional, meaning that it picks up all sounds in every direction equally, no matter which direction you point the camera. The SGM-990 is a directional, zoom microphone with 2 switchable sound pick-up patterns, Long and "Short." Use "Long" to focus on your sound source or pick up sound from a distance. Use "Short" for when your sound source is close or covers a broader field. Both settings will provide rejection of unwanted sound from the sides and the back. The SGM-990 has a working range of 6-12metres, uses 1x AAA battery, comes with a windscreen and shoe mount microphone clip and an interface cable for mobile recording on smartphones and tablets. Features: •Designed for high performance DSLR cameras •Directional zoom microphone w/ 2 switchable pick-up patterns •“Long” for super-cardioid and “Short” for cardioid •Provides focused sound pick up with excellent side noise rejection •Wide frequency response •Powered by single AAA battery •3.5mm mini-plug output •Comes with shock mount and windscreen •Great for recording lectures, speeches, voice memos, interviews and more. •Plug directly into smartphone or tablet •Compatible with iPhone® 3/4/5, iPad® (3rd generation and newer), Samsung Galaxy S® 3/4/5, Galaxy Tab® 3 and most Android™ devices •Works with most available recording apps •TRRS adapter cable taps into your mobile device’s mic connection
Canon DM-E1 Directional Stereo Microphone Shoot movies with a high quality soundtrack. Capture movies with a superb, clear soundtrack using this Canon quality Stereo Directional Microphone, which features a compact and lightweight Shotgun design and versatile directional pick up. Quick Facts: External stereo directional microphone for EOS cameras* Wide frequency range and high sensitivity for rich, detailed sound Three directional modes to capture a variety of subjects Shock mount and windshield cover reduces unwanted noise Compact and lightweight design that’s easy to carry *Not recommended for use with the EOS-1D Mark IV and EOS 550D as they do not feature a manual volume control for the microphone input Further Details: Outstanding sound quality – the Directional Stereo Microphone DM-E1 The DM-E1 is a compact stereo directional microphone providing exceptional performance for when high-quality sound matters just as much as the visuals. Designed to complement the movie quality of the EOS range, the DM-E1 is a versatile, high-quality microphone that can be used to capture a range of subjects. Featuring a classic shotgun design with three directional sound pick-up modes, the DM-E1 provides the ability to adjust the microphone to capture in three different directional patterns. The monaural shotgun mode is best suited for capturing a sound source directly in front of the camera, such as a presenter or reporter, providing some isolation from other sounds from within their environment. Switching to the 90 and 120 degree modes provides stereo sound for sources that are spread over wider areas, such as an orchestra in a concert hall. The in-built shock mount ensures noise from camera operations and lens zoom are effectively reduced, whilst wind noise is avoided thanks to the windshield. With a 50Hz to 16kHz sound frequency range pick-up, the microphone can capture a wide tonal range, while the 66dB S/N ratio and -42db sensitivity means users have a sensitive microphone with minimal distortion. Perfectly compact, ideal for those on the move The DM-E1 is one of the smallest and lightest microphones of its kind which makes it perfect for shooting on the move. Thanks to the 35mm audio jack connection, it can be used with a range of compatible Canon EOS cameras³.
To Note: This Microphone Only Works With Pre Amps Rated For 60Hz To 12, 000Hz. The 4104 Commentator's Noise Cancelling Ribbon Microphone is of British Broadcasting (BBC) design and used for reproducing high quality commentary speech from noisy surroundings by cancelling out a considerable degree of background noise. The 4104 has a proven reliable performance capability, being since its introduction used by such broadcasting networks as the BBC, IBA, CBS and ABC. The 4104 is not unduly affected by wind noise and can be used in air stream velocities up to 20 mph (32 km) without notable difference in speech quality. With the use of a simple windshield attachment good quality speech reproduction can also be achieved in winds ranging up to 40 mph (64 km) or more. Importantly the polar response is effectively bi-directional allowing one or more commentators to make clear individual commentary close side by side without interference from mutual cross over talk. This microphone is generally regarded as the leader in its field. Wherever it is essential to single out a speaker's voice without transmitting background noise, this is the choice of buyers from all over the world. One example application is its use in sports reporting, selecting the spoken commentary and cutting out the roar of racing cars at Brands Hatch or the screams of the little old ladies in the ringside seats at wrestling contests. News reporters broadcasting eyewitness accounts of processions and street demonstrations have also depended on this type of microphone. Equally important is its application in noisy industrial environments; prompt information and explicit instruction may be matters of life and death in a shunting yard or rolling mill, and a noise-cancelling microphone of this quality is the most vital element in such communications.
Audio-Technica's AT8004 (5.93" long) omnidirectional dynamic microphone is designed for on-location interviews/sports broadcasting. It offers exceptionally clear and natural reproduction and features internal shock mounting that minimizes handling and cable noise. The microphone's omnidirectional polar pattern is ideal for reproduction of surrounding ambience. Its rugged housing with hardened-steel grille stands up to field use. Also available as the AT8004L (9.43" long) with an extended-length handle with room for a microphone flag. Ideal for interviews, sports broadcasting and as the 'mono' mic used with a stereo microphone Omnidirectional polar pattern provides natural reproduction Rugged housing with hardened-steel grille stands up to field use Internal shock mounting minimizes handling and cable noise
Clear, directional audio on the GO! Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. It's tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise. The integrated Rycote? Lyre? shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound. Constructed from a single piece of hard-wearing thermoplastic, the Lyre? provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.
The Audio Technica PRO 70 miniature condenser microphone achieves full-sounding pickup and is known for outstanding consistency and dependable performance. Supplied with both a clothing clip and guitar mount, it provides natural and articulate vocal reproduction when used as a clip-on lavalier and excels in pickup of acoustic guitar. The PRO 70 is designed to make music and speech clearly and comfortably audible, yet never draw attention to itself or its operation. The microphone is equipped with a low-frequency roll-off switch that allows for reduced pickup of room noise. The versatile PRO 70 may be powered by either battery or phantom power. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source. Audio Technica PRO 70 Features: Miniature condenser microphone is ideal for both vocal and acoustic guitar applications Natural and articulate vocal reproduction when used as a clip-on lavalier—clothing clip included Excels in pickup of acoustic guitar with included instrument adapter Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Switchable low-frequency roll-off Corrosion-resistant contacts from gold-plated XLRM-type connector Operates on battery or phantom power 1.8 m cable permanently attached between microphone and power moduleAudio Technica PRO 70 Specifications: Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 100-14, 000 Hz Low Frequency Roll-Off: 80 Hz, 8 dB/octave Open Circuit Sensitivity: Phantom: -45 dB (5.6 mV) re 1V at 1 Pa, Battery: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: Phantom: 200 ohms, Battery: 200 ohms Maximum Input Sound Level: Phantom: 123 dB SPL, 1 kHz at 1% T.H.D., Battery: 123 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range (typical): Phantom: 96 dB, 1 kHz at Max SPL Battery: 96 dB, 1 kHz at Max SPL Signal-To-Noise Ratio: 67 dB, 1 kHz at 1 Pa Phantom Power Requirements: 11-52V DC, 2 mA typical Battery Type: 1.5V AA/UM3 Battery Current/Life: 0.4 mA / 1200 hours typical (alkaline) Switch: Off, on-flat, on-roll-off Weight: (MICROPHONE) 0.3 oz (8 g), (POWER MODULE) 4.7 oz (134 g) Dimensions: (MICROPHONE) 0.98 inches (25.0 mm) long, 0.40 inches (10.2 mm) diameter, (POWER MODULE) 3.27 inches (83.0 mm) H x 2.48 inches (63.0 mm) W x 0.87 inches (22.0 mm) D Output Connector: Integral 3-pin XLRM-type Cable: Integral 6 ft (1.8 m), permanently attached between microphone and power module Accessories Furnished: AT8411 clothing clip; AT8444 instrument adapter; power module; windscreen; battery; soft protective pouch
The PRO 24-CM camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with an accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO 24-CM is rugged; it’s built to endure the rigors of field production. Features: Stereo microphone designed to attach to a camcorder For camcorders with an accessory shoe and stereo microphone input Lightweight, portable design with rugged all-metal construction Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image Battery-free operation when used with recording devices that provide plug-in power at the mic input On/off switch for convenient operation Includes camera-mount, windscreen, battery and protective pouch Permanently attached 6”-12” coiled cable with right-angle molded 3.5 mm stereo mini plug at output end
MyMyk SportsMyk - SPM-FG Mini Boom Microphone SportsMyk is a fully adjustable, mini-boom microphone that can be securely attached to sports caps, safety helmet straps, goggle straps, clothing and sun glasses. SportsMyk allows you to capture and share your own sports commentary on the go. SportsMyk is fitted with a gold 3.5mm (1/8") TRS microphone plug compatible with most DSLR, Action and Video Cameras. Now Includes the Go Pro Compatible USB adaptor cable.
The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries. The NTG-1 provides an electronically balanced output stage and operates on 48 V to the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a Boom pole. The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Optional accessories are available for more demanding applications.
The M 58 has been specifically designed to satisfy the demands of electric news gathering (ENG) and electronic field production (EFP) applications. Its sophisticated internal shockmount dramatically reduces handling noise, while the microphone's frequency response has been tailored to provide broadcasters with a very accurate and intelligible sound. The M 58's weight-balanced design provides journalists with a high degree of comfort during lengthy interviews. Its rugged construction enables the microphone to withstand physical and environmental punishment typically encountered during field production operations. The M 58's slim profile and non-reflective finish result in a low profile on camera. Specifications: Transducer type: Dynamic moving coil Operating principle: Pressure gradient Frequency response: 40 - 20, 000 Hz Polar pattern: Omnidirectional Open circuit voltage at 1 kHz (0 dB =^ 1 V/Pa): 1.3 mV/Pa =^ -58 dBV EIA sensitivity rating: -149 dBm Nominal impedance: 200 ½ Load impedance: ³ 200 ½ Weight w/out cable: 256 g High output moving coil transducer Internal shockmount reduces handling noise Extended frequency response with rising high-end for maximum intelligibility Rugged construction Non-reflective Nextel finish Weight-balanced, slim-profile design EIA sensitivity rating -149 dBm
The K6P powering module is at the heart of Sennheiser's professional modular condenser microphone system. It is similar to the K6 powering module but is powered by 12 - 48 V phantom power only, for use where battery power is not required (e.g. permanent installations). The K6P can be combined with various microphone heads to produce microphones with a variety of pick-up patterns. Matt black, anodised, scratch-resistant finish.Features Switchable bass roll-off filter protects against rumble, handling, pop and wind noise On/off switch High output, low noise Transformerless balanced output on 3-pin XLR connector Delivery Includes 1 K6P powering module 1 MZQ 200 microphone clamp 1 protective carrying case
Audio-Technica’s newscaster-style omnidirectional ATR3350 lavalier is engineered for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use, and is a favorite choice for aerobics/dance/sports instructors. Its low-profile design assures minimum visibility. Newscaster-style miniature mic is perfect for video use Ideal for aerobics/dance/sports instructors Integrated 6 m (20') cable with 3.5 mm mini-plug for use with most cameras Omni pickup pattern offers full coverage Includes tie clip, battery, foam windscreen, and 1/4" adapter
The ECM-674 is an affordable shotgun-type electret condenser microphone, which delivers excellent sound performance in field and studio productions. The ECM-674 offers an excellent sensitivity of -36 dB (0 dB=1 V/Pa.) and low inherent-noise level of less than 17 dB SPL. This allows the microphone to be used for clear voice pick-up even in noisy environments. A two-way powering capability allows the ECM-674 to be driven by microphone power or batteries, making it suitable for both camcorder mounting and many other sound-gathering applications. Internal: AA-size battery operation. External: DC (40 to 52 V) operation. In general, old batteries can leak and damage the equipment they are used in. The ECM-674 prevents this by continually detecting the output voltage of the battery and shutting off the power supplied to the electric circuit whenever the voltage drops beneath a certain threshold. The ECM-674 microphone has a flat-and-wide frequency response (40 Hz to 20 kHz) and provides sound reproduction that is extremely smooth and natural The ECM-674 has been designed as a highly directional compact and lightweight shotgun microphone. It measures only 268 mm (10 5/8 inches) in length and weighs just 185 g (6.5 oz), maintaining good balance even when mounted on compact camcorders. The built-in two-position (M, V) low-cut switch provides users with a simple method of reducing the effects of undesired ambient noise. Electret Condenser Microphone Operating instructions Microphone cable Microphone spacer Microphone holder Windscreen
Sony ECM-77BMP (ECM77) Broadcast Quality miniature omni-directional electret condenser lavaler (tie-clip) microphone with 3.5mm mini-jack connector. Ideal upgrade for UWP series radio mics. The ECM-77 is probably the most often seen lapel microphone on TV and it is used widely in both studio production and on location. Its popularity is based on a combination of excellent sound quality, robust construction and an attractive cosmetic design. This microphone is the ECM-77BMP which is supplied with a 3.5mm locking jack for use with WRT-805 and UWP series wireless transmitter.
The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal 'AA' size 1.5 V battery or by 12 - 48 V phantom power. The K6 can be combined with different condenser microphone heads to provide a wide variety of polar patterns. Matt black, anodised scratch-resistant finish. Contains: 1 K6 powering module, 1x MZQ200 microphone clamp, 1x AA battery, and 1x protective carrying case. Switchable bass roll-off filter protects against rumble, handling, pop and wind noise On/off switch with battery test High output, low noise Transformerless balanced output on 3-pin XLR connector
The Sony F-112 is a high-quality handheld dynamic microphone, specifically designed for field production and newsgathering applications. The F-112 is equipped with a newly developed omni-directional microphone capsule, and it achieves highly sensitive and clear voice pick-up from all directions. Its robust body construction enables stable sound acquisition even in the harshest of environments encountered in the field. In addition, the F-112 offers a well thought-out ergonomic design which provides a stable grip, as well as optimized balance when combined with a Sony wireless plug-on transmitter – features essential for conducting smooth interviews. With its high performance, durability, and sophisticated design, the F-112 microphone is an ideal choice for demanding voice pick-up applications. General Specifications Detail: Capsule Type Dynamic Frequency Response 60 Hz to 17 kHz Directivity Omni-Directional Sensitivity -54 dB ±3 dB (0 dB=1 V/Pa., at 1 kHz) Dynamic Range - S/N Ratio - Inherent Noise (0dB=20µPa) - Induction Noise from External Magnetic Field 5 dB SPL or less Wind Noise Less than 50 dB SPL Max SPL (dB SPL)(0dB=20µP) - Connector XLR-3-12C type Cable Length - Power Requirements No power required Dimensions 13/16 inch diameter (handle), 1 1/2 inch diameter (head) and 7 1/2 inch (length) Weight 6 oz Superior Sound Quality Incorporating a newly developed omni-directional microphone capsule, the F-112 delivers a high sensitivity of -54 dB (0 dB=1 V/Pa.), allowing clear voice pick-up from any direction. Flat-and-wide Frequency Response The F-112 has a flat-and-wide frequency response (60 Hz to 17 kHz), which provides smooth and natural sound reproduction. Robust and Sophisticated Design The F-112 has been designed with special considerations for heavy-duty field use. The body is made of metal, offering a high level of durability to withstand severe conditions encountered in demanding sound pick-up scenarios. In addition, its well-balanced design allows comfortable handling when used in conjunction with a Sony wireless plug-on transmitter.
General Description Rugged, compact and versatile for great video sound: The MKE 400 is a small shot gun microphone for cameras with a lighting shoe mount and external microphone input. Features Rugged all-metal housing Maximum side noise rejection, optimised for video recordings Switchable sensitivity for long and short distances Switchable wind noise filter Approximately 300 hrs operating time (from a single AAA battery) Integral shock-mount for rejection of handling noise Foam windshield included Delivery Includes MKE 400 with coiled cable (3.5 mm stereo mini jack) 1 battery (size AAA) 1 foam windshield
The EX-503 Lapel Microphone is a high quality, electret condenser microphone. The microphone element is Omni-directional, which means it picks up sound equally well from all directions. It will capture your subject’s voice loud and clear no matter where it is pointing and will prevent a dip in volume if they turn their head while speaking.
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish. Super-cardioid/lobar pick-up pattern Highly directional Low inherent self-noise High sensitivity Wide frequency response
The RODE VideoMic is a professional grade 1/2" condenser shotgun microphone designed for use with consumer video cameras and personal audio recorders. The integrated Rycote Lyre based shock mounting system isolates the VideoMic capsule and electronics from its all-metal shoe mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. Its standard sized shoe mount also includes a 3/8" thread in the base for easy mounting on a boom pole or stand. By employing a super-cardioid polar pattern the VideoMic becomes highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport. Manual: Click here to read the manual for Rode VideoMic.
The SGM-DSLR is a broadcast quality shotgun microphone aimed at professional DSLR users. It offers a highly directional pickup with wide frequency response and very low noise levels. Unlike the plastic housing of many competitors microphones, the all-metal SGM-DSLR with its shock-mount holder eliminates camera, lens and motor noise. Additionally, its long, lightweight metal barrel offers superior directionality and wide response. Powered by an LR-44 Alkaline battery, the SGM-DSLR comes complete with shock-mount microphone holder and shoe, Azden Logo foam windscreen and DSLR 3.5mm plug to plug output cable.
Sony ECM-VG1 Shotgun Electret Condenser Microphone The ECM-VG1 is specifically designed for professional field and studio production applications at an affordable price. It is extremely lightweight and is supplied with an innovative windscreen that suppresses wind noise, making it a perfect choice for field sound shooting with a compact camcorder or attached to a boom pole. Features: Specifically Designed for Professional Field and Studio Production Applications Outstanding Sound Quality Compact and Extremely Lightweight Design with Metal Body Built-in Low-cut Filter Innovative Windscreen Perfect for Field Sound Shooting
The MKE 600 can master even the toughest video sound challenges. Its high level of directivity ensures that it picks up sound from the front of the camera whilst attenuating unwanted sound coming from the sides and rear. Wind noise is reduced by the foam windshield supplied, while a switchable low-cut filter additionally minimises wind and handling noise. The MKE 600 can be phantom powered or operated on an AA battery for about 150 hours. Exceptional directivity MKE 600 shotgun microphone for video journalists The new MKE 600 shotgun microphone provides video journalists with a microphone that can master even the toughest video sound challenges. Its high level of directivity ensures that it picks up sound from the camera direction while reliably avoiding unwanted background noise. T he switchable low-cut filter makes sure that handling and wind noise is minimised. Users can expect a very lifelike, full-bodied sound with good bass response and pleasant speech reproduction with high intelligibility. Reporting and media productions have an increasingly broad base nowadays, with information needing to be transmitted extremely quickly, which also means that the technology used has to be as uncomplicated as possible. The MKE 600 is the ideal microphone for video journalists who want to produce a report or a film in perfect video and audio quality but do not wish to resort to highly professional shotgun microphones or a separate wireless link. In developing the MKE 600, we paid particular attention to achieving a high level of directivity and a balanced sound A shock mount with an integral flashmount adapter is included to enable the sturdy MKE 600 to be fixed to a video camera without difficulties. The special design of the shock mount prevents handling noise from being transmitted to the microphone. Like any other shotgun microphone, the MKE 600 can, of course, also be used on a microphone boom. Independent of phantom powering For cameras that do not provide phantom power, the MKE 600 can be powered by a standard AA battery. A switch is provided to deactivate the battery power when the camera is not in use, thus preventing the battery from being discharged. An LED on the battery switch (“Low Batt”) indicates when the battery voltage is low, at which point the video journalist still has a reserve of around eight hours. Professional accessories The MKE 600 comes fully equipped with a foam windshield that reduces wind noise by around 25 dB; the shock mount and a carrying case are also included. For outside broadcasting, a ‘blimp’ basket windshield (MZH 600) – a combined foam windshield and hairy cover that reduces wind noise more effectively than a foam windshield – is available as an optional accessory. A further option is a coiled connecting cable (KA 600) from an XLR-3 connector to a 3.5 mm jack plug.
Azden SGM-PDII Professional Phantom-Powered Mini Shotgun Microphone The SGM-PDll is a professional shotgun microphone with balanced XLR mic output. It is a highperformance microphone that operates via Phantom Power only (11-52VDC). Designed to fit into the microphone clamp/holder of today’s high performance broadcast and prosumer cameras, the SGMPDII offers super directional, professional quality sound pickup with wide response and low noise. The compact body is just 150mm long and terminates with a hard-wired 3-pin XLR output cable. A shock mount holder with shoe, flocked foam windscreen and zip-up pouch case are included.
An innovative compact broadcast shotgun condenser microphone for HDSLR, Camcorders and Audio Recorders. ROTO-MIC available separately or as part of the new Rotolight Sound & Light Kit, featuring the multi-award winning RL48 Ringlight.
Complete microphone set for live performances: e 835 cardioid evolution vocal microphone, high-quality König & Meyer microphone stand, 5-m XLR cable, microphone clip, and robust microphone pouch. The epack e 835 provides all you need for your live performance. Besides the professional evolution vocal microphone e 835, the epack includes a high-quality K&M microphone stand, a 5 m XLR cable, a microphone clip and a robust microphone pouch. The e 835 is a cardioid lead vocal stage microphone specially designed to perform under pressure. Features: Microphone: Rugged metal body Exceptional feedback rejection High sound pressure handling capability Shock-mounted capsule provides excellent suppression of handling noise Good isolation from incidental noise from the rear Humbucking coil Microphone stand: Microphone stand with integral boom arm Ideal for on the move: lightweight and easily collapsible Height-adjustable Rugged, powder-coated surface
Sennheiser MKE 440 Stereo Shotgun Microphone Compact stereo shotgun microphone for cameras with a lighting shoe mount and external microphone input. Maximum side noise rejection. Rugged all-metal housing. Features: Dual mini shotgun mics create frontal focus Suppression of ambience and background noise Built-in elastic suspension and wind protection 3-level sensitivity adjustment and low-cut Compact, all-metal construction Standard size camera shoe mount The MKE 440 has two aligned and matched mini shotgun mics ensuring that the MKE 440 captures the audio you want while rejecting off-axis noise. This feature sets it apart from conventional stereo microphones. With its optimized acoustic characteristics and adjustable sensitivity, the MKE 440 is ideally suited for speech, music or ambience. The stainless steel micro-mesh wind protection reduces wind noise and protects the fine high frequency details in your sound. Best of both worlds: Stereo without side effects!
Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.
The smartLav+ is a broadcast-grade wearable microphone designed for use in a wide range of film, television and broadcast scenarios, or wherever broadcast quality audio is required in a discreet, portable format without the complication and expense of additional wireless equipment. With the smartLav+ the user simply mounts the microphone on the talent, connects it to a smartphone or tablet headset jack and records via the RØDE Rec app for iOS, or any other audio app of their choice. By employing a professional quality omni-directional condenser capsule the smartLav+ picks up sound equally from all around the microphone, allowing for versatility when mounting and ensuring a high degree of user-friendly operation. A foam pop shield is supplied to minimise wind noise and vocal plosives (hard ‘b’, ‘t’ and ‘p’ sounds), as well as a durable mounting clip with in-built cable management. Its Kevlar® reinforced cable ensures that you never stretch or snap your microphone under normal usage conditions. The smartLav+ is compatible with any audio app that accepts input from the headset connection, however it has been designed to pair perfectly with RØDE’s RØDE Rec app for Apple iOS devices. RØDE Rec turns the user’s iOS device into a fully-featured field recorder, with a wide range of equalisation presets to suit various recording situations, in addition to professional editing functions and the ability to publish to SoundCloud and Dropbox direct from the app.
Rode NTG3B Condenser Shotgun Microphone The RØDE NTG3 super-cardioid shotgun microphone is designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required. As RØDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue. Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time. A durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone's rugged performance credentials. Features: Superior broadcast sound quality High Sensitivity Super-cardioid polar pattern Designed to withstand adverse environmental conditions 50% less self-noise than the majority of shotgun microphones Extremely low handling noise High level of immunity to radio frequency interference True Condenser (external RF biased) Includes durable aluminium storage cylinder for transport, pop filter, mic clip and large zip pouch Designed for professional use on film, television, ENG & wherever high resolution broadcast audio is required The RØDE NTG3 shotgun microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
Rode NTG4 Directional Condenser Microphone The NTG4 builds on the platform created by RØDE's award-winning NTG1 shotgun microphone. A broadcast-quality directional condenser microphone designed to provide premium audio recording in a versatile range of applications including on-camera and boom mounted. Key Features: • Condenser transducer • Rugged metal construction • On-board Power Button and LED • High Frequency Boost Button • High Pass Filter Button (Flat/75Hz) • PAD Button (-10db) • Low handling noise • Designed and manufactured in Australia • Full 10 year warranty with online registration Overview: Control the in-built high-pass filter, pad and high frequency boost using convenient digital switching on the microphone body. Persistent states ensure your settings are retained when the microphone is switched off. The NTG4 integrates a newly designed microphone capsule and offers a digital switching option on the body of the mic that enables the control of an in-built high-pass filter (Flat/75Hz), pad (-10db) and high frequency boost. Designed as a versatile shotgun microphone that provides premium audio recording, NTG4 is equally suited for on-camera and or boom mounted use. The NTG4 integrates a newly designed microphone capsule and offers a digital switching option on the body of the mic that enables the control of an in-built high-pass filter (Flat/75Hz), pad (-10db) and high frequency boost.
Azden SMX-30 Stereo/Mono Switchable DSLR Microphone The SMX-30 was engineered to be the ultimate video microphone with outstanding audio quality, appealing design, ergonomic form factor, and all of the functional features one expects in a top-of-the-line, camera-mounted microphone. STEREO OR MONO - WHY CHOOSE? If you only have the budget to buy one microphone for your camera, why should you have to choose between mono or stereo? The SMX-30 is stereo/mono switchable, so you don’t have to. Housed inside an innovative casing, the SMX-30 is actually two microphones packaged into one. The stereo microphone is positioned at the top and consists of 2 cardioid polar pattern microphone elements spaced apart at a 120º angle for capturing a natural sounding stereo image. The mono microphone uses a super-cardioid polar pattern to focus on sound in front of the camera and is equipped with the same high-quality element as Azden’s SGM-250 shotgun microphone to record broadcast quality sound. GAIN CONTROL: The audio controls on DSLR cameras are limited, if they exist at all. And DSLRs are notoriously known to have low-quality microphone preamps that add noise to the video soundtrack when the gain is turned up. That’s why Azden designed the SMX-30 with a +20dB gain booster; so you can get a strong, clean audio signal into your camera, minimizing the need to turn up the noisy preamp. Also included is a -10dB pad to protect against distortion when recording in loud environments such as live concerts and motorsport events. FREQUENCY RESPONSE: The SMX-30 has a wide frequency response ranging from 40Hz to 20kHz, so the audio you capture will sound full and natural. Additionally, a low-cut filter switch is included for reducing the level of low frequencies below 120Hz, which is especially useful for mitigating noise caused by air conditioners, wind and traffic. POWER: The SMX-30 is powered by two AA batteries; a lower cost option than the 9V battery that is used in some competitor microphones. The SMX-30 can achieve 24 hours of operation with a single set of batteries with absolutely no degradation of sound quality. The battery indicator LED light lets you know when it’s time to change batteries with up to a 1 hour warning. maximize battery life by using the unique “Auto” power setting. When set to Auto, the SMX-30 can detect when a camera is on and will automatically power on and off with the camera (requires a mic input that provides plug-in power). Ever leave your microphone on by accident to discover that the batteries are dead the next time you try to use it? Eliminate that possibility by always leaving the SMX-30 in “Auto” mode. INTEGRATED SHOCK ABSORBING SHOE MOUNT: Integrated into the design of the SMX-30 is a custom made, shock absorbing shoe mount to isolate the microphone from camera motor and handling noise. The mount is designed to fit the standard camera shoe and comes with a ¼”-20 thread at the bottom for mounting to boom poles and other camera accessories.
The Azden SMX-20 is a compact, high-performance, directional stereo microphone with stereo mini-plug output cable, windscreen and shock-mount holder with shoe. Designed to work with today’s high performance DSLR cameras, the SMX-20 offers broadcast-quality, directional, stereo sound. At less than 13cm long, the SMX-20 is small in size, but not performance. Its wide frequency response, low noise and directional sound are a major step-up from the camera’s built in microphone. The SMX-20 comes complete with LR-44 battery and the attached output cable terminates with a 3.5mm stereomini-plug which connects directly into the camera’smicrophone jack.
The Azden SMX-10 is a Dual Directional Stereo microphone with stereo mini-plug output cable, windscreen and shock-mount holder. Now you can record superior stereo sound directly on your DSLR camera, blocking out low frequency background noise with the switchable low-cut filter. The 177mm long, dual uni-directional, electret condenser microphone is powered by a single AAA battery and features a built-in cable with 3.5mm stereo mini-plug. It comes with a windscreen and camera hotshoe mount.
The Canon DM-100 Directional Stereo Microphone delivers high-quality stereo audio recordings to camcorders such as the Vixia HF10, HF100, HG20 and HG21 Camcorders. The microphone attaches to the camera's advanced accessory shoe for cable-free installation. Includes Furry Windmuff.