Manual lighting control with timed crossfades and sequence functions The Juggler provides manual lighting control for the smaller school stage or drama studio, offering the perfect solution to uncomplicated lighting plots. The Juggler is a two preset, 12 channel desk with a wide mode feature that allows 24 channel operation. Channel faders are set in a conventional two preset layout for easy crossfading. Each preset has its own fade time control allowing smooth fades to be achieved over periods as long as 5 minutes. All crossfades are true dipless. This ability to hold constant lighting levels and varying fade times allows sophisticated lighting plots to be replayed simply and accurately. The Juggler has channel flash buttons enabling the creation of lively lighting effects. These can be disabled by the flash on/off switch to prevent accidental use. The Juggler also offers a sequence feature allowing users to program chases or playback stacks. Up to 12 sequences of 99 steps can be recorded on the desk. (Only 1 of the 12 sequences may be output at any given time). Sequences can be played back using the auto function with the ability to set the chase time using the speed pot. Sequences can also be stepped through manually. In manual mode the time pot used for the A/B faders can be used to set the fade time between steps. To allow seamless integration of a chase into a look there is a sequence master. Sequence steps can contain single or multiple channels.
Developed specifically for audio-for-picture applications, the 302 mixer is the perfect tool for production companies and camera operators wanting to take control of their audio. The 302 is stunning for its size, flexibility, control and performance; it is the most compact and cost-effective battery-powered professional audio mixer in its class. With important features to accommodate nearly any over-the-shoulder production, the 302 interfaces with wireless transmitters and receivers, camera audio inputs of all kinds, and external audio recorders. Its microphone inputs share the same superb circuitry of all Sound Devices field production tools. Like Sound Devices larger 442 Field Mixer, the 302 has a complete feature-set in a compact, functional design. All controls are accessible on its three main surfaces; no hidden controls. The high-efficiency power circuitry runs the mixer from either three internal AA batteries or external 5-18 VDC. Spec Frequency Response: 20 Hz - 30 kHz, +0.2, -0.5 dB, -1 dB @ 5 Hz and 50 kHz typical Equivalent Input Noise: -126 dBu (-128 dBV) maximum (22 Hz - 22 kHz bandwidth, flat filter, trim control fully up) Input Clipping Level: 0 dBu minimum (trim control fully down) Line Output Clipping Level (1% THD): 20 dBu minimum, 18 dBu minimum with 600 ohm load Dynamic Range: 115 dB minimum (trim fully down) THD + Noise: 0.007% typical (1 kHz, +4 dBu at Line out), 0.009 max (50 Hz to 20 kHz, +18 dBu at line out, fader fully up) Output Noise: -100 dBu (-102 dBV) maximum (22 Hz - 22 kHz bandwidth, flat filter, master gain fully up, faders fully down) L/R Gain Matching: +/- 0.1 dB (Mic In to Line Out) Metering: 40-segment, sunlight-viewable Selectable peak, VU, or peak (with or without peak hold) + VU ballistics High-Pass Filters: Switchable 80 Hz or 160 Hz, 12 dB/oct, silent activation Mic Powering (each mic selectable): none, 12 V phantom, 48 V phantom, 12 V T-power, selected per mic input Input Limiters: +18 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 200 mS release time. Output Limiters: Affects the outputs of the mixer. Threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time, 200 mS release time Power supply: Internal ±16 V (bi-polar) regulated audio rails, 2.4 - 6 V range internal batteries, isolated (floating) external DC input jack, 5-18 V locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-) Temperature: Operating: -20°C to 60°C, 0 to 95% relative humidity; (non-condensing), storage: -40°C to 85°C Weight: 0.85 kg, (1.8 lbs) unpackaged with three alkaline AA batteries Dimensions: 47 mm x 214 mm x 114 mm (H x W x D), 1.8" x 8.4" x 4.5" Lundahl transformer-balanced mic or line level inputs on XLR connectors Continuously adjustable input trim Two-position high-pass filter Pan switches Limiters on inputs and outputs Stereo and MS linking of channel 1 and 2 Phantom (48 V or 12 V) or "T" microphone powering selected per channel Solo (PFL) channel monitoring in headphones Peak limiters per channel Tape level output on TA3 locking connectors Active-balanced line/tape/mic level outputs on XLR connectors Return input for monitoring Channel 4/5 input option Sunlight-viewable LED meters with proprietary software selected ballistics On-board MS stereo matrix Push pots for setup features to keep the front panel clutter-free Durable extruded aluminum chassis Weight less than 1kg with batteries
The BeachTek DXA-SLR PRO HDSLR Audio Adapter is designed to enhance audio quality with virtually any HDSLR camera by providing high quality XLR inputs, AGC disabling, built-in limiting, headphone monitoring, comprehensive metering and more. Connect up to two microphones and provide 12 or 48V phantom power to professional condenser microphones. Each channel features a gain control switch with 0 and 15dB settings, and the low-noise preamplifiers and throughput ensure pristine audio quality, wide frequency response and detail. The AGC (Automatic Gain Control) disabling feature eliminates audio level fluctuations that can ruin an otherwise good take. The unit is built tough, mounts to the base of HDSLR cameras, and its rear mounted VU meter displays level in 3 dB increments.